Trotskiy
- Série télévisée
- 2017
- 50min
NOTE IMDb
7,1/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueA flashback to earlier episodes in the life of Leon Trotsky, the Marxist revolutionary, framed by events during his asylum in Mexico City 1939-1940A flashback to earlier episodes in the life of Leon Trotsky, the Marxist revolutionary, framed by events during his asylum in Mexico City 1939-1940A flashback to earlier episodes in the life of Leon Trotsky, the Marxist revolutionary, framed by events during his asylum in Mexico City 1939-1940
- Récompenses
- 13 victoires et 4 nominations au total
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Great series, great actors. Im a French Canadian so I only speak French and English, I listened to this on Netflix in Russian with French subtitles and loved it. There are some divergences from reality (I wont say to keep this spoiler free, but other viewers have reported somes here in other reviews if you would like to see) and its more of a sensational series that a documentary (think the recent Spartacus iteration on Starz, I think) but I had loads of fun watching it and learned some things on the life of this fascinating and polarizing historical figure. Just make sure to fact-check afterwards. For mature audience, as there violence, nudity, sex scenes and some very hard-to-watch antisemitic scenes (as that was the reality of this era).
The best thing about this flashy Russian miniseries is that is quite entertaining for most of its running time (it bogs down a little in the middle episodes). Not only it has lots of sex, but also Trotsky travelling around in a steampunk like train, hallucinations, bizarre dream sequences and even Matrix style gunfights. Clearly, the dour Russian cinema of Soviet times is long past.
The bad thing is that is quite inaccurate historically and downright invents a lot of stuff: for example, the central conceit of the series is the absurdity of Trotsky in 1940 telling the history of his life to his would be murderer, Frank Jackson (the alias of Ramon Mercader). Another absurdity - there are many - is an encounter between Trotsky and Freud in which the latter diagnoses fanaticism in the former.
On the plus side, the narrative structure is complex, with the story going back from the Russian revolution to Trotsky's youth to his exile in Mexico in 1940. We have many characters in the movie (including some real but obscure persons), and the plot at times is quite complex. The filmmakers obviously read a lot of history before doing this (even if they then distort it).
Trotskyists will complain about the portrayal of Trotsky, but I find it a compelling character, much more than Lenin (who is shown as a scheming opportunist) and Stalin (who is shown as an uneducated thug).
The bad thing is that is quite inaccurate historically and downright invents a lot of stuff: for example, the central conceit of the series is the absurdity of Trotsky in 1940 telling the history of his life to his would be murderer, Frank Jackson (the alias of Ramon Mercader). Another absurdity - there are many - is an encounter between Trotsky and Freud in which the latter diagnoses fanaticism in the former.
On the plus side, the narrative structure is complex, with the story going back from the Russian revolution to Trotsky's youth to his exile in Mexico in 1940. We have many characters in the movie (including some real but obscure persons), and the plot at times is quite complex. The filmmakers obviously read a lot of history before doing this (even if they then distort it).
Trotskyists will complain about the portrayal of Trotsky, but I find it a compelling character, much more than Lenin (who is shown as a scheming opportunist) and Stalin (who is shown as an uneducated thug).
It is often entertaining and has high production values. But it fails completely as a historical series. It's willfully inaccurate.
Being produced by Russian state tv it comes with a message that an authoritarian regime is best left alone, what takes its place can only be worse.
We live in a time of turmoil that could become more violent and destructive if we fail to learn from human history. This dramatized and often inaccurate version of historical events surrounding the Russian Revolution drives an important point home: violent revolutions are extremely destructive and risky. They unleash the darkest drives within people and allow sociopaths to take the reigns. The production (including the script, dialogue, acting, effects, sets, titles with historical detail on characters) is excellent. I was pulled in by the drama and was not let down. As a student of history who studied the Russian Revolution in grad school, I was aware of important distortions, but dramatic films are statements, not histories. This statement is well made. I am intrigued by the potential impact in Russian society today, where a dictator is willing to lie and kill to maintain power. Is this a statement about Russia today? Is it a statement to the world as the nativist, repressive and violent tendencies of governments are on the rise? Is it about the Russian past, an effort to remind the Russian people about what went down and what might happen again? Perhaps it is all these things. No matter it is a well done series, well worth watching.
While no one can know the exact history behind the walls of the revolution. I found this series mesmerizing. I love all history and sometimes it's nice to put it into historical fiction. You can only watch so many documentaries. Try it out. Rich
Le saviez-vous
- AnecdotesEsteban Volkov, grandson of Lev Trotskiy, protested the representation of his grandfather in the series and wrote a petition (published in seven languages) which he got several hundred historians and other authors to sign.
- ConnexionsReferenced in Vecherniy Urgant: Konstantin Khabensky/Olga Sutulova/Dima Bilan (2017)
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Détails
- Durée50 minutes
- Couleur
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