Run This Town

Saw this at the Traverse City Film Festival. Was really excited as it had Damian Lewis and was described as, "... comes this whip-smart, rapid-fire, political sizzler that delivers all the AARON SORKIN vibes you want." Yes, they actually used his name. And they delivered none of that. The biggest problem with this movie was the story. Plain and simple. It bored me to tears. The music & cinematography were good as was Nina Dobrev, but everything else was tough to sit through. I'm guessing the only reason this movie got into the festival was because director Ricky Tollman agreed to speak afterwords. We were told he left early lol. He knew it was bad, that's why he was a no-show. I wouldn't have thought about writing a review until I overheard at least 9 other people complaining about the movie.

It has a strong start but becomes incredibly dull fast, and the movie can't seem to decide whether Bram or Kamal is the protagonist. The only reason I saw this movie I was because Ben Platt is on it.

I watched this movie expecting a Rob Ford biopic. It focuses on two people -Bram a writer for a Toronto newspaper and Kamal, one of Ford's aides.

The story seems all over the place, telling the story of these two low level workers and how one is trying to bring down the Mayor while the other protects him. The story of the two of them really doesn't go anywhere and the movie drags on without coming to a point.

The movie finally ends and leaves you with a feeling that you wasted your time.

...and very little to do with Rob Ford's tumultuous term as mayor of Toronto, which is the headline-grabbing event the writer clumsily used as a framework upon which to hang his story of millennial journalist angst.

It is truly breath-taking an amateurish this movie is. With the many, and pointless, use of split screens, the director seems to be seeking a postgraduate degree from film school. The script seems unable to figure out what story it is trying to tell (and tells it poorly). Ultimately it is a pity party for millennials, without giving the audience any reason to join in.