Lockdown

.....but whatever meds McMasters needs would be sent to, and administered at whatever facility he was housed in. The whole movie is based on his paranoid schizophrenia, so why not set the stage at the only police station that doesn't follow the medication procedure.

Michael Paré hasn't made anything worthwhile since his "Eddy and the Cruisers" days, but some efforts are better than others, and considering this script is so full of holes, he isn't horrible in this.

This movie isn't a ten, but it ain't no one either.

Oh dear God, I had never heard of Massimiliano Cerchi who is credited with being both (co)writer and director of this dreadful dreck or seen any of his other work and I sure hope never to again. He must have been without sleep for several days and nights and high on mind-altering illegal substances to pound out such pitiful garbage. I honestly believe an average middle school drama class could write, direct and perform a much higher quality film than this. The dialog was not only unbelievable but simply ridiculous. The lighting in many scenes was poor. The so-called "actors" and "actresses" in this lousy production better have day jobs or they're going to starve. Try as I might, I simply cannot find one redeeming quality in this entire 89 minute pukefest.

A cluster muddle of stereotype characters locked in a cliché hostage negotiation with dreadful dialogue and a massively intrusive soundtrack. Other than that it is not too bad!

This is a vapid vanity project written, directed and produced by Massimiliano Cerchi, never seen anything from him before and hope not to in the future. Nobody emerges with glory from what is without doubt the worst movie I have had the misfortune to endure this year.

Should have been a 1, but because it was made for fifty bucks I got generous.

Terrible acting, direction, editing, lighting, etc.

The Bai Ling action scenes are a in particular laughably bad.

Perfectly stupid. The script is childish, dialogues are apparently written by a non native english speaker who believes a generous use of the f-word adds athenticity. And what is Paré doing among these obviously amateur actors? He might not be a star but still, he is (or was) a professional. Old age is unforgiving, huh?