Une jeune femmeen cavale après 10 ans de mariage étouffants avec un milliardaire se rend compte que son mari a implanté un dispositif de surveillance révolutionnaire dans son cerveau qui lui... Tout lireUne jeune femmeen cavale après 10 ans de mariage étouffants avec un milliardaire se rend compte que son mari a implanté un dispositif de surveillance révolutionnaire dans son cerveau qui lui permet de suivre chacun de ses mouvements.Une jeune femmeen cavale après 10 ans de mariage étouffants avec un milliardaire se rend compte que son mari a implanté un dispositif de surveillance révolutionnaire dans son cerveau qui lui permet de suivre chacun de ses mouvements.
- Nommé pour 1 Primetime Emmy
- 1 victoire et 5 nominations au total
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Cristin Milioti plays the charismatic, yet acerbic Hazel in this creative non-linear story about the ethics of technology, agency and relationships. It is an extended Black Mirror episode, a union of The Collector (movie) and Upload (TV series), presented with a cynical, sinister core wrapped in flippant humour.
MfL tackles serious issues without being preachy or pulpit polemic and the half-hour episodes allow for a brisk pace and regular changes of tack. Ray Romano is fabulous as Hazel's father and his issues reflect Hazel's from a different viewpoint.
This is well worth the watch.
MfL tackles serious issues without being preachy or pulpit polemic and the half-hour episodes allow for a brisk pace and regular changes of tack. Ray Romano is fabulous as Hazel's father and his issues reflect Hazel's from a different viewpoint.
This is well worth the watch.
I've seen the first four episodes. My guess is the other reviewer has seen just the first episode. I don't think the pacing is a bit of a problem, but deeply flawed and makes for an unenjoyable experience. Also the show dropping the viewer into the middle of the timeline and going forward and backwards comes as an artificial and compensatory gimmick that makes a mess of the narrative. (that is not a spoiler it is obvious in the first 30 seconds)
The set up is pretty much dystopian rom-com, and it has been done better elsewhere. Really instead of subtle dark humor, the vibe is just generally a drawn out creepiness. This all comes down to bad writing. The acting is quite adequate. Yoeman talent level for TV acting. The lead actress overdoes the quirkily schtick just a bit much, but it looks like that is more bad directing than an acting problem. The dialogue and screenplay are not clever by golden age of TV standards. Not even a sliver or bronze effort. There is an unevenness and a lot of tedious sections. Once gets the sense that the writers take the audience for granted. 4/10.
The set up is pretty much dystopian rom-com, and it has been done better elsewhere. Really instead of subtle dark humor, the vibe is just generally a drawn out creepiness. This all comes down to bad writing. The acting is quite adequate. Yoeman talent level for TV acting. The lead actress overdoes the quirkily schtick just a bit much, but it looks like that is more bad directing than an acting problem. The dialogue and screenplay are not clever by golden age of TV standards. Not even a sliver or bronze effort. There is an unevenness and a lot of tedious sections. Once gets the sense that the writers take the audience for granted. 4/10.
I knew nothing about this show when I started the first episode. I have to say it's quirky, weird, and fun. It has some funny scenes especially when the main character knows her creepy husband is watching. The episodes are not long. Worth the watch if you want to drown out the crazy world and just watch something fun.
Sometimes a show that doesn't take itself too seriously and is weirdly (sci-fi) fun is entertaining escape from stress. The 3 main characters, Hazel, Byron, Hebert do some really good acting...that made a huge difference in making up for the few cheesy parts (most of the scenes with the nun). I laughed it off or didn't care about it and just let myself be entertained!
While I immensely enjoy every scene Ray Romano is in (7 stars for his funny self), I find this entire series a bit messy. The idea that this is a fusion of comedy, drama, science fiction, and horror is a cop-out. It seems that it just does not know what it wants to be, and that's how this show begins to break down. Different subplots, scenes, and characters seem disjointed; there is no cohesive theme, therefore you are left wondering, what exactly is the point?
Le saviez-vous
- AnecdotesIn an April 2021 Collider interview by Liz Shannon Miller, show-runner Christina Lee and creator Alissa Nutting revealed that "Diane," the sex doll that is Herbert's "synthetic companion," is modeled after Nutting (who in addition to being one of the show's creators also wrote the source novel it is based on): "when it came time to pick out the doll, I decided to get my face cast for it. So, my face is actually Diane's face. That really extended that sense of, this is a person on set. I did it for, like, proprietary copyright reasons, and so that we weren't objectifying any doll that's based on another real person. I was game for any possible objectification that would occur. But we really wanted Diane to be thought of in the same way as all of our human cast members."
- ConnexionsFeatured in MsMojo: Top 10 HBO Max Shows You Should Be Watching (2021)
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Détails
- Durée30 minutes
- Couleur
- Rapport de forme
- 2.39:1
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What was the official certification given to Made for Love (2021) in Brazil?
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