NOTE IMDb
5,3/10
7,9 k
MA NOTE
Sa retraite en tête, un jeune trafiquant de drogue talentueux prépare son dernier coup tout en ayant affaire à la police et à des collègues à la gâchette facile.Sa retraite en tête, un jeune trafiquant de drogue talentueux prépare son dernier coup tout en ayant affaire à la police et à des collègues à la gâchette facile.Sa retraite en tête, un jeune trafiquant de drogue talentueux prépare son dernier coup tout en ayant affaire à la police et à des collègues à la gâchette facile.
Kaalan Walker
- Juju
- (as Kaalan 'KR' Walker)
Big Boi
- Mayor Atkins
- (as Antwan 'Big Boi' Patton)
Brian F. Durkin
- Officer Turk Franklin
- (as Brian Durkin)
Dawntavia Marrero
- Monique
- (as Dawntavia Bullard)
Curtis Franklin
- Litty's Muscle
- (as Al Nuke)
Avis à la une
This is a loud slick noisy update of the 1972 Blaxploitation Super Fly. The tunes lack the funk of the original and I welcomed the burst of Curtis Mayfield's title track.
Trevor Jackson is cool but bland as the Atlanta drug pusher Youngblood Priest. He wants to make that one big score and get out with his two girlfriends.
To do this he makes a connection with the Mexican cartel, stay one step ahead of rival gang Snow Patrol and then he has to deal with crooked cops who want a piece of the coke pie.
Priest has been made more nicer and morally centered in this version, he was not so nice in the original.
Despite looking more lavish than the original. Director X has stuck to his music video aesthetics. I think all those shots of women in strip clubs looks sleazy for all the wrong reasons.
The film is really too long, the crooked cops were just cartoonish, I am surprised no one caught them out earlier. The script is full of holes but it is a watchable that improves as it goes on.
Trevor Jackson is cool but bland as the Atlanta drug pusher Youngblood Priest. He wants to make that one big score and get out with his two girlfriends.
To do this he makes a connection with the Mexican cartel, stay one step ahead of rival gang Snow Patrol and then he has to deal with crooked cops who want a piece of the coke pie.
Priest has been made more nicer and morally centered in this version, he was not so nice in the original.
Despite looking more lavish than the original. Director X has stuck to his music video aesthetics. I think all those shots of women in strip clubs looks sleazy for all the wrong reasons.
The film is really too long, the crooked cops were just cartoonish, I am surprised no one caught them out earlier. The script is full of holes but it is a watchable that improves as it goes on.
If you walk into Superfly with the intention of not taking it seriously....it's actually pretty fun for all the wrong reasons. What makes Superfly work is its jaded views on street credibility and several of the lead actors to bring some much needed levity to what is a rip-off of every crime drama that came before it.
The plot is all you have heard a million times before. The whole "one big score to end it all" after a traumatic moment, corrupt cops, navigating through a Mexican drug cartel, all wrapped into a copy and paste style script. What makes it a little more worth while is the rival gang Snow Patrol, which is gloriously over the top in literally all white everything and filled with actors overacting in ways I haven't seen in a movie in a long time. So it's sad to say that there is a long period where they aren't the focus and the film reverts into familiar cartel territory, which is not investing at all.
Trevor Jackson is okay in the lead role, but is clearly outstaged by his co-star Jason Mitchell, who is having more fun in the role than he is. He plays it pretty straight, but doesn't stretch his range out enough to make him captivating. Also the film runs 20 minutes too long and could have sliced a large amount of the ending to keep it more focused and internal.
Superfly is simply harmless pulp that was close to being a guilty pleasure. In a post-Black Panther world, films like Superfly will have to beef up their reasons for existing by either going all the way absurd, or just asking new questions these characteristics. It's crime isn't its influence, but instead it lacks wings to truly fly.
Rating: 4.5 / 10
The plot is all you have heard a million times before. The whole "one big score to end it all" after a traumatic moment, corrupt cops, navigating through a Mexican drug cartel, all wrapped into a copy and paste style script. What makes it a little more worth while is the rival gang Snow Patrol, which is gloriously over the top in literally all white everything and filled with actors overacting in ways I haven't seen in a movie in a long time. So it's sad to say that there is a long period where they aren't the focus and the film reverts into familiar cartel territory, which is not investing at all.
Trevor Jackson is okay in the lead role, but is clearly outstaged by his co-star Jason Mitchell, who is having more fun in the role than he is. He plays it pretty straight, but doesn't stretch his range out enough to make him captivating. Also the film runs 20 minutes too long and could have sliced a large amount of the ending to keep it more focused and internal.
Superfly is simply harmless pulp that was close to being a guilty pleasure. In a post-Black Panther world, films like Superfly will have to beef up their reasons for existing by either going all the way absurd, or just asking new questions these characteristics. It's crime isn't its influence, but instead it lacks wings to truly fly.
Rating: 4.5 / 10
Trash, What's the point , just watch the original that's how to make a great "blacksplotation" film not this , why make a sequel that is so inferior to the original ? Don't bother !
The original Super Fly is credited as being one of the original Blaxploitation movies along with Sweet Sweetback's Baadassssss Song and Shaft. All of which are considered essential movies in the genre.
This remake hits all the right notes and it updates it for today's audiences but it doesn't really bring anything new or noteworthy to the mix. It's stylish and honestly feels more like an extended music video in some parts. Now part of that could very well be because of the director and his background. But that's good for music videos and not for a feature length movie.
But the real issue is this movie has no real reason to exist. It's a remake that really is the same exact story as the original. I get why they wanted to make it but it doesn't bring anything really new to the mix.
As a stand alone movie it's just kinda okay. As a remake it's just a tepid retelling of a much better story.
This remake hits all the right notes and it updates it for today's audiences but it doesn't really bring anything new or noteworthy to the mix. It's stylish and honestly feels more like an extended music video in some parts. Now part of that could very well be because of the director and his background. But that's good for music videos and not for a feature length movie.
But the real issue is this movie has no real reason to exist. It's a remake that really is the same exact story as the original. I get why they wanted to make it but it doesn't bring anything really new to the mix.
As a stand alone movie it's just kinda okay. As a remake it's just a tepid retelling of a much better story.
Everything about this movie is just too predictable and looks like much thought wasn't put into it. There were just too many irrelevant scenes in this movie which didn't need to be screened.
The worst part about this movie is that it seemed like an advert for the Lexus sports car the main character drove as the panning and camera angles were irrelevant.
Overall, it was a subpar movie.
The worst part about this movie is that it seemed like an advert for the Lexus sports car the main character drove as the panning and camera angles were irrelevant.
Overall, it was a subpar movie.
Le saviez-vous
- AnecdotesThe film was shot, edited and released in a five month period. Principal Photography started in January 2018 and concluded in March in 2018. Post Production took place during April and May in 2018 and the film was released on June 13, 2018.
- Citations
Youngblood Priest: You ain't got shit. Literally. You're three months behind on your mortgage payments, and I don't care how many gangsters from Joyland you got with you. Ain't nobody more gangster than a bank.
- ConnexionsReferenced in Midnight Screenings: Superfly (2018)
- Bandes originalesLet's Begin
Written by Jerome Kern and Otto A. Harbach (as Otto Harbach)
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Détails
Box-office
- Budget
- 16 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 545 116 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 870 740 $US
- 17 juin 2018
- Montant brut mondial
- 20 780 685 $US
- Durée1 heure 56 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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