[go: up one dir, main page]

    Calendrier de parutionsTop 250 des filmsFilms les plus regardésRechercher des films par genreSommet du box-officeHoraires et ticketsActualités du cinémaFilms indiens en vedette
    À la télé et en streamingTop 250 des sériesSéries les plus populairesParcourir les séries TV par genreActualités TV
    Que regarderDernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbFamily Entertainment GuidePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideBest Of So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Nés aujourd’huiCélébrités les plus populairesActualités des célébrités
    Centre d’aideZone des contributeursSondages
Pour les professionnels du secteur
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • FAQ
IMDbPro

Comme si de rien n'était

Titre original : Alles ist gut
  • 2018
  • Tous publics avec avertissement
  • 1h 30min
NOTE IMDb
6,4/10
1,7 k
MA NOTE
Comme si de rien n'était (2018)
Drama

Le beau-frère du nouveau patron de Janne a couché avec elle contre son gré. Elle cache l'incident et continue sa vie comme d'habitude. Mais son silence a des conséquences, non seulement pour... Tout lireLe beau-frère du nouveau patron de Janne a couché avec elle contre son gré. Elle cache l'incident et continue sa vie comme d'habitude. Mais son silence a des conséquences, non seulement pour l'amour qu'elle ressent pour son ami Piet.Le beau-frère du nouveau patron de Janne a couché avec elle contre son gré. Elle cache l'incident et continue sa vie comme d'habitude. Mais son silence a des conséquences, non seulement pour l'amour qu'elle ressent pour son ami Piet.

  • Réalisation
    • Eva Trobisch
  • Scénario
    • Eva Trobisch
  • Casting principal
    • Aenne Schwarz
    • Andreas Döhler
    • Hans Löw
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,7 k
    MA NOTE
    • Réalisation
      • Eva Trobisch
    • Scénario
      • Eva Trobisch
    • Casting principal
      • Aenne Schwarz
      • Andreas Döhler
      • Hans Löw
    • 12avis d'utilisateurs
    • 26avis des critiques
    • 80Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 13 victoires et 10 nominations au total

    Photos25

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 21
    Voir l'affiche

    Rôles principaux24

    Modifier
    Aenne Schwarz
    Aenne Schwarz
    • Janne
    Andreas Döhler
    Andreas Döhler
    • Piet
    Hans Löw
    Hans Löw
    • Martin
    Tilo Nest
    • Robert
    Lina Wendel
    Lina Wendel
    • Sabine
    Lisa Hagmeister
    Lisa Hagmeister
    • Sissi
    Dagny Dewath
    Dagny Dewath
    • Tina
    Thomas Gräßle
    • Flori
    Annika Blendl
    • Madlene
    Doris Buchrucker
    Doris Buchrucker
    • Frau Hanneman
    Hildegard Faust-Albrecht
    • Frauenärztin
    Vera Flück
    • Schwester Tagesklinik
    Marc-Philipp Kochendörfer
    • Sicherheitsbeamter
    Valentina Kühnel
    • Pia
    Hermann Linnenbrink
    • Mann auf Fahrrad
    Sascha Maaz
    Sascha Maaz
    • Thomas
    Norbert Ortner
    • Mirko
    Franziska Rieck
    • Julia
    • Réalisation
      • Eva Trobisch
    • Scénario
      • Eva Trobisch
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    6,41.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    7manugw

    Unconventional story about sexual abuse

    Shows how a young woman copes with suffering in the aftermath of a sexual abuse by someone from her office. If the viewer expects to experience a fast paced emotional drama this is not the thing as it is implied in the title, in my opinion what they have in mind is how it feels to subdue everything that is bubbling inside which slowly lead to affect the mind and social relations in daily life. Unexpected cut off ending
    FrenchEddieFelson

    Feeling of incompleteness

    What a strange movie. I was moderately connected to this story that portrays a woman acting as if nothing had happened, on any occasion: during a rape after a drunken evening, during a game between colleagues at a seminar, ... She is bland and lacks conviction. The actress Aenne Schwarz is extremely beautiful and plays sensitively, but the film lacks coherence, following an imperfect realization. Disappointing because of a feeling of incompleteness.
    10Doctor-of-Nothing

    Nothing abrupt about it

    Reviews suggesting that the end is abrupt are misguided. Every single scene in the film, bar one (the assault), are cut off. The form is the character, the character is the narrative.

    Very, very disturbing film. Brilliant first (or any feature). Stellar lead performance. There are sounds of traffic and the city over the credits. All is good.
    7joaomanuelvicente

    Density

    No previously written or determined way one will deal with a severe ordeal. The girl was raped and, the minute after, she wishes to dominate it by contention and absorption of the event within herself. I believe that would be a way for her of not getting dominated by the event or by the perpetrator. At a certain point, however, she looses it and drops the cool. And then she is the one who dominates and confronts her raper. At this moment, when she finally lost her cool, she has at the same time won. Why not? Annae's smile and eyes are though out the movie so multidimensional! She smiles but her eyes don't. She looks cool all along but her smile implies something else. As in Mona Lisa. Great time watching this movie, it really adds to anything else I have seen before.
    7themadmovieman

    An interesting and unique perspective on the psychological effects of sexual assault, albeit not entirely consistent throughout

    With a very down-to-earth and ever-topical story, you may think that you've seen something similar to All Good before. However, while it touches on a topic portrayed in numerous films beforehand, it comes at it from a more interesting and rather refreshing angle, as such providing a little more emotional power and grit throughout. In that, it's an engrossing film, however it often fails to really keep its main theme at the centre of proceedings, occasionally taking away from that emotional core and making for a somewhat less enthralling watch.

    Before I get into that, however, let's talk about what really works about All Good, specifically the central performance from Aenne Schwarz. As I said, you may think you understand the story of a woman suffering in silence after an assualt, but what this film does, and what Schwarz in particular does, is show that the emotional effects and way of dealing with that trauma are not all that simple.

    Initially wonderfully smiley and likable, I was immediately taken by Schwarz's character here, and yet as the film goes on, her performance gradually begins to show the increasingly weary and even desperate extent that this woman has fallen to, slowly but effectively transitioning from someone who attempts to brush off something they at first see as harmless, and yet still suffer deeply from the lasting impact of such an event.

    The scene in which we see the assault happen is very well-handled - it's not a sensationalist or overly dramatic set-piece, but one that reflects a more real-world circumstance in seeming a little less menacing and harrowing than many films portray, and that's why you're able to relate to our leading lady's desire to see it as a nothing more than a nuisance, rather than becoming immediately grief-stricken.

    In that, the film takes a while for the real gravity of the situation to hit home, but in doing so, it expertly portrays a more realistic side to trauma and guilt, and allows the real intensity of what actually happened to play out over a longer and more agonising time period.

    It's an interesting and different perspective to what many films portray, and the film's very honest and down-to-earth nature is something that makes it a likable and undoubtedly engrossing watch, refusing to give into theatrics and show something that can more accurately reflect the confusion and eventual suffering that a person may go through after a sexual assault.

    Now, while that aspect of the film helps to keep it a generally intriguing watch, I still can't quite say that it managed to keep me completely enthralled from beginning to end, something that's largely due to that rather subdued opening act.

    As I said earlier, it's great to see that director Eva Trobisch doesn't sensationalise or overplay the nature of sexual assault, and the following twenty minutes or so see our main character effectively forget all about what happened as she aims to move on with her life.

    It's an interesting part of the plot, but for those twenty minutes, before the gravity of the situation really starts to hit home, there really isn't all that much to focus on, as you're left wondering what the fallout of that earlier event was.

    Given hindsight, it's something that's a little difficult to criticise heavily, but it proves that without the film's well-detailed and strong central theme, the screenplay falters a little, and it really struggles to keep your attention well.

    And finally, the film's ending is a poignant, albeit rather frustrating and abrupt one. Once again, it's a balance between orthodox cinema and the central theme here, and the trade-off doesn't quite work at the very end, as you're left hanging with an abrupt conclusion that doesn't quite satisfy the overall arc of the story. It's an undoubtedly unique way to finish things off, but it's not something that really hit me as hard as I felt was the intention, leaving me a little disappointed that there wasn't more to learn about what this woman is really going through.

    Overall, I was generally impressed by All Good, what with its unique and grounded central theme, down-to-earth style, and excellent central performance, although it's not a film that managed to grab me entirely, occasionally trading off some of its emotional power for the sake of that central thematic narrative in rather unsatisfying fashion.

    Vous aimerez aussi

    Clair obscur
    6,4
    Clair obscur
    He Ain't Heavy
    6,1
    He Ain't Heavy
    Are you lonesome tonight?
    6,3
    Are you lonesome tonight?
    Flammenmädchen
    6,7
    Flammenmädchen
    Adú
    6,8
    Adú
    A Chiara
    6,8
    A Chiara
    La vie que nous voulions
    5,9
    La vie que nous voulions
    Les Crimes qui nous lient
    6,7
    Les Crimes qui nous lient
    Les carnets de Siegfried
    6,6
    Les carnets de Siegfried
    Les Arbres de la paix
    6,5
    Les Arbres de la paix
    Chocolat
    7,0
    Chocolat
    Gloria Bell
    6,3
    Gloria Bell

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Connexions
      Referenced in Le Monde de John (2021)
    • Bandes originales
      Urlaub in Italien
      Music and lyrics by Carsten Meyer

      Performed by Carsten Meyer (as Erobique)

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ17

    • How long is All Is Well?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 avril 2019 (France)
    • Pays d’origine
      • Allemagne
    • Langue
      • Allemand
    • Aussi connu sous le nom de
      • All Is Well
    • Sociétés de production
      • TRIMAFILM
      • Starhaus Filmproduktion
      • Bayerischer Rundfunk (BR)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 84 399 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Comme si de rien n'était (2018)
    Lacune principale
    What is the Brazilian Portuguese language plot outline for Comme si de rien n'était (2018)?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.