Chompy & the Girls

As much as I can find interest in broke horror-affiliated flicks that make the best out of their limited means, exploiting their economical poverty to give more boldness to their creative potentialities, Chompy & the Girls fails to raise its ambitions above an average bored-children-targeted show.

Poor special effects are never an issue as long as the plot is solid enough; this one isn't sadly. As enjoyable and delightful its absurdity can be, and beyond the 'wow-what-is-this?!' factor of the first appearance of Chompy, the writer plays it very safe and lazy. In retrospect, it feels like lots of original opportunities have been virtually wasted by a lack of imagination, and the story turns out very basic in the end making Chompy and his quest orphans of what could have been a really crazy tale.

The film obviously tried hard to counterbalance its loony side with the presentation of some human situations... that didn't convinced me more. Here again, the film misses its target: the young female character is too histerical, too superficial to bring about any valuable emotion to the father/daughter relation the writer obviously wanted to become the center of gravity of the plot. If the daugher's character is thin, the father's personality is empty (although I found the actor was good in all his restraint); and physically, really, he bears no resemblance at all to his alleged daugther - what at least could have make the possibility of a family link more tangible (there's still a doubt about the reality of the link however, but its too vaguely expressed to bear any relevance). As for the couple's crisis that abruptly reveals it-self towards the end, it is too very roughly sketched to make any sense at this point of the film.

The grand final is as funny in a good way as it is laughable in a bad way, and the happy-end epilogue drags like the crew didn't give a damn anyhow, what also raises the question of the editing and of the overall - messy - rhythm the film has. Again, like for many horror-tagged movies, what I miss the most here is an atmosphere, the sense of a peculiar mood that would really take you on a ride. Too bad, as its monster-ish character has a strong vintage Joe-Dante appeal and it could have opened to a more exciting experience.

When a troubled daughter turns up to meet the father who never knew she existed, they both witness a bizarre killing and go on the run from the relentless perpetrator.

Zany sci-fi horror that sort of mashes up It Follows with Body Snatchers. The opening scene is excellent and really got me hooked, but what comes after that is patchy entertainment. While the energy and the concept are engaging and the two lead performances good, I think this needed more development at the storyboard stage.

One mark of an undercooked story is that half the dialogue comes in the form of questions, and most of the scenes ramble around before deciding to put in a plot point. That looseness takes the snap out of the humour, and while there is character development it doesn't feel earned.

Still, the characters are likeable, and the switch of direction at the halfway mark allows the story to end on a satisfying note, with a reassuring reflection on how we can adapt to life, no matter how desperate our plight.

The music is light, some ominous stuff to accompany Chompy and the girls, and the camera work and lighting do give some ordinary locations a sense of spooky isolation.

Overall: Heart in the right place, slightly off on the writing.

Something strangely appealing about the cast and oddball premise, but too much reads like an initial promising draft that wasn't pushed anywhere more interesting. However: Christy St. John is marvelous as one of the leads. How is she not a star yet??

Like something lifted straight out of a nightmare and so surreal I won't be sure in the future if this movie exists or I just dreamed it.

The story kicks off within the first 15 mins with its intriguing inciting incident, which could have unfolded into a clone of something like 'It Follows' or any other generic slasher, but instead goes some place else entirely. The two leads are instantly likeable (one remains so for most of the film, and the other...) and I stayed invested as it twisted in directions I didn't expect, even at the end when the limits of the budget became distractingly apparent.

I appreciate that the director/writer clearly understands the premise alone couldn't sustain the albeit swift 90 min runtime and knows the characters have to be...well, characters. It does drag in spots as Jackson begins droning on in a schtick that wears thin, but it informs her character's place in life and Braband does a decent job establishing basic, understandable traits and desires with simple things like a noose and a pair of cowboy boots. As an avid viewer of low-budget trash, this was a welcome above-average effort for a film of this caliber, which earns it a 7 for me.

It never looks incompetent or cheap (except, again, until the last fifteen minutes), is well shot, edited and paced, and if Braband continues to hone this off-beat style, he has a bright future. I'm looking forward to his next film.

Watchable. Not a great film by any stretch but the practical effects were really above and beyond what I was expecting.

Christy St John played her role really well, and was a stand out, the dynamic between her and her estranged father was funny and borderline believable.

Well done.