NOTE IMDb
5,3/10
7,9 k
MA NOTE
Sa retraite en tête, un jeune trafiquant de drogue talentueux prépare son dernier coup tout en ayant affaire à la police et à des collègues à la gâchette facile.Sa retraite en tête, un jeune trafiquant de drogue talentueux prépare son dernier coup tout en ayant affaire à la police et à des collègues à la gâchette facile.Sa retraite en tête, un jeune trafiquant de drogue talentueux prépare son dernier coup tout en ayant affaire à la police et à des collègues à la gâchette facile.
Kaalan Walker
- Juju
- (as Kaalan 'KR' Walker)
Big Boi
- Mayor Atkins
- (as Antwan 'Big Boi' Patton)
Brian F. Durkin
- Officer Turk Franklin
- (as Brian Durkin)
Dawntavia Marrero
- Monique
- (as Dawntavia Bullard)
Curtis Franklin
- Litty's Muscle
- (as Al Nuke)
Avis à la une
If you walk into Superfly with the intention of not taking it seriously....it's actually pretty fun for all the wrong reasons. What makes Superfly work is its jaded views on street credibility and several of the lead actors to bring some much needed levity to what is a rip-off of every crime drama that came before it.
The plot is all you have heard a million times before. The whole "one big score to end it all" after a traumatic moment, corrupt cops, navigating through a Mexican drug cartel, all wrapped into a copy and paste style script. What makes it a little more worth while is the rival gang Snow Patrol, which is gloriously over the top in literally all white everything and filled with actors overacting in ways I haven't seen in a movie in a long time. So it's sad to say that there is a long period where they aren't the focus and the film reverts into familiar cartel territory, which is not investing at all.
Trevor Jackson is okay in the lead role, but is clearly outstaged by his co-star Jason Mitchell, who is having more fun in the role than he is. He plays it pretty straight, but doesn't stretch his range out enough to make him captivating. Also the film runs 20 minutes too long and could have sliced a large amount of the ending to keep it more focused and internal.
Superfly is simply harmless pulp that was close to being a guilty pleasure. In a post-Black Panther world, films like Superfly will have to beef up their reasons for existing by either going all the way absurd, or just asking new questions these characteristics. It's crime isn't its influence, but instead it lacks wings to truly fly.
Rating: 4.5 / 10
The plot is all you have heard a million times before. The whole "one big score to end it all" after a traumatic moment, corrupt cops, navigating through a Mexican drug cartel, all wrapped into a copy and paste style script. What makes it a little more worth while is the rival gang Snow Patrol, which is gloriously over the top in literally all white everything and filled with actors overacting in ways I haven't seen in a movie in a long time. So it's sad to say that there is a long period where they aren't the focus and the film reverts into familiar cartel territory, which is not investing at all.
Trevor Jackson is okay in the lead role, but is clearly outstaged by his co-star Jason Mitchell, who is having more fun in the role than he is. He plays it pretty straight, but doesn't stretch his range out enough to make him captivating. Also the film runs 20 minutes too long and could have sliced a large amount of the ending to keep it more focused and internal.
Superfly is simply harmless pulp that was close to being a guilty pleasure. In a post-Black Panther world, films like Superfly will have to beef up their reasons for existing by either going all the way absurd, or just asking new questions these characteristics. It's crime isn't its influence, but instead it lacks wings to truly fly.
Rating: 4.5 / 10
Trash, What's the point , just watch the original that's how to make a great "blacksplotation" film not this , why make a sequel that is so inferior to the original ? Don't bother !
Priest is a cool, careful, calculating drug lord in Atlanta. He has operations and connections all over without the unwanted attention like his two girlfriends, Georgia and Cynthia. He has a respectful rival in Snow Patrol leader Q although Q's right hand man Juju is itching to take him down. After Juju's failed shooting, Priest's brother Eddie tries a drive-by without Priest's knowledge. Meanwhile, Priest goes around his source Scatter (Michael Kenneth Williams) by connecting to the Mexican source Adalberto Gonzalez (Esai Morales). He returns to a looming gang war with Snow Patrol and corrupt cop Detective Mason (Jennifer Morrison).
I like the opening scene which sets up Priest's character really well. After that, he needs to do an exposition of his life and his operation. The movie tries to be slick. At times, I find the attempt fun but other times, it seems unnecessary and silly. For example, Morrison is overplaying the role and she's not capable of the attempt. It's silly to try unless it's done right. The other problem is that Priest is presented as a calculating smart dealer but he misses several obvious things in his plan. It's obvious that Scatter would figure it out and come after him sooner or later. A smart man would take him out right after making the connect with Mexico. As for Q, he knows that his lie could never hold up especially at the gallery. He should have offered him a piece of the action since he needs the sales anyways. Also I don't understand the exact calculations of the third act. Wouldn't a shoot out at his furniture store draw attention to him? Wouldn't it be better to go after Snow Patrol at their mansion? It would have been great action to have a shoot out at the mansion. Speaking of action, there is one big car chase scene in the movie which reminds me of a 90's action B-movie shot on the streets of Toronto. That's to say it looks dated and doesn't have the intensity of the top rank modern car chase. It also looks like they tried their best with limited resources and skills. There is lots to like about TV and music video Director X but he may need some help making the jump to full length films.
I like the opening scene which sets up Priest's character really well. After that, he needs to do an exposition of his life and his operation. The movie tries to be slick. At times, I find the attempt fun but other times, it seems unnecessary and silly. For example, Morrison is overplaying the role and she's not capable of the attempt. It's silly to try unless it's done right. The other problem is that Priest is presented as a calculating smart dealer but he misses several obvious things in his plan. It's obvious that Scatter would figure it out and come after him sooner or later. A smart man would take him out right after making the connect with Mexico. As for Q, he knows that his lie could never hold up especially at the gallery. He should have offered him a piece of the action since he needs the sales anyways. Also I don't understand the exact calculations of the third act. Wouldn't a shoot out at his furniture store draw attention to him? Wouldn't it be better to go after Snow Patrol at their mansion? It would have been great action to have a shoot out at the mansion. Speaking of action, there is one big car chase scene in the movie which reminds me of a 90's action B-movie shot on the streets of Toronto. That's to say it looks dated and doesn't have the intensity of the top rank modern car chase. It also looks like they tried their best with limited resources and skills. There is lots to like about TV and music video Director X but he may need some help making the jump to full length films.
It's like the ultimate male fantasy come to life!
Priest is the king of the drug game in Atlanta, his head so strongly connected to his shoulders he does not need to bring a gun to a gun fight (And that's why it was so important to advertise it's from the producers of the matrix). He has the perfect life running the game with his boy and sharing his bed with not one but two hot chicks who don't mind sharing at all, as he runs his house like a true king, but one day he realizes he no longer has the mind set for the game and needs to do one last big score and get out before he gets got.
It's like if Disney was making a movie about a drug dealer. This dude Superfly is so perfect. In that way it's the perfect homage not just to the original movie but to the blaxpolation era altogether (both positive and negative) with their imagery of a brother who's near perfect.
But I have to admit, I would not have expected a movie like this in the times we are living in. It appeals so heavily to a male psyche the world is trying to change. Obviously mine has not, because I loved this flick. The producers of the Matrix (as the poster advertised) loaded it with so much Style and action (plus hot naked women) that I can't help but to enjoy.
Something tells me this is going to be my guilty pleasure.
Priest is the king of the drug game in Atlanta, his head so strongly connected to his shoulders he does not need to bring a gun to a gun fight (And that's why it was so important to advertise it's from the producers of the matrix). He has the perfect life running the game with his boy and sharing his bed with not one but two hot chicks who don't mind sharing at all, as he runs his house like a true king, but one day he realizes he no longer has the mind set for the game and needs to do one last big score and get out before he gets got.
It's like if Disney was making a movie about a drug dealer. This dude Superfly is so perfect. In that way it's the perfect homage not just to the original movie but to the blaxpolation era altogether (both positive and negative) with their imagery of a brother who's near perfect.
But I have to admit, I would not have expected a movie like this in the times we are living in. It appeals so heavily to a male psyche the world is trying to change. Obviously mine has not, because I loved this flick. The producers of the Matrix (as the poster advertised) loaded it with so much Style and action (plus hot naked women) that I can't help but to enjoy.
Something tells me this is going to be my guilty pleasure.
Le saviez-vous
- AnecdotesThe film was shot, edited and released in a five month period. Principal Photography started in January 2018 and concluded in March in 2018. Post Production took place during April and May in 2018 and the film was released on June 13, 2018.
- Citations
Youngblood Priest: You ain't got shit. Literally. You're three months behind on your mortgage payments, and I don't care how many gangsters from Joyland you got with you. Ain't nobody more gangster than a bank.
- ConnexionsReferenced in Midnight Screenings: Superfly (2018)
- Bandes originalesLet's Begin
Written by Jerome Kern and Otto A. Harbach (as Otto Harbach)
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Détails
Box-office
- Budget
- 16 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 545 116 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 870 740 $US
- 17 juin 2018
- Montant brut mondial
- 20 780 685 $US
- Durée
- 1h 56min(116 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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