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The Valley

Titre original : Valley of the Boom
  • Série télévisée
  • 2019–
  • 1h
NOTE IMDb
6,6/10
748
MA NOTE
The Valley (2019)
This dramatized documentary chronicles the personalities and companies involved in the dotcom boom.
Lire trailer3:07
2 Videos
8 photos
DocudramaDramaHistory

Ajouter une intrigue dans votre langueDocudrama crosscut with real interviews about the 1990s tech boom in the Silicon Valley.Docudrama crosscut with real interviews about the 1990s tech boom in the Silicon Valley.Docudrama crosscut with real interviews about the 1990s tech boom in the Silicon Valley.

  • Création
    • Matthew Carnahan
  • Casting principal
    • Bradley Whitford
    • Lamorne Morris
    • Oliver Cooper
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    748
    MA NOTE
    • Création
      • Matthew Carnahan
    • Casting principal
      • Bradley Whitford
      • Lamorne Morris
      • Oliver Cooper
    • 24avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 nominations au total

    Épisodes6

    Parcourir les épisodes
    HautLes mieux notés1 saison2019

    Vidéos2

    Trailer #1
    Trailer 3:07
    Trailer #1
    Valley Of The Boom
    Trailer 2:53
    Valley Of The Boom
    Valley Of The Boom
    Trailer 2:53
    Valley Of The Boom

    Photos7

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 4
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Bradley Whitford
    Bradley Whitford
    • James L. Barksdale
    • 2019
    Lamorne Morris
    Lamorne Morris
    • Darrin Morris
    • 2019
    Oliver Cooper
    Oliver Cooper
    • Todd Krizelman
    • 2019
    John Karna
    John Karna
    • Marc Andreessen
    • 2019
    Dakota Shapiro
    Dakota Shapiro
    • Stephan Paternot
    • 2019
    Steve Zahn
    Steve Zahn
    • Michael Fenne
    • 2019
    Stephan Paternot
    Stephan Paternot
    • Self
    • 2019
    John Murphy
    John Murphy
    • Jim Clark
    • 2019
    Fred Henderson
    Fred Henderson
    • Michael Egan…
    • 2019
    Chiara Zanni
    Chiara Zanni
    • Sheila
    • 2019
    Raf Rogers
    Raf Rogers
    • Sean Alvaro
    • 2019
    Camille Hollett-French
    Camille Hollett-French
    • Tara Hernandez
    • 2019
    Vincent Dangerfield
    Vincent Dangerfield
    • Lee Wiskowski
    • 2019
    Nick Hunnings
    Nick Hunnings
    • Ed Cespedes
    • 2019
    Mike Kovac
    Mike Kovac
    • Balding Ponytail Coder
    • 2019
    Tom Stevens
    Tom Stevens
    • Phillip
    • 2019
    Jacob Richter
    Jacob Richter
    • Dan Goodin
    • 2019
    Hilary Jardine
    Hilary Jardine
    • Patty Beron
    • 2019
    • Création
      • Matthew Carnahan
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs24

    6,6748
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    8harrisonsthompson

    Innovative story that doesn't always hit the mark

    This should be a 7.5 but I rounded but bc it's the nice thing to do especially because this is way better than a 6.4. I've read the user reviews and a lot of them bash the story telling, claiming to be very disappointed because they were very interested in the subject matter yet the show did not provide the straightforward clinical examination they were expecting. It seems as though the trailer may have created expectations that the show did not deliver. I watched this without having seen a trailer and was pleasantly refreshed by the choice to use this innovative style of docudrama. To all of the reviewers saying why on earth would they do this? Let's call it what it is: it's ripping off the Big Short, which was a hugely successful and applauded business film. The style of the big short made a story about finance accessible to people unfamiliar with the subject matter. I'm glad NatGeo tried to do something different. It definitely hits and misses. Certain aspects of it are great, while others, like some of the casting decisions, the rapping, super long dance sequences, cartoonish hypotheticals, fourth wall breaking (which I didn't hate) take the viewer of the story. Here's what I do applaud this series for and why I give it a high rating, and why it hooked me: the storylines. I have never heard of Michael Fenne, Pixelon or The Globe.com. If it weren't for this series, I'm sure I'd never have heard about these companies. Also, Netscape is usually second fiddle to other stories and I loved getting a deep dive. I'm a huge fan of the decision to focus on these stories. I find them very compelling and watching them dramatized with the real life talking heads worked for me. Steve Zahn as Michael Fenne is extraordinary. While it's stylistic choices may turn some off, especially those expecting something straightforward, I found myself looking forward to the next episode while watching this series and I personally can't say that for too many shows these days.
    10Ohscissormetimbers

    Don't believe the naysayers

    This is a GREAT and really informative show about the tech boom and how all sorts of people came out of the woodwork to take advantage. I am not sure how anyone could watch this and not be entertained by the sheer ridiculousness of some of the things people did. I get that it is a docudrama and, therefore, some of the facts are embellished, but that can't possibly make this a one star series. Strange that the ratings are near a 7 overall but the only people who have posted written reviews have it at a 1 or 2. To me that suggests there are a few haters out there who didn't get what they wanted out of this show and they are dragging down the rating without giving it a real chance. This is an excellent series that has been getting better with each episode. The Michael Fenne story is so ridiculous and hilarious that it is worth watching just to see that part alone.
    6bob-larrance

    Too much talk makes the 90's a bore

    Hybrid Docu-Drama, where some of the prime-movers appear in cameo to describe their exploits, intertwined with actors that act out the same events. The process is brought down a bit by simply too much information, kind of a docu-drama for dummies. Still, the subject matter is fascinating, as were those times. No idea where the thing is headed but my best guess is that a big fat torpedo will be launched at the memory of Microsoft mid-series, since a great deal of the setup seems to be super friendly to the legacy of Netscape and the 'nerds are antisocial brainiacs' fanboy movement. Witness the silly placements of oddly pretentious Arianna Huffington thoughts. I guess finding humor is easier that finding an understanding of the things that make one's life work, 20 years after.
    8amunro-368-74378

    This is not bad, but a tad inaccurate. Worthy nontheless.

    I lived through this. Even visited Netscape in New York while working for SGWarburg in the UK. The senior analyst working on the floor above me sold his Mozilla (his name of the source) code to a young guy in the US for what we were lead to believe was roughly 10k pounds.. We used to tease him about it. So, perhaps the original premise of the origination is perhaps a tad skewed.

    I still have the the original documentation encapsulating the beyond browser technical specs for a hybrid between browsers and email which indeed my team created, which in turn became Outlook after our MS partners stole it. It really is plain to see were you to simply look at the original specs. So the documentary is absolutely accurate in how aggressive MS was back in the day.

    I actually employed a Pixelon senior technician. He became an SGWarburg director, which trust me was not all it was cracked up to be. He turned out to be a wife beater and ended up in an Californian jail after being tracked down and extradited for previous misdemeanors to a female employee in the US. Which kind of summarises the Pixelon culture. Go #MeToo.

    As a production presenting the times this rendition is both mildly inaccurate and entirely American centric. The internet after all was not invented by Americans, DARPA not withstanding. Oddly it was actually one of these rare things that came out of a bipartisan collaboration originating in Switzerland. But hey, far be it for me to attempt to represent an actual representation of the history I worked through, participated in and indeed continue to retain original documentation defining the instigation inherent in the actuality of this period.

    This production is worthy. Perhaps it will encourage viewers to look further.
    8CuPPuCk

    Better than cynical critics want you to think

    Subject pretty much sums it up. Great story of the early days of the internet told from varying points and perspectives using a dynamic mixing documentary, interviews and drama to really capture the events that took place, that when done well, which I believe it was, is simply incredible and quite enjoyable.

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    Histoire

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    Le saviez-vous

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    • Connexions
      Referenced in Hollywood Game Night: Kiss Me in Lamorne-ing (2019)

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    FAQ15

    • How many seasons does Valley of the Boom have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 janvier 2019 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Valley of the Boom
    • Lieux de tournage
      • Vancouver, Colombie-Britannique, Canada
    • Société de production
      • STX Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure
    • Couleur
      • Color

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