Apollo 10 1/2: Les fusées de mon enfance

Utilising the rotoscope animation style he perfected in his previous animated film efforts Waking Life and A Scanner Darkly, famed indie director Richard Linklater brings colour and soul to his semi-autobiographical Netflix original Apollo 10 1/2: A Space Age Adventure, in what is a nostalgia heavy trip back to the NASA obsessed state of Texas in the 60's where man's quest to conquer the moon was at the forefront of everyone's minds and hearts.

One of the most purely enjoyable and laid-back films I can recall watching, Apollo 10 1/2 finds Linklater operating back at peak form after a few so-so years behind the camera with the likes of Where'd You Go, Bernadette and Last Flag Flying as he here crafts a childhood infused love letter to his own experiences growing up in the space-age era that ensures his film is one that will feel relevant and understandable to anyone who has grown up in the great big world we live in and offers a nice alternative exploration of the well-explored Apollo mission that gives us a fresh spin on the world changing events of the late 60's.

Forgoing a typical narrative approach in favour of implementing a Jack Black lead voice over for virtually a full hour of the films 90 minute running time, a risky move that pays off big time as you are transported back to our lead protagonist and Linklater stand in Stan, Apollo 10 1/2 offers a mostly captivating experience that captures the 60's and the NASA space age as good as any film that I could recall seeing and regardless if your interest in space is minimal or obsessive, Linklater's film will grip when on land watching TV shows or listening to records just as much as it grips when venturing to out of space with its more fantastical elements.

One of those films you can feel coming about from lived in experiences and someones own personal memories and heartfelt musings, Apollo 10 1/2 is one of the most genuinely effective and touching features Linklater has ever produced, right up there with his most well-liked products such as the Before trilogy, Dazed and Confused and Boyhood.

While some may find the films lack of a hard narrative or non-linear plotline frustrating, for anyone willing to be taken on a trip back to a time and place that feels like a lifetime ago while also strangely feeling relevant and in touch with how life is now, Apollo 10 1/2 is an absolutely joy and a hidden Netflix gem that deserves to find as big of an audience on the platform as any of their recent Ryan Reynolds stinkers that would do well to employ some of the creativity and substance that is found in Linklater's beautiful little film.

Final Say -

It may not offer anything of a revelatory nature but Richard Linklater's newest film is a minor masterpiece and one of the best examples in recent years of a nostalgia lead trip back in time.

4 1/2 scoops of vanilla ice cream out of 5.

For more reviews check out Jordan and Eddie (The Movie Guys)

It's a great little trip down memory lane. I grew up in the late sixties and this little film really resonated with me. It depicted the era perfectly, although, since I didn't grow up in the Houston area, there were a few local things that didn't[t resonate with me. But overall, this is a fun family movie just bout everyone can enjoy! Great job on picking out the songs of the era too!

The best thing I can say about this one - and The Hand of God months ago - is that it made me want to a write a script about my youth and coming of age times.

Of course, I'm not American and this one is a very American culturally youth - and I would need to be a successful writer before having this script approved - but I felt this was much more about honouring a time and closing a chapter than about space. Linklater is a specialist about these stories and he knows how to keep us interested.

Stanley (Jack Black as adult and Milo Coy as child) comes of age in late 60s Houston, Texas against the backdrop of the Apollo 11 Moon Landing where the nostalgic reality mixes with childhood fantasy of being the first boy on the moon on a secret NASA mission for Apollo 10 ½.

Apollo 10 ½ is the latest film from Richard Linklater. Linklater had the idea back in 2004, inspired by his childhood growing up in 60s Houston with development taking shape in 2018. Originally intended to be a live-action film, when the project was set up at Netflix, Linklater instead decided to do the film as an animated project similar to his films Waking Life and A Scanner Darkly due to the "playful" nature of animation. Linklater has created a nostalgic but true to life picture of growing up in the 1960s during the emergence of the space age.

Jack Black narrates the thoughts of our protagonist Stanley, and Black's delivery is pitch perfect in describing 60s Houston and the various contemporary trends, pop culture, and political and social events as witnessed by Stanley as a child. We get a sense of growing up during a particular time and place but as distorted from the nostalgic view of someone who was a child during those events. References are made to political and social strife of the time and the way in which it's relayed plays to true to how children experience those kinds of events. Even the landing of Apollo 11 covered in the film discusses the little seen outcry from those claiming it was a waste of money and resources that could've been applied elsewhere using archival footage interspersed with the narrative footage to give a glimpse into contemporary mindsets of the time. The animation is really solid per the standards set by Linklater's other films of this type and I think Linklater uses it effectively to evoke feelings of nostalgia mixed with the childish space fantasy that many kids fascinated with space travel have conjured themselves at one point or another. Along with the larger events we also get insight into familial and social dynamics of the era with fond reminiscence of the neighborhood pyromaniacs, the endless cycle of at least one kid having a cast, or various other mischief and shenanigans of the day.

Linklater has created a capture of the space race and the surrounding era in which it occurred through an honest but nostalgic lens. Jack Black's narration is sincere and credible and the capture of smaller childhood distractions intermixed with larger scale events in the background gives us the feeling of being there that only the best storytellers can give.

Not up there the Boyhood, or the Before trilogy, but fun nevertheless.

The recreation of the 1960s Linklater family tropes is heartfelt and truly etched, and the rotoscope animation is brilliant, but there is a little too much ticking-the-box of 1960s topical events and cultural trends.

The winsome fantasy of the kid astronaut is meant to be the rocket propellant that binds it and lifts it, but this does not quite come off.