Une jeune femmeen cavale après 10 ans de mariage étouffants avec un milliardaire se rend compte que son mari a implanté un dispositif de surveillance révolutionnaire dans son cerveau qui lui... Tout lireUne jeune femmeen cavale après 10 ans de mariage étouffants avec un milliardaire se rend compte que son mari a implanté un dispositif de surveillance révolutionnaire dans son cerveau qui lui permet de suivre chacun de ses mouvements.Une jeune femmeen cavale après 10 ans de mariage étouffants avec un milliardaire se rend compte que son mari a implanté un dispositif de surveillance révolutionnaire dans son cerveau qui lui permet de suivre chacun de ses mouvements.
- Nommé pour 1 Primetime Emmy
- 1 victoire et 5 nominations au total
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I've seen the first four episodes. My guess is the other reviewer has seen just the first episode. I don't think the pacing is a bit of a problem, but deeply flawed and makes for an unenjoyable experience. Also the show dropping the viewer into the middle of the timeline and going forward and backwards comes as an artificial and compensatory gimmick that makes a mess of the narrative. (that is not a spoiler it is obvious in the first 30 seconds)
The set up is pretty much dystopian rom-com, and it has been done better elsewhere. Really instead of subtle dark humor, the vibe is just generally a drawn out creepiness. This all comes down to bad writing. The acting is quite adequate. Yoeman talent level for TV acting. The lead actress overdoes the quirkily schtick just a bit much, but it looks like that is more bad directing than an acting problem. The dialogue and screenplay are not clever by golden age of TV standards. Not even a sliver or bronze effort. There is an unevenness and a lot of tedious sections. Once gets the sense that the writers take the audience for granted. 4/10.
The set up is pretty much dystopian rom-com, and it has been done better elsewhere. Really instead of subtle dark humor, the vibe is just generally a drawn out creepiness. This all comes down to bad writing. The acting is quite adequate. Yoeman talent level for TV acting. The lead actress overdoes the quirkily schtick just a bit much, but it looks like that is more bad directing than an acting problem. The dialogue and screenplay are not clever by golden age of TV standards. Not even a sliver or bronze effort. There is an unevenness and a lot of tedious sections. Once gets the sense that the writers take the audience for granted. 4/10.
This show was so good! A role we actually got to see "the Mother" in (same Actress plays "the Mother" in How I met your Mother). I want to see Christin Milloti in more and I want to see her projects thrive (Another favorite of hers is Palm Springs). Billy Magnussen is truly freaky as a tech mega millionaire Gogol. Such an interesting exploration of relationships, love, and technology, especially in this day and age, and from the perspective of the woman. This show highlights how nuanced interpersonal abuse is, that it is more than just violence and hostile language, but financial and emotional manipulation. So disappointed that HBO didn't give this show a proper chance, or push for it, and that they took it off HBO Max. There are people who like this show (and MINX) and we want to still be able to watch the shows on your platform!!
Hazel's (Cristin Milioti) escape narrative has huge caper energy, but Made for Love has mysteries within mysteries, and they unfold in ways that are alternately exciting, astounding, and creepy. Milioti is the clear standout among an already impressive cast. Even when the deliberately scattered storytelling wears a little thin, she holds our attention with no trouble. Billy Magnussen's Byron Gogol is also delightfully, terrifyingly unhinged. The only thing wrong with this show is its pacing. Otherwise the outstanding cast gives us more than enough reason to keep coming back for those answers and makes Made for Love a solid installment in the techno-dystopic rom-com genre.
3 episodes in, I cannot think of anything negative to say.. The cast is solid, the production solid, the story (get ready) is entertaining, funny, interesting, timely, relevant, well done, well told and, unfortunately in a sense, necessary.
But if you disagree, I'd respect that.
But if you disagree, I'd respect that.
I knew nothing about this show when I started the first episode. I have to say it's quirky, weird, and fun. It has some funny scenes especially when the main character knows her creepy husband is watching. The episodes are not long. Worth the watch if you want to drown out the crazy world and just watch something fun.
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- AnecdotesIn an April 2021 Collider interview by Liz Shannon Miller, show-runner Christina Lee and creator Alissa Nutting revealed that "Diane," the sex doll that is Herbert's "synthetic companion," is modeled after Nutting (who in addition to being one of the show's creators also wrote the source novel it is based on): "when it came time to pick out the doll, I decided to get my face cast for it. So, my face is actually Diane's face. That really extended that sense of, this is a person on set. I did it for, like, proprietary copyright reasons, and so that we weren't objectifying any doll that's based on another real person. I was game for any possible objectification that would occur. But we really wanted Diane to be thought of in the same way as all of our human cast members."
- ConnexionsFeatured in MsMojo: Top 10 HBO Max Shows You Should Be Watching (2021)
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Détails
- Durée
- 30min
- Couleur
- Rapport de forme
- 2.39:1
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