Un horticulteur américain de près de 90 ans se fait prendre alors qu'il transporte plusieurs millions de dollars de cocaïne pour un cartel de drogue mexicain.Un horticulteur américain de près de 90 ans se fait prendre alors qu'il transporte plusieurs millions de dollars de cocaïne pour un cartel de drogue mexicain.Un horticulteur américain de près de 90 ans se fait prendre alors qu'il transporte plusieurs millions de dollars de cocaïne pour un cartel de drogue mexicain.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 10 nominations au total
Avis à la une
A marketing campaign coming in at the 12th hour and a film that's still been surprisingly hidden by Warner Bros, The Mule could be a fitting end to a storied Hollywood career from Clint Eastwood. In many ways mirroring his life, The Mule gives insight into Eastwood's inner psyche, as he has navigated being an in demand actor for over 60 years whilst having a large family to look after as well. So if you're looking at the film in that way, it's a sharp and poignant apology Eastwood is sending to his family after all these years. It's not a perfect film, but it's tightly directed, at times brilliantly intense, and even emotionally moving. Even if it is a ultimately predictable and unsurprising drama. If it is Eastwood's last hoorah, it's been one hell of a run.
7.7/10
7.7/10
I had never heard of Leo Sharp before watching "The Mule". What a story. Clint Eastwood (who also directed) plays a fictionalized version of Sharp, smuggling drugs for a cartel partly because it enables him to spend the money benevolently. These moral conundrums arise a lot.
It was a little weird in some scenes, seeing Eastwood surrounded by women a fraction of his age; probably wishful thinking on his part. Even so, the movie shows how the old man got more and more into the business, resulting in some tense incidents. In addition to Eastwood, there's good support from Laurence Fishburne, Bradley Cooper, Dianne Wiest, Andy Garcia and Taissa Farmiga.
It was a little weird in some scenes, seeing Eastwood surrounded by women a fraction of his age; probably wishful thinking on his part. Even so, the movie shows how the old man got more and more into the business, resulting in some tense incidents. In addition to Eastwood, there's good support from Laurence Fishburne, Bradley Cooper, Dianne Wiest, Andy Garcia and Taissa Farmiga.
You could say I'm a considerably huge Clint Eastwood fan, I celebrate the man's whole career and love most of his work. As a director, I think he's been solid overall, making a handful of classic films along the way. As watchable as it is, The Mule is not one of them. It could be the last big thing we see from Eastwood's career, and if so, then it's not a bad note to go out on, but it's not his best, and it doesn't have to be. He's proven himself a hundred times over, and this is the film he wanted to make. The Mule is a fine movie to watch, and Eastwood plays a very subdued character, unlike his role in Gran Torino where he still had shades of his bad boy past. He's softer, he's passive, he's what you expect a man of this age to be...and in that way, he played it perfectly.
When you've got the goods, you've got the goods. Clint Eastwood has the goods in terms of creating, consistently, very good movies. Movies that move you, make you think - and most of all - enjoy a coupe hours of your life.
He's the got the Midas Touch. I don't think I've ever watched a Clint Eastwood movie I disliked, and I'm picky.
This movie revolves around a topic so near and dear to all of us: family. It highlights that none of us are perfect, some more than others, but in the end - redemption and forgiveness are there for even the worst of us.
He elegantly, again, makes a movie for an older actor that works, and works really well.
Do yourself a favor and watch this movie, you won't be sorry. Clint Eastwood is a master of his trade, and this movie - like so many of his before - clearly shows that.
He's the got the Midas Touch. I don't think I've ever watched a Clint Eastwood movie I disliked, and I'm picky.
This movie revolves around a topic so near and dear to all of us: family. It highlights that none of us are perfect, some more than others, but in the end - redemption and forgiveness are there for even the worst of us.
He elegantly, again, makes a movie for an older actor that works, and works really well.
Do yourself a favor and watch this movie, you won't be sorry. Clint Eastwood is a master of his trade, and this movie - like so many of his before - clearly shows that.
Truly one of the best movies of the year. It is nerving that the golden globes didn't give Clint Eastwood a nomination for best actor he gave a great preformance and his ensemble gave a solid story a solid story well told.
Clint Eastwood: Actor, Director ... Master Impressionist?
Clint Eastwood: Actor, Director ... Master Impressionist?
Clint Eastwood does it all in The Mule ... including keeping his cast rolling with a killer impression of a classic cartoon character. And yes, we have proof.
Le saviez-vous
- AnecdotesThis movie was based on The New York Times article "The Sinaloa Cartel's 90-Year-Old Drug Mule" by Sam Dolnick, which recounts and was inspired by the true story of Leo Sharp, a World War II veteran in his eighties, who became the world's oldest and most prolific drug mule for the Sinaloa Cartel. in this movie, however, this was changed to him being a Korean War vet, so the story could be set in 2017.
- GaffesEarl pleads guilty during his trial and the judge simply sends him to prison immediately. This is wildly unrealistic. In such a scenario, the judge would have called a recess or adjourned the trial for the day and ordered Earl to confer with his lawyer. If Earl was intent on pleading guilty, the judge would have accepted the plea and set a date for sentencing.
- Citations
Mary: You were the love of my life, and the pain of my life. And I need you to know, it's all the world to me that you're here.
[moaning]
Earl Stone: I love you Mary.
Mary: More today than yesterday.
Earl Stone: But not as much as tomorrow.
- ConnexionsFeatured in Toby Keith: Don't Let the Old Man In (2018)
- Bandes originalesSiento Que Ya No Estas
Written and Performed by Arturo Sandoval
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La Mula
- Lieux de tournage
- Shaw's Sunshine Gardens - 3096 Lumpkin Park Drive, Augusta, Géorgie, États-Unis(Earl's house and garden)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 103 804 407 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 509 431 $US
- 16 déc. 2018
- Montant brut mondial
- 174 804 407 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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