Thunder Road

THUNDER ROAD begins at a funeral. Actor/director/writer Jim Cummings plays Officer Jim, a cop who comes to the front of the church to eulogize his mother. This scene is one of the most amazing and unexpected scenes I've ever watched. In a few minutes, Officer Jim veers wildy from moments of light humor while recollecting his mom, to unstoppable tears, to deeply inappropriate dancing to, frankly, a total, emotional breakdown unlike any you've seen. This guy just looses his cool, but in a way that feels unique and organic. He's all over the place, and we laugh and then we're just appalled for him. It feels real and specific and is very moving and yet uncomfortably laughable at the same time. I've not seen anything quite like it. (Apparently, this scene was originally a short film Cummings made and used to scrounge up enough funding to stretch this character's experiences into a feature film.)

The scene is probably the best thing in the movie, as we move out of the church and spend more time with Jim and, in particular, his young daughter. The girl's mother is a mess...Jim cares for her and is deeply angry at her at the same time. In fact, Jim is subject to fits of rage. He is clearly carrying around a lot of grief and confusion, and he doesn't really have an outlet or anyone to "talk to" about it. He's a proud man who doesn't want to admit he's hurting. His temper is sometimes comical and sometimes terrifying. He is, in short, a mess. But you've never seen a character quite like this or a mess quite like it either. Cummings, who is not necessarily the most gifted actor ever, has a quality about him that I've not really seen in another "star." We can laugh with him and at him, and be infuriated by him yet root for him deeply. His brand of "messed-up-ness" is singular and we feel like we're seeing a real person break down.

But, despite the mess that Jim has become, the result of the movie (and it's string of odd incidents) is a feeling of hope and uplift. Life is never going to be perfect, far from it...but perhaps Jim learns to appreciate the little joys and victories it brings. We suspect he'll always be a bit of a mess, but we also see that he might be pulling his act together at least a little.

The film will be off-putting to some. It's low budget, and that often shows. It swings wildly in tone, often within scenes. It's tough to describe the emotional impact (is it a comedy with some drama, or a drama with some comedy, or is it even a drama that doesn't realize how silly much of it is?). Cummings has made one other film (THE WOLF OF SNOW HOLLOW) that also plays around with similar themes of anger and inchoate reaching for manly self-improvement. If you can manage it, I'd suggest a mini-film festival, with THUNDER ROAD first and then SNOW HOLLOW. While the film(s) are far from perfect, the best thing I can say is that I still can't wait to see what Cummings comes up with next. Unique!

(PS: If you have the blu ray, watch the extras about how the film was funded. Crazy stuff!)

To be honest I never heard of Jim Cummings before, not as an actor nor as a writer, nor as a director, but after watching Thunder Road I will remember him in the future. This movie is a strange mixture of drama and comedy. You never completely know if it is sadness or laughter they were looking for and that's all credit to the excellent acting of Jim Cummings. I never saw a grown man crying so much in a movie and still be funny due to his facial expressions whilst crying. I truly enjoyed Thunder Road and I'm sure plenty of others will do also. An easy to watch story, with mixed emotions, but in the end better than I thought it would be.

Saw this a Hell's Half Mile Film fest in Bay City, Michigan and Jim Cummings wrote, directed and gave a stunning lead performance in this festival gem, which I believe is his first full feature after bouncing around doing short films and a little TV work. He has the acting chops to pull off his own written vision of this unstable police officer who can slip from calm, deranged and sorrowful multiple times within one scene. Impressive for he must do this most if not all of this 90 minute film carrying off this complicated character through losing his mother, wife in divorce, his job and every thing he holds dear as he sinks into despair. I hope this propels his movie making skills to new wide release films in the future.

It's not often I enjoy a film with such constant tonal shifts throughout, but I did with this one. The film essentially made me laugh, made me emotive and made me think - which is all a viewer can ask for really. Right from the extraordinary opening monologue, the film grabs the viewer and reels you into the heady mix of comedy and tragedy. Some are going to hate this movie because of that. There are moments of black comedy placed into scenes of real drama - which shouldn't really work. But it does. For me at least.

The focus is on single parenting, life, stress, happiness, anxiety, mental health, love. Jim Cummings wrote, directed and starred in it - and you can tell he totally believed in this project by the performance he puts in. Although he can possibly be accused of overracting at times, he is quite brilliant at others. There are some flawed moments - some real "wtf" scenes with a potential dealbreaking third act.

The placement of comedy is the talking point in many places. But overall I would recommend this movie for those who are suckers for an indie dramedy. 7.5 / 10.

If you have read the other reviews, then you will know that this movie is being judged for all the wrong reasons. Jim Cummings put his heart and soul into this film and because it is listed as a comedy and a drama, some have decided to deride this film because of it. It is what most would call a Black Comedy. I saw the official trailer for it, and anyone that saw the trailer would know that this is more drama/tragedy with dark comedic elements, but there are pedants here in internet land that wish to harp on about this film not being properly categorized. Get over it and watch the movie, because it is brilliant! If you have ever experienced loss, then you will connect to the main character's myriad emotions. Jim Cummings does an excellent job as the beleaguered protagonist, and the film moves along at a stride that fits his circumstance, culminating in a third act that is a bit surprising, but fitting. I also loved Macon Blair (Blue Ruin), as Crystal's teacher. Independent films are not for everybody, and many of them are poorly executed, cast, or directed, but Thunder Road is the reason why I watch them, because, otherwise, all we would be presented with are big studio, unoriginal bombastic gunfight and explosion filled sensory overload. I like those movies too, but sometimes, it is a treasure to see a finely crafted and emotional character study.