Le Nom de la rose

The book and the movie are masterpieces. This serie spoils the original story by deviating from its storyline and not in a better way but rather in a french way( without inner purpose and in a life random but not clever way) maybe to prove the story can last for a while! Even the tricks that Baskerville used to elucidate mysteries and riddles have been Changed! Why? To gain independence from the movie? To serve the producer ego! The result is a little bit disappointing. You should have been more smart than Umberto Echo which is not needed and really hard. I'd rather watch again the movie instead! Which I did!

Totally agree with every word of trademarcdesigns review so I save the effort. They ruined Turturro's project. By the way he is the best of the series by large

A lot of money has been spent on this production, and it shows. John Turturro is great, as always, and the supporting cast includes stalwarts such as Sebastian Koch, Rupert Everett, and Michael Emerson. But you might want to hold off on making the popcorn. The Name of the Rose is a big book, but Jean-Jacques Annaud showed us that it's possible to present it on film in just a couple of hours or so; nevertheless, this series has been expanded to 8 one-hour episodes. You might expect the producers would want to explore plot points from the book in greater detail, but that hasn't really happened. Instead the writers have been busy updating Eco's masterpiece to speak more directly to contemporary issues. In the first two episodes (all I've seen of the series), you can tick off feminism, immigration, torture, gay rights--you name it (perhaps your time would be better spent at the microwave after all). When it focuses on Eco's story, the series can be riveting, and I'm eager to learn more about the library. So what if Damian Hardung as Adso of Melk seems to belong to a different century?--that was also the impression I had of Christian Slater as Adso in Annaud's 1986 film, and it didn't ruin the story for me. John Turturro, on the other hand, is perfect as William of Baskerville, even if we won't be forgetting Sean Connery right away, and there's nary a hint of a Brooklyn accent in his delivery. So I guess I'm in for the long haul.

I'm very sorry to say that this adaptation makes unnecessary changes to the book, and executes the climax very poorly. Adso's sin also goes unpunished, which dilutes a key theme of the book. They also mess up the murder mystery plot, which is the fun part of the book, that is the hook for all the philosophy. For modern audiences the original story has no strong female characters. They have tried to update the story, but inserting a Mary Sue like character does it no favours.

The Name of the Rose is a series based on the novel by Umberto Eco. This is an ambitious effort that has clearly seen no expense spared.

The result is an intriguing and enjoyable series, that blends Renaissance politics with a crime drama. Everything of the period is infused with a religiosity that is not only philosophical but also highly political. The church and state were inseparable and this point is driven home by the fact the key figure, a Franciscan friar is both giver of religious truths, as well as an arbiter of temporal justice.

Perhaps the closest counterpart to this series I can think of is 1990's production Cadfael, set in an earlier medieval period. So far The Name of the Rose is shaping up to offer something similar but whether it will be as polished as this earlier drama remains to be seen.

Beyond this the acting is best described as solid to excellent from all of the cast and the stories are well told. I do think its quite an accomplishment to take a book of this kind and transform it into a series.

So far The Name of the Rose looks promising. 7/10 from me.