The Mountain: une odysée américaine

At the end of this movie you will feel just just like its ending - cold and unfeeling.

If you want to know what life looks like through a lobotomized person - watch this movie!

That's my best I can write about The Mountain.

Rick Alverson is one of the most overlooked and inventive directors of our time. It's easy to understand why people might not like his films but I'm glued to the screen for every second when I watch one. My god, how beautiful and haunting.

Art should make you uncomfortable and make you think and that's what this film does. This movie is like an art installation that you don't want to watch but feel like you should. It's unsettling, slow, stark and sad but memorable. Not a light or easy watch. You've been warned.

This film tells the story of a young man who gets a job as the assistant for a psychiatrist.

The film is very very slow, but that does not bother me. Just a few minutes in, I can tell the director and cinematographer work very hard to make each scene aesthetically beautiful. However, there is very little plot. As the film progresses, I get increasingly lost. The last fifteen minutes is inexplicable, and the five minute monologue in French (which is not subtitled) confuses me even further. Another point which I dislike is Tye Sheridan's constant same expressionless expression. I see why he acts this way, but almost all the psychiatric patients are more interesting than this protagonist. Overall, I find this film too artistic, inaccessible and very dull.

(i'm going to structure this review so that you have the same feeling that I did while watching this movie)



The mountain is great at

times?

(inconsistent inconsistent)

It struggles to maintain a consistent theme, often

rambling rambling thematically?

I understand the value of "show don't tell" don't get me wrong?

(Depressing psyclops)

But, there is a science to the abstract.

(Kauf Kauf)

Charlie Kaufman's work is a great example. (Eternal Sunshine, Adaptation, Being John Malcovitch) He gets pretty WEIRD and abstract, sure. But

(HELP HELP I'M FALLING?)

He makes sure to lay down a simple groundwork first, so the viewer doesn't get too lost in his interpretation interpretation.

THE MOUNTAIN DOESN'T HAVE ANY GROUNDWORK, UNFORTUNATELY. NOTHING IS SET IN STONE. THERe isn't one set theme that you can latch on to. Because of this, the whole film feels wrong

WRONG WRONG KRONK

It's hard to tell what was an intentional choice from the director, and what was just an inconsistent detail.

It's a shame, because the movie was great at times. And I did understand some of

END OF REVIEW