Ajouter une intrigue dans votre langueTraffic Stop tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped for a routine traffic violation that escalated into a dramatic... Tout lireTraffic Stop tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped for a routine traffic violation that escalated into a dramatic arrest. Caught on police dashcams, King was pulled from her car by the arresting officer,... Tout lireTraffic Stop tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped for a routine traffic violation that escalated into a dramatic arrest. Caught on police dashcams, King was pulled from her car by the arresting officer, repeatedly thrown to the ground and handcuffed. En route to jail in a squad car, she enga... Tout lire
- Réalisation
- Casting principal
- Nommé pour 1 Oscar
- 2 nominations au total
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It was interesting that her probing dialog with the transportation officer taking her to jail seemed designed to gather material for the documentary. Her actions from start to finish weren't normal and after the arrest almost seemed calculated. Was this planned in advance or just a spur of the moment decision to get something on the police. Whatever the reason, the documentary comes off as one-sided and transparent. Not worthy of your time. How did it ever get nominated for an Oscar? Oh, right. It's Hollywood were no anti-social behavior goes unrewarded.
With a different case this same format might have worked really well. This specific traffic stop's footage doesn't tell the story that needs to be told. It might actually serve to convince people in the opposite direction. Instead I have to wonder if the production team watched the dash cam footage. Did they edit it in believing they knew what it portrayed? Or were they so blinded by passion for the topic that they felt Breaion's life story would cause us to excuse her choices?
Either way, it's sloppy. Hopefully future filmmakers take more care to ensure the dashcam footage matches the story they build.
This would have been an excellent opportunity to explore those by profiling both King AND Officer Richter, to solid context for understanding the issue and finding a solution to it. Instead director Kate Davis choose to go to great lengths placing King in the warmest light possible for cheap shock value. The result is an emotionally manipulative profile featuring iPhone videos of her daughter's ballet recital, tearful stories of her struggles of being raised by and then being a single-parent, and the most out-of-context news coverage possible.
On top of this, (while unfortunate,) the arrest video clearly shows a suspect trying to get out of a ticket, being uncooperative, and playing up the scene for any cameras present. In response, the Officer is compelled to escalate in order to do his job, and did so in a calm, respectful tone of voice without his gun, tazer, baton or punches. A cop asking you to stay in your car, or put your feet inside (to close the door) is not unreasonable. But trying to frustrate a cop so much that he won't write you a ticket IS unreasonable. As a relatively mild misunderstanding, this was an opportunity for both sides to LEARN, to tamp down fear on both sides, and create a better bridge of understanding.
Instead of elevating the conversation, the director does harm to her own cause and sets us back on this important issue. First: It will be quickly dismissed by Blue Lives Matter supporters for what it is: a propaganda piece with an (unfortunate) but not brutal ordinary traffic stop with a difficult suspect. Second: it lends credence and legitimizes right-wing docs like "Obama's America" (2012) by saying all docs are political.
This is a disturbing trend in "Documentaries" these days: Heavy-handed, thinly-sourced, and purposefully unbalanced clearly intended to sway viewers based on a political agenda. Documentaries have the potential to become the new "investigative journalism," for the short attention span audiences of today, educating the electorate, and pulling people out of their bubbles. If you strongly believe your 'side' is right, showing the entire truth should bear that out. Save the fact-picking for historical dramas.
Le saviez-vous
- AnecdotesThe Austin police officer involved in this case, Bryan Richter, was fired from his job on early 2018 after a similar aggressive conduct in another case where he lied about the use of excessive force.
- ConnexionsFeatured in The Oscar Nominated Short Films 2018: Documentary (2018)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Control de tráfico (Traffic Stop)
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 31min
- Couleur
- Rapport de forme
- 1.85 : 1