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Traffic Stop

  • 2017
  • TV-14
  • 31min
NOTE IMDb
5,5/10
1,1 k
MA NOTE
Traffic Stop (2017)
Court-métrageDocumentaire

Ajouter une intrigue dans votre langueTraffic Stop tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped for a routine traffic violation that escalated into a dramatic... Tout lireTraffic Stop tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped for a routine traffic violation that escalated into a dramatic arrest. Caught on police dashcams, King was pulled from her car by the arresting officer,... Tout lireTraffic Stop tells the story of Breaion King, a 26-year-old African-American school teacher from Austin, Texas, who was stopped for a routine traffic violation that escalated into a dramatic arrest. Caught on police dashcams, King was pulled from her car by the arresting officer, repeatedly thrown to the ground and handcuffed. En route to jail in a squad car, she enga... Tout lire

  • Réalisation
    • Kate Davis
  • Casting principal
    • Breaion King
    • Bryan Richter
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    1,1 k
    MA NOTE
    • Réalisation
      • Kate Davis
    • Casting principal
      • Breaion King
      • Bryan Richter
    • 36avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 2 nominations au total

    Photos1

    Voir l'affiche

    Rôles principaux2

    Modifier
    Breaion King
    • Self
    Bryan Richter
    • Self
    • (images d'archives)
    • Réalisation
      • Kate Davis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs36

    5,51K
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    Avis à la une

    4texaszena

    How did this get nominated

    While the producers of Traffic Stop tried to use this incident to show the police as evil and the arrested black woman as unjustly mistreated, watching the actual dash cam video from the police cruiser, one can clearly see the woman refusing to follow instructions and then resisting arrest for no good reason. She wasn't mistreated. All she had to do was follow the lawful instructions of the police officer and she would have been sited for a traffic violation and then on her way. What happened to her was her own doing and no documentary filler of her teaching school or going to church will change that. However, it is also apparent that the officer quickly lost patience with the woman who was refusing to cooperate.

    It was interesting that her probing dialog with the transportation officer taking her to jail seemed designed to gather material for the documentary. Her actions from start to finish weren't normal and after the arrest almost seemed calculated. Was this planned in advance or just a spur of the moment decision to get something on the police. Whatever the reason, the documentary comes off as one-sided and transparent. Not worthy of your time. How did it ever get nominated for an Oscar? Oh, right. It's Hollywood were no anti-social behavior goes unrewarded.
    2sean-48013

    Great topic, but not a great case to use

    Any reasonable person knows the topic is a real issue. And there are moments where we get to see the perspective of both a cop and the driver without it being wrapped in all of the emotional overdrive and posturing that oozes out of the rest of the film.

    With a different case this same format might have worked really well. This specific traffic stop's footage doesn't tell the story that needs to be told. It might actually serve to convince people in the opposite direction. Instead I have to wonder if the production team watched the dash cam footage. Did they edit it in believing they knew what it portrayed? Or were they so blinded by passion for the topic that they felt Breaion's life story would cause us to excuse her choices?

    Either way, it's sloppy. Hopefully future filmmakers take more care to ensure the dashcam footage matches the story they build.
    katiebaker-62198

    Interesting but biased

    I was excited to watch this but within the first 10 minutes could already distinguish this was not a true documentary, rather a political view and biased storytelling. Using the old trick of emotional attachment was way too obvious.. Breaion's own recounts and commentary of her own life became a 30 minute boasting party of "look how great and wonderful I am". All relatablity to her as a person went out the window with her arrogance. I left feeling... not pity towards her, not anger toward Law Enforcement like she wanted but rather a greater disconnect to her life and story than before. It's a documentary and for that I found watching the footage from the incident the most interesting thing about the film. However, I was highly disappointed in the lack of unbiased storytelling and would have appreciated Breaion taking ownership and accountability for at least one of her actions..I wanted to and would have related more to a person who can show me they aren't perfect yet are still good. When someone claims and attempts to show their life as all good and they do no wrong, it's unrelatable. Sad to give this such a low rating!
    4thethomasboy

    An important topic, but poor case to use.

    The topics of systemic racism, police brutality and the Black Lives Matter movement are supremely important (especially in today's America), which is why I was so disappointed in this weak and slanted documentary about the "brutal arrest" of Austin school-teacher Breaion King. Police incidents boil down to the human beings involved, their backgrounds, perceptions and subsequent actions/reactions.

    This would have been an excellent opportunity to explore those by profiling both King AND Officer Richter, to solid context for understanding the issue and finding a solution to it. Instead director Kate Davis choose to go to great lengths placing King in the warmest light possible for cheap shock value. The result is an emotionally manipulative profile featuring iPhone videos of her daughter's ballet recital, tearful stories of her struggles of being raised by and then being a single-parent, and the most out-of-context news coverage possible.

    On top of this, (while unfortunate,) the arrest video clearly shows a suspect trying to get out of a ticket, being uncooperative, and playing up the scene for any cameras present. In response, the Officer is compelled to escalate in order to do his job, and did so in a calm, respectful tone of voice without his gun, tazer, baton or punches. A cop asking you to stay in your car, or put your feet inside (to close the door) is not unreasonable. But trying to frustrate a cop so much that he won't write you a ticket IS unreasonable. As a relatively mild misunderstanding, this was an opportunity for both sides to LEARN, to tamp down fear on both sides, and create a better bridge of understanding.

    Instead of elevating the conversation, the director does harm to her own cause and sets us back on this important issue. First: It will be quickly dismissed by Blue Lives Matter supporters for what it is: a propaganda piece with an (unfortunate) but not brutal ordinary traffic stop with a difficult suspect. Second: it lends credence and legitimizes right-wing docs like "Obama's America" (2012) by saying all docs are political.

    This is a disturbing trend in "Documentaries" these days: Heavy-handed, thinly-sourced, and purposefully unbalanced clearly intended to sway viewers based on a political agenda. Documentaries have the potential to become the new "investigative journalism," for the short attention span audiences of today, educating the electorate, and pulling people out of their bubbles. If you strongly believe your 'side' is right, showing the entire truth should bear that out. Save the fact-picking for historical dramas.
    random-70778

    Illustrates how the left is making minorities fragile and ignorant of the law.

    In every state in the US, and in every country in the world, you have to produce a drivers licence if behind the wheel of a car and stopped by law enforcement on a public road. Refusing to produce one based on lack of a warrant means you are nothing ore than an idiot and do not know what a warrant is.

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    Centres d’intérêt connexes

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    Documentaire

    Histoire

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    Le saviez-vous

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    • Anecdotes
      The Austin police officer involved in this case, Bryan Richter, was fired from his job on early 2018 after a similar aggressive conduct in another case where he lied about the use of excessive force.
    • Connexions
      Featured in The Oscar Nominated Short Films 2018: Documentary (2018)

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    Détails

    Modifier
    • Date de sortie
      • 14 novembre 2017 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site HBO
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Control de tráfico (Traffic Stop)
    • Lieux de tournage
      • Austin, Texas, États-Unis
    • Société de production
      • Q-Ball Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 31min
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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