Ton fils

Javier Jiménez , José Coronado, is a prestigious surgeon living in Sevilla. He is married to Carmen : Ana Wagener , and both of whom have two children , Sara and Marcos . After a surgícal operation he receives a sad notice , his son Marcos : Monen , is in coma after being hit by a group of unknown attackers. Then he begins his own investigations about the identity of suspects and relentlessly attempts to find them, leading to unexpected consequences . Javier attempts to bring criminal evidences to a Police Inspector , but it leads to his detention. Later on , he is freed , but he makes a difficult decission, to take justice on his own hands.

This is a thrilling and bleak Spanish film with high doses of suspense , intrigue , plot twists , blood , and violence . This stirring story is filmed in slow-moving , following a similar realist and dark style to his former successful film : Kidnapped 2010. While the look is suitable sinister and intriguing, the plot spreads to the surprising breaking point , including an unexpected final that turns out to be a little frustrating. There stands out José Coronado giving a magnificent interpretation as a relentless avenger father who broken by pain , rage and impotence attempts to seek the nasty agressors and exact a merciless vendetta. As the surgeon José Coronado acts as judge , jury and executioner , Charles Bronson-alike . Here the veteran Coronado is well accompanied by a fine support cast , such as : Ana Wagener as unsettling mummy , Asia Ortega as teen daughter , Paul Monen as son , Vicente Romero and Luis Bermejo .

It packs a shading and adequate cinematography by Pedro Marquez , Miguel Angel Vivas's regular . Shot in Sevilla , though here neither monuments , nor sightseeing from this wonderful city , but night discoteques , building , roads and bridges , only . The motion picture was professional , though slowly paced by Miguel Angel Vivas .He is an expert on rare atmosphere, as he also proved in Reflejos 2002, Extinctión 2015 , and his greatest hit : Kidnapped 2010 that achieved undoubted success , several awards and important reputation , being also starred by Ana Wagener. Rating 6/10 . Acceptable and passable .

Interminably slow and tedious with an ending that is no surprise at all considering the multiple truths about character that evolve.

As a father having a son, watched the movie in horror. Lead actor, the father, is extremely successful. Daily bad news from the society on the radio news and a happy life of a doc portrayed, but you can't keep away from the filth as you're living in a filthy environment. It happens. Things go messy if everyone imposes his own justice. Script is poor especially on scenes required police interaction. A father's unbearable agony, for me, this is movie's ultimate success.

A slow burn and atmospheric movie, it is truly led by the lead actor José Coronado who plays the dutiful father, stoic and a man of few words, however, as the movie progresses we see layers to him, a man on the edge trying to balance. He has come face to face with violence within him spurred on by a violent act done to his son. He begins his journey trying to understand what happened, but by the end he does not care he needs to avenge his son who can no longer run with him or speak to him. The bond between father and son is captured on screen, in contrast to his distant daughter who in her own way is trying to do the right thing but then doing the right thing in this movie means choosing a side. The ending is a question in itself, what does vigilante justice really amount to, it is a matter of perspective is it not? Through the looking glass as they say. It is worth a viewing, only for the brilliant acting by José Coronado, it is sad to see the rest of the supporting cast could not match up to his on screen presence aside from perhaps the daughter acted by Asia Ortega who did not have much dialogue either, perhaps intentional.

Filmed with admirable restraint, this Spanish film makes its points with articulate ease. The pacing is effortless, sweeping the viewer along for the ride, keeping you on the edge of your seat yet sitting back just enough to let you get your breath. The quiet tension never overwhelms, putting you in the front seat of the main character's pursuit of justice. Kudos for not going with a Hollywood Liam Neeson revenge fantasy, this sophisticated movie is more interested in the complex and adult reality of this man's pain and determination. The only downside is a pivotal moment of stupidity by the main character which seems more like an artificial plot device than something an educated man would do, even in the heat of his uncovering of the truth about the fate of his son.