Avis Metacritic

If often sad and unsettling, the film is also livelier and less oppressive than it may sound thanks to the fine writing, deft direction by Adrian Noble, and the superb, if painful interplay between Redgrave and Spall.

An entertaining showcase for two first-class performers.

Mrs. Lowry and Son has an appealing old-school charm and two performances that make it worth seeing.

Unless you are a L.S. Lowry fan of the highest order, the only reason to sit through Mrs. Lowry & Son is to watch actors as strong as Timothy Spall and Vanessa Redgrave going toe-to-toe for 90 minutes.

What starts out as a flinty portrait of the influence of a domineering mother over her unworldly son soon loses momentum.

Spall and Redgrave are both magnificent, rising above the material in a way only talented actors can. One wonders what they could have done with more interesting and passionate material.

Despite the formidable talents of Timothy Spall and Vanessa Redgrave, Mrs Lowry & Son doesn’t really get under the skin of the artist or the man, resulting in a film as dreary as Pendlebury’s colourless skies.

As a two-hander it has some tension and promise.

An uneventful, overly stuffy approach to a painter who, as this mother continually tells us, was considered outlandishly strange.

The disappointment of Mrs. Lowry & Son is that it finds neither of its star attractions at the peak of their powers: Both Spall and Redgrave feel stifled and stiff-jointed, hemmed in by a thin, shallow-focus script that betrays its origins as a radio play all too easily.