De Patrick

Patrick finds himself on hand with the task of managing a nudists campsite, after the death of his father, at the same time that his favorite hammer mysteriously disappears. A very interesting dark comedy that explores mourning in a different way. The shock factor with constant nudity is easily overcome in the opening minutes, as we see that nudity as a complement to the characters development, and not from a sexual perspective. Since the campsite is the only location during the film, the good photography work gives us a different perspective on it, without tiring us with the same trees or the same caravan all the time.

This is an absolute superb debut film with a very original story line, but most of all so well acted with sometimes even kind of unexpected plot twists. The location in itself a true original sensation, although it's a nudist camping that doesn't change a thing at all, it's put in so logically. On a normal camping one would have been able to "hide" the hammer. The main character absolutely steals the show. You see all his subdued emotions and his abnormal obsession with a stolen hammer. Some scenes are so beautifully and surrealistically shot. Without giving anything away: a scene in the forest with almost all camping guests is beyond sublime. An absolute must see. During the end credits we even get to hear a great Alex Harvey song, not sung by himself, alas Highly recommended, but not to those who are used to who only watch formulaic and predictable and sappy movies. Sometimes heroes don't need much action.

Rather sweet and a little wacky if not laugh-a-minute strange film set in a nudists campsite. Patrick works with his old parents in the place in the woods but prefers to be on his own making chairs. There are two terrible things that happen. First his hammer from the set is most missing and also his father who dies. Because of the two missing for Patrick he is not of the most misplaced of the one most important at all. The splendid and unusual look of the photography the look caused by Tim Mielants on his 'Alexa Mini' the compact lightweight camera he has been most famous caught on TV Series episodes on The Terror and Peaky Blinders.

A fresh perspective about life. Familiar to many because the image of father, son and the world after the death of father are not original. Original can be the perspective because, in high measure, the main character is a lost hammer , becoming refuge, symbol, key of events. A film about vulnerability and isolation in yourself. Admirable crafted, beautiful acted.

You'll chuckle a few times, guaranteed, but the movie reminds you over and over and over that life is transient and humans are vulnerable - not just when they're naked, old and ugly, but all the time. Still worth seeing for the camera poetry. And the chuckles. And the memento mori, too :)