Giri/Haji

Wonderful to be introduced to such a tremendous cast. Loved Will Sharpe who made Rodney a standout but equally compelling were Takehiro Hira, Yosuke Kubozuka and Aoi Okuyama. Great to see new people on screen. It's not often I can see the perfection of direction but everything about this show was superb. Hays off to Julian Farino. I'll be watching him. Stellar.

Exceptional storytelling and direction in this compelling series which broke the mold and reinvented the genre with its brave and brilliant style, Everything about it was outstanding - directing, writing, casting. It had humor and wit despite the bleak subject matter and it was all done with incredible style. British drama showing the world how its done.

What a breath of fresh air in a world where tv is so uniform and unoriginal that you can predict the next move a mile away.

I'm also grateful that we got to discover a bit of Japan and its culture beyond the usual Hollywood cliches.

Well worth my time and highly recommended.

After watching one-and-a-half episodes of the execrable series "The Witcher," I'd begun to doubt the reliability of IMDB ratings. Then, I decided to try "Giri/Haji," suspicious of its 7.9 rating. Also, I'd seen Joe Barton's series "Cuffs," and while enjoyable, it was pretty weak beer.

"Giri/Haji" was an absolute revelation, right from the start through the eighth and final episode. The writing and direction, art direction, cinematography and effects, were just superb. And the acting! I was not familiar with any of the Japanese actors, but they were great. So were the British actors, many of them familiar to fans of UK films and TV, including Kelly Macdonald (first seen in Trainspotting), Charlie Creed-Miles (from Peaky Blinders), Tony Way (from Ricky Gervais' "After Life"), and new-to-me Will Sharpe.

Part family drama, part police procedural, part Yakuza film, the movie flips between London and Tokyo during a Japanese gang war. Strange as it may seem, the various filmic elements hold together beautifully, whether changes in screen dimension to denote time shifts; brief uses of anime; and a lovely ballet sequence.

It is bloody, violent, tender, exciting, and contemplative. Something for everyone. I fully recommend this series.

The nephew of a powerful Yakuza boss is murdered in London. The Tokyo Police suspect that the perpetrator is a former member of a rival Yakuza clan. After a counter-hit on his former clan and fearing an escalating gang war, the suspect's brother, a police detective, is sent to London to track him down and bring him back to Japan.

Good drama series but promised to be brilliant. Started very well: the first four episodes were fantastic, full of action, an interesting plot, good back stories and interesting characters. However, the longer it went on the more implausible and contrived some of the plot development became. Some developments are quite farcical.

Furthermore, writer-creator Joe Barton tries to cram in far too many sub-plots into the series. I was only really interested in the crime-drama aspect but Barton has all sorts of other angles wound around this, stories that really don't add anything. I didn't mind when they were just there to provide some colour to proceedings but instead of staying as minor filler they become major plot streams (in terms of time consumed, rather than quality or interest/entertainment factor). Episodes 5-8 become very unfocused because of this, resulting in my interest and engagement waning.

It all comes together more-or-less okay in the end but the contrast with how it started is still quite stark.

A tighter plot, captured in about 4 or 5 episodes instead of 8, and this would have been excellent.