The Little Drummer Girl

This series is not for a general audience who are not prepared to pay attention and appreciate nuance as the critical reception compared to general audience response shows. One example is of people not understanding Charlie's motivation in going with Becker and agreeing to her first mission even though her very first audtion scene in episode 1 shows that she is a fantasist who craves danger and excitement with her story being undercut with scenes showing the reality, people not getting this shows that most people do not want to put any effort into watching television and expect to be spoon fed at every point.

This show uses editing and cinematography to create atmosphere and to highlight the artifice of the spy world and of cinema, there are many points that are beautifully meta. For instance the scene at the Acropolis is artifice not only for the characters but also for us the audience playfully directed by Chan-Wook and elevated by the score. This show will be divisive but great art usually is, also the costumes are to die for!

I'm baffled by some of the low ratings on this series. It's an outstanding story brought to life with great acting and directing. It's the quintessential spy movie that contains intrigue, fear, and psychological espionage. I was glad to see that the violence was placed strategically through the series rather than the typical gratuitous and monotonous onslaught of "action" movies. I'd highly recommend it if you like a more complex and subtle spy thriller.

This six part adaptation of John Le Carré's novel of the same title opens in late 1970s West Germany as a bomb explodes in the home of an Israeli diplomat. The Israeli secret service are determined to put a stop to the attacks, which they believe are being orchestrated by a particular Palestinian terrorist. To this end a small team works to identify somebody they can put undercover in the terrorist's organisation. They select Charlie Ross, an English actress with radical left-wing associations. She is approached and ultimately recruited but can they trust her not to side with the terrorists she is meant to be infiltrating when even she doesn't know which side she will back in the end.

People expecting the style of the recent BBC adaption of 'The Night Manager' might be a little disappointed but anybody wanting a gripping drama that really captures the feel of the era should love this. South Korean Director Park Chan-wook, best known fairly extreme films like 'Oldboy' and 'Sympathy for Mister Vengeance', shows he can do restraint as we are gradually introduced to the protagonists and watch Charlie being recruited; this is not a rapid procedure. The deeper she gets the more the tension rises; approaching the final episode I had no idea how it would end for Charlie. The cast is good; especially Florence Pugh who excels as Charlie. Overall I'd say this series is well worth the effort; I really enjoyed it.

I am not Le Carre reader, but for me the show is very well done. It keeps me entertained, the acting is good and although political aspect is not easy to discuss, it doesn't side specifically on either side. It is just really good spies/agents historically related action drama. Very enjoyable.

It's a convoluted John le Carré spy drama set in 1979 in England, Germany, Lebanon, and Israel. It follows a Mossad supervisor, Martin Kurtz (Michael Shannon), and his agents who are trying to catch a Palestinian master bomb-maker, Khalil (Charif Ghattas). Other team members are Gadi Becker/Joseph (Alexander Skarsgard), Shimon Litvak (Michael Moshonov), Rachel (Simona Brown), and Rose (Kate Sumpter). They co-opt a radical young English actress, Charlie Ross (Florence Pugh), into their plot.

First, the Israeli team pursues Khalil's younger brother, Michel/Salim (Amir Khoury). They set up a complex ruse after capturing Michel, having Charlie pose as Michel's lover in hopes of infiltrating the terrorist organization. In true John le Carré fashion, the story includes considerable ethical ambiguity and questions about everyone's motives and ultimate loyalties.

This mini-series is far superior to the 1984 movie that stars Diane Keaton. The mini-series is much more nuanced, and Florence Pugh is more age-appropriate for Charlie's role. Michael Shannon is also a superior Martin Kurtz character. The mini-series also allowed the development of some key characters like Khalil's sister, Fatmeh (Lubna Azabal). The mini-series does take some liberties that deviate from the book, including a sanitized ending. The 1984 film was more accurate on that score.

I think John le Carré would have approved this series.