NOTE IMDb
6,8/10
20 k
MA NOTE
Un avocat de Washington lutte contre le cynisme, la bureaucratie et la politique pour aider les victimes du 11 septembre.Un avocat de Washington lutte contre le cynisme, la bureaucratie et la politique pour aider les victimes du 11 septembre.Un avocat de Washington lutte contre le cynisme, la bureaucratie et la politique pour aider les victimes du 11 septembre.
Avis à la une
It is a film that shows American culture in all its expression, Values vs Economy, Reason vs Economy, Humanitarian Act vs Economy.
A film by a director who was unknown to me, Sara Colangelo, for me it is a pleasant surprise to discover this young director. I also loved the performance of Amy Ryan as Camille Biros, she managed to play a mature woman, very professional of these times.
A film by a director who was unknown to me, Sara Colangelo, for me it is a pleasant surprise to discover this young director. I also loved the performance of Amy Ryan as Camille Biros, she managed to play a mature woman, very professional of these times.
Buried in the Netflix movie graveyard is this little unseen gem about a lawyer (Michael Keaton) who's given the job of figuring out how much compensation to give each family of people who died in the 9/11 attacks.
This is one of those scrappy do-gooder movies like "Erin Brockovich" or "Dark Waters" that pit earnest, well meaning folk against corporate greed, and I'm a total sucker for those kinds of movies. Michael Keaton is perfect to play a role like this, because he's so darn charismatic and likable and easy to root for. Add in Stanley Tucci, who makes everything he's in worth watching, and that's all you really need. But as a bonus, there's excellent work from Amy Ryan and stage actress Laura Benanti. The only acting misstep comes from Tate Donovan, who gets the unenviable task of representing Rich People and who is only lacking a silent villain mustache to turn his character into a total cartoon.
"Worth" goes into the things you'd think a movie like this would: economic and class disparity, the moral ramifications of putting the worth of a human life to a dollar figure, an American system that piles advantages on top of people who already have all the advantages. But it stays smart and understated and never overplays its hand.
Every year I try to see as many movies as I can regardless of how well they're reviewed or whether or not they get any awards attention, and movies like this are why. For every four you see that are forgettable or worse, there's a fifth that makes you glad you found it.
Grade: A.
This is one of those scrappy do-gooder movies like "Erin Brockovich" or "Dark Waters" that pit earnest, well meaning folk against corporate greed, and I'm a total sucker for those kinds of movies. Michael Keaton is perfect to play a role like this, because he's so darn charismatic and likable and easy to root for. Add in Stanley Tucci, who makes everything he's in worth watching, and that's all you really need. But as a bonus, there's excellent work from Amy Ryan and stage actress Laura Benanti. The only acting misstep comes from Tate Donovan, who gets the unenviable task of representing Rich People and who is only lacking a silent villain mustache to turn his character into a total cartoon.
"Worth" goes into the things you'd think a movie like this would: economic and class disparity, the moral ramifications of putting the worth of a human life to a dollar figure, an American system that piles advantages on top of people who already have all the advantages. But it stays smart and understated and never overplays its hand.
Every year I try to see as many movies as I can regardless of how well they're reviewed or whether or not they get any awards attention, and movies like this are why. For every four you see that are forgettable or worse, there's a fifth that makes you glad you found it.
Grade: A.
Well written, edited, and so forth. Keaton and Tucci are masterful in their portrayals. The movie has very touching moments that portrays the situation in the film as well as those of the stories of the people this is based on in a very sympathetic and emotional manner. I would recommend to almost anyone who asks me to give it a shot. My only real criticism is that it can be slow at times, and at the core concept the movies plot self describes to be about justice. How suing the airlines over the events of 9/11 is about justice or the motivation in doing so however is never explained.
It comes down to characters always saying the whole movie is about being just but never once explains why it's the airlines fault.
It comes down to characters always saying the whole movie is about being just but never once explains why it's the airlines fault.
This movie is frustrating because its has so many of the ingredients needed for a great movie but it's not a great movie and I don't know what the missing ingredient is. But it plods along without impetus. It needs a jolt from a director who would see a great story thats told in a boring way is not story to be retold.
Worth is an incredibly human story that shows just how complicated the world can get when you ask one simple question; what is the value of a life?
I'm sure that everyone associated with this project felt a great pressure to do the subject matter justice and I genuinely feel they did that. Worth is a superbly constructed movie with excellent pacing which allows you the time to experience the weight of the situation and the emotions of the people involved without ever feeling too slow or getting bogged down. This is a genuine achievement, as it's essentially a film about people talking in rooms and those are notoriously difficult films to make. The editor and all those involved in the final cut certainly deserve a lot of credit for that.
The acting is as good as you would expect it to be. This is certainly Keaton's movie, as his character is the focal point that the story returns to on a regular basis, and he carries that with his usual brilliance, but it must be said that there isn't a single bad performance in this movie. Everyone is fantastic and I feel this is the kind of film where if one person had been bad, it would have taken you out of the whole thing ... I was in it from start to finish.
Whatever your political views, I think this is an interesting look into a world that will be foreign to most of us, but we all need to understand.
8/10.
I'm sure that everyone associated with this project felt a great pressure to do the subject matter justice and I genuinely feel they did that. Worth is a superbly constructed movie with excellent pacing which allows you the time to experience the weight of the situation and the emotions of the people involved without ever feeling too slow or getting bogged down. This is a genuine achievement, as it's essentially a film about people talking in rooms and those are notoriously difficult films to make. The editor and all those involved in the final cut certainly deserve a lot of credit for that.
The acting is as good as you would expect it to be. This is certainly Keaton's movie, as his character is the focal point that the story returns to on a regular basis, and he carries that with his usual brilliance, but it must be said that there isn't a single bad performance in this movie. Everyone is fantastic and I feel this is the kind of film where if one person had been bad, it would have taken you out of the whole thing ... I was in it from start to finish.
Whatever your political views, I think this is an interesting look into a world that will be foreign to most of us, but we all need to understand.
8/10.
Le saviez-vous
- AnecdotesWhen the wall of photos of missing people is shown, the same photos are used over and over in different ways.
- GaffesTowards the end of the movie, a chyron appears with the text "December 19, 2003, 5 days until the deadline" then a few seconds later it cuts to a shot of the characters' whiteboard with the text indicating the deadline is December 22, 2003 and is 3 days away, contradicting the chyron preceding it.
- Citations
Ken Feinberg: You know. Attorney General, I.. People are rational animals. I find if you... if you force them to the table, most behave in the way that makes the most sense.
- Bandes originalesMein Herr, Was Dächten Sie
From Die Fledermaus
Performed by Joseph Keilberth and the Hamburg State Opera Orchestra
Written by Johann Strauss (as Johann Strauss II)
Licensed courtesy of Filmtrax Ltd.
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- How long is Worth?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 106 645 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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