Ammonite

Ferociously slow and meandering, lacking the passion and emotion of its contemporaries and a little too long for what it bestows, which is a rather bleak and salty tale of two lost and lonely women, one of which has had her flint removed and couldn't catch light if you dosed her in kerosene and dropped her into the sun. There's always, at least, a little optimism and expectation, hope perhaps, even in the most forlorn of our turbulent times, but seemingly not here.

I put this film in the genre of Lesbian Twaddle - I can say that as I am one. I'm not sure who these films are aimed at, but that is beside the point. My main problem with this film is the misogyny and it is a big problem. Very rarely does a film make me cross, but this one did. It also makes me cross that I have only found one review that picks up on this issue. It's on a website called Paste if anyone wants to look it up. Many people question, why make up a lesbian romance for Mary Anning when there is no evidence for one, but no-one questions the misogynistic approach. I personally don't have a problem with the lesbian bit -we have been written out of history.

The initial premise of the film and main focus of the first half hour or so, it to highlight the misogyny of the scientific establishment at the time and Mr Murchison's treatment of his wife. The ultimate irony is that, Francis Lee by his portrayal of Charlotte Murchison and Elizabeth Philpot (Fiona Shaw), does both these women a great dis-service. Charlotte is portrayed as vapid and Elizabeth as some old hippy type making herbal remedies, when they were both accomplished scientists in their own right and had interesting lives. The film is misogynistic because it gives less attribution to their paleontology achievements than did the male-dominated natural history circles at the time!

Unless Francis Lee simply wants to maintain his position as prime director of LGBT films (I thought God's Own Country was excellent), I don't know why he felt the need, when Mary Anning had a very eventful life which would have made a much better film, to create a mythical lesbian romance. He would have done just as well to base a film on her brother Joseph. Rich man from London turns up in Lyme Regis with his errant son, leaves him with Joseph because he thinks a bit of sea air and hard work in the upholstery trade will turn his life around. A bit of drudgery with horsehair and cotton wadding, then sex on a pebbly beach - job done!

I gave the film six stars because it was well acted and the cinematography and costumes were excellent. However two last points that I think were huge gaffs. No-one in 1840 and who kept their own chickens would cook an addled egg or one with a chick in (it happened so fast I couldn't quite see) as eggs would be collected every day and you know if a hen has gone broody is sitting on eggs. Gone off eggs float when put in a bowl of water. Also I'm sure men did not tie their scarves in a Hoxton knot in 19th Century England - maybe on the continent but not here!

The first word that comes to mind when reviewing Ammonite is implicit. The only other review (at the time of writing) laments the lack of explicit sex scenes. There's no need for them; this is an understated love story, not a porn film. The sex scenes are few in number, but shot with delicacy and restraint. In fact, very little of this movie is explicit. An awful lot is left to the imagination of the viewer. Back stories are hinted at, touched briefly upon and only once filled in. Even the ending is left to us to imagine. Implicit, rather than explicit, is the watchword for this movie. The performances of the four female leads are in the same vein. Subtly acted throughout; never overdone. A really beautiful movie.

It's nice and full of emotions. The story is beautiful and flows beautifully with a very good pace and great characters development. The performances by both Kate Winslet and Saoirse Ronan are so strong and Oscar worthy. The movie has some beautiful deep lines and also full of beautiful loud silence. Cinematography is stunning with many beautiful sceneries. Sets and costumes are nice too. Although the movie is so nice and I truly love, I still could feel that it's not new or original to me.

I just wanna point out that the scenes with no dialogue are the one's that say a lot ... Kate Winslet masters the way she talks only with her eyes.