En vacances sur le Nil, Hercule Poirot doit enquêter sur le meurtre d'une jeune héritière.En vacances sur le Nil, Hercule Poirot doit enquêter sur le meurtre d'une jeune héritière.En vacances sur le Nil, Hercule Poirot doit enquêter sur le meurtre d'une jeune héritière.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 1 victoire et 8 nominations au total
Avis à la une
Did enjoy this, but having read the book by Agatha Christie I can say that you should read the book instead. For a 2 hour movie it does not develop the characters or story very well but cinematography and direction is spectacular.
Death on the Nile fails to meet the high standard of its predecessor Murder on the Orient Express. That being said the film is beautifully shot and the final act is an overall fun mystery ride. The film is generally well acted and directed. One negative is that the audience is just told things a little too much. Murder on the Orient Express had a little more set up and the audience felt more of a part of the mystery early on. That aspect of storytelling felt diminished in this sequel. The mystery does not really pick up until the final act and even then some things are just explained by Detective Poirot without any of the tantalizing intrigue that the first film possessed. Murder on the Orient Express had an amazing twist with good people doing a bad thing which made the audience seriously reflect on the right and wrong of the crime. Unfortunately, Death on the Nile's big twist of bad people doing a bad thing for money felt a little flat. Murder on the Orient Express was a work of art. Death on the Nile is a decent mystery movie.
I beg Mr. Branagh to direct and/or produce films based on Agatha Christie's novels but NOT TO PERFORM as Hercule Poirot, anymore. Please...Not even his moustache is credible.
After having watched Peter Ustinov's and David Suchet's WONDERFUL Poirots...there is no way I can like this current Hercule.
Neither in this movie nor in the previous one.
Besides,as a Christie's fan, I watched the 1978 version of her novel and that was a beautiful piece of art. Actually located in Egypt and full of great famous actors (who were absolutely absent at this time).
This is my humble advice to Kenneth ...knowing he won't read it,of course.
I hope the other people here (at IMDB) will join my wish.
Regards from Argentina.♥
After having watched Peter Ustinov's and David Suchet's WONDERFUL Poirots...there is no way I can like this current Hercule.
Neither in this movie nor in the previous one.
Besides,as a Christie's fan, I watched the 1978 version of her novel and that was a beautiful piece of art. Actually located in Egypt and full of great famous actors (who were absolutely absent at this time).
This is my humble advice to Kenneth ...knowing he won't read it,of course.
I hope the other people here (at IMDB) will join my wish.
Regards from Argentina.♥
The book is simple. The book is not a long book just short of a 300 pages, so why the unnecessary changes to the characters from the book? It either broke interesting characters or completely removed them. Some characters from the book are combined in a single character in the movie and not for the best. WHY??? These changes completely ruined the smooth structure of the book to "simplify" it for modern audiences I suppose but again, WHY? The book is not that difficult to follow. Another thing that ruined the movie is the horrendous CGI. The CGI looks like a cutscene from a Playstation 3 game. The green screen OMG looks like someone cutout the character from a green screen with his phone and then pasted on a badly drawn background. And lastly the acting. I'm sorry but most of the cast were bad, which is sad because most of them proved their talent in other projects (except Gal Gadot. All she has is a beautiful smile)
Skip this movie. If you want a good detective story go read the book. It's not a long story. You'll probably finish the book a day. 3-4 days if english is not your first language. Yes it's that easy to read through and understand it.
I don't always agree with the professional critics, but I have to say that I do agree this adaption, is, without a doubt, the most turgid and poorly executed Christie adaption that there has been.
There is over an hour of the film before the mystery even begins and that interminable hour consists of exposition that leave the characters as two dimensional as when it started. And half of the characters seem shoveled in with no purpose whatsoever. E.g. Sophie Okonedo. She is a great actress. Perhaps the best in this cast. I strongly recommend people see her Hollow Crown and Hotel Rwanda. But her character (or that of the character's niece) in Death on the Nile is what? Serves what plot purpose? (Answer: none)
The actual "solving" of the mystery has to be the most predictable Christie adaption ever. It is a outright "Cui bono?" It makes it clear this is written for very low brow audience.
There is over an hour of the film before the mystery even begins and that interminable hour consists of exposition that leave the characters as two dimensional as when it started. And half of the characters seem shoveled in with no purpose whatsoever. E.g. Sophie Okonedo. She is a great actress. Perhaps the best in this cast. I strongly recommend people see her Hollow Crown and Hotel Rwanda. But her character (or that of the character's niece) in Death on the Nile is what? Serves what plot purpose? (Answer: none)
The actual "solving" of the mystery has to be the most predictable Christie adaption ever. It is a outright "Cui bono?" It makes it clear this is written for very low brow audience.
Le saviez-vous
- AnecdotesMany of the characters are combinations or alterations of characters from the novel, to make for a smaller cast and a less confusing plot:
- Salome and Rosalie Otterbourne, a romance novelist and her daughter, become a singer and her niece/manager.
- Andrew Pennington becomes cousin Andrew Katchadourian.
- Marie Van Schuyler, a socialite and no relation to Linnet, becomes Linnet's godmother who has the ideals of Mr. Ferguson, the aristocrat turned socialist.
- Windlesham, a character mentioned in the first chapter, is combined with Dr. Bessner to become Dr./Lord Windlesham.
- Bouc, a character who appears only in Murder on the Orient Express, takes on elements of Col. Race, while his choice of traveling companion, his mother Euphemia, is reminiscent of the relationship between Tim and Mrs. Allerton.
- GaffesPoirot grows a mustache to hide the scar tissue that covers most of his upper lip and cheek. Scar tissue cannot grow hair at all, as it does not contain follicles or sweat glands; it is a connective tissue that grows between the dermis after it is split. Poirot's mustache could therefore never be as full as depicted, and should have several holes or irregularities.
- Citations
Marie Van Schuyler: You accuse me now of murder?
Bouc: Oh, no, he accuses everyone of murder.
Hercule Poirot: It is a problem, I admit.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: Death on the Nile (2022)
- Bandes originalesThat's All (Live)
Written and Performed by Sister Rosetta Tharpe
Courtesy of Institut National de L'Audiovisuel
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Muerte En El Nilo
- Lieux de tournage
- Aswan, Égypte(Second unit)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 45 630 104 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 891 123 $US
- 13 févr. 2022
- Montant brut mondial
- 137 307 235 $US
- Durée
- 2h 7min(127 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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