Géométrie de la mort

I confess that I was very impressed by this series. Events happen at an accelerated pace, and if the plot is complex, the solutions are always unexpected. Top-notch music, neat photography. One of the best crime series I've ever seen. Ready to watch a second time. The actors are excellent, and convincing to the extreme. A precise image of what the former communist countries have become: a paradise for the mafia, arms trafficking, corruption, prostitution and crimes. A gloomy series as is the reality for many people in Ukraine, Poland and the Czech Republic. Highly recommended

The director manages to pick beautiful shots and the actors do a great job in this thriller series across Eastern Europe. Alas, the storyline is rather convoluted, with many characters and possible culprits. At times it seems the detectives are as confused as the audience, with little coordination or plan.

An exotic thriller in four languages (Polish, Ukrainian, Czech and English). Beautifully photographed and a with stunning musical score.

It took a while to get into and be warned it contains a lot of violence, nudity and sex. Far more than your average US or UK thriller.

I found the story a bit complex to follow but I liked the characters.

Worth a look.

I thought that the acting was professional and first rate. It was dark, gloomy, erotic and although thoughtful, it was clever and twisted. More please as must produce another season.

I really enjoyed this series. Yes, the story is complex and I highly recommend to put your smartphone away while watching. We are following the three different detectives literally from lead to lead until the case is solved. A lot of nicely written plot twists happen and only a few of the seem a little forced. The story shows real people in a credible environment acting in plausible ways and yet it keeps you at the edge of your sofa because the photography and the music create a fascinating feeling. The acting is great, especially the main character Maria is portraited beautifully in all her ambiguity by Malgorzata Buczkowska.