Paradox

It was slow getting started ... if it ever did ... and the story (if there was one) made no sense to me. I liked some of the songs, I liked Willie Nelson and his sons. Neil ... well, it was an ego-trip, wasn't it? But we did watch the whole movie and when it was done, I asked my son, what was that about? He said you'd have to be stoned to find out, I guess. Rock on, Neil.

3/26/18. Not for everybody. I like Neil Young, so the music part was great, not so much the disparity between the music and the background scenery (that had very little to do with the music). Watch this (or, maybe just listen to it) for Neil Young.

Well this is not an unmissable movie by any standard, but as everyone knows, who has been to a Neil Young gig, you cannot help falling in love with, in awe of, the artist. So you get seduced by the simplicity and truth of this movie as you would in a Neil Young concert.

This is a movie shot over a few days, so it should be rated as you would an end of cursus student effort, and in that case it is, to play with words, "the great silence" of student movies. The plot is inexistent but the images are great, and the music is outstanding.

Just go and roll with it if you feel like it. Stay clear if you only listen to bland pop supermarket sugar.

It's listed as 'Music' but the the description sounds more like Fantasy/Horror. Please remove this after checking.

Self described "auteur" Darryl Hannah stumbles around some mighty pretty territory while her cinematographer Adam Vollick fumbles to get acquainted and haphazardly experiment with his camera in this disjointed slacked jawed oater that features legendary rocker Neil Young and his band playing cowboys. With only snippets of jarring visual interest and the ambiguity of the early moments dissolving into heavy handed pretense it takes a full half hour for Paradox to pull out of its scattered torpor as Neil and the boys come to the rescue with a stirring rendition of his Peace Trail. The respite remains brief however as Young takes one of his most beautiful acoustical works Pocohantes and turns it into a dirge with a portable pipe organ. The rest of his score simply provides intrusive bombast to enigmatic skies, glorious aspens and grazing animals (deservedly noted in the credits since they give the best performances) while cowgirl in the sand Hannah incoherently presents her surreal vision with an 8 1/2 version of two cowpokes tethered to the ground flying kite like above the tent where Neil and the boys perform.

Paradox is similar in many ways to Young's wandering Journey Through the Past made in the 1970s. After the massive success of the documentary Woodstock Hollywood was eager to tap into the hippie phenomena and sought out Young who enlisted fellow pop troubadours that he would use and lose according to his needs over the years Crosby, Stills and Nash to make the same rambling self satisfied stream of conscious mess that Paradox is. This time around he's footing the bill and got a new band but the thrust remains the same, his presentation the nostalgic turn today that Lawrence Welk was offering his graying audience back in the 70s. Only the uniforms have been changed to protect the cool.