Judy
- 2019
- Tous publics
- 1h 58min
La légendaire interprète Judy Garland arrive à Londres en 1968 pour donner une série de concerts tous complets.La légendaire interprète Judy Garland arrive à Londres en 1968 pour donner une série de concerts tous complets.La légendaire interprète Judy Garland arrive à Londres en 1968 pour donner une série de concerts tous complets.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 24 victoires et 68 nominations au total
Tom Durant Pritchard
- Ken Frisch
- (as Tom Durant-Pritchard)
Avis à la une
With Renee Zellweger as Judy Garland, you can not only feel her and see her, but you forget Zellweger is even there at all. Like many great performances, you see the character and forget that there is even an actor. Watching her performance is like watching a cosmic display. Some things are just meant to happen.
There have been many so-so bio-pics as of late, most comparably Film Stars Don't Die in Liverpool, in which another great actress, Benning, portrays the troubled last days of another great actress, Graham. Comparably, Zellweger's performance outshines the more renowned Benning. By contrast, Liverpool is also jaggedly uneven. That's not to say that Judy is perfect. Music bios are tough. Rami supposedly was great in Bohemian Rhapsody, but the film encompassed a superficial sentiment and lacked intellectual curiosity. Control, the Joy Division piece, is maybe the best in recent years... But Judy is right up there.
The story covers her last gig in London. The film uses flashbacks in order for the audience to understand her character. While most of those around her only see a washed up star, who was just forty seven.
What the story lacks in structure, it makes up with warmth. While this is a softer portrait, it still feels authentic. It finds no purpose in portraying her issues with callousness. Instead the narrative depends on Garland trying to understand herself, while making poor choice after poor choice. If you know anything about Garland, you know where she is going... But what you may not know, is she how she arrived there. It is a deeply sentimental portrait of a brilliant mind and troubled heart.
There have been some cynics saying that "Only a fool would try to play Garland." Dare, I say, Zellweger just made a fool out of you.
See this movie, it will remind you of yourself.
There have been many so-so bio-pics as of late, most comparably Film Stars Don't Die in Liverpool, in which another great actress, Benning, portrays the troubled last days of another great actress, Graham. Comparably, Zellweger's performance outshines the more renowned Benning. By contrast, Liverpool is also jaggedly uneven. That's not to say that Judy is perfect. Music bios are tough. Rami supposedly was great in Bohemian Rhapsody, but the film encompassed a superficial sentiment and lacked intellectual curiosity. Control, the Joy Division piece, is maybe the best in recent years... But Judy is right up there.
The story covers her last gig in London. The film uses flashbacks in order for the audience to understand her character. While most of those around her only see a washed up star, who was just forty seven.
What the story lacks in structure, it makes up with warmth. While this is a softer portrait, it still feels authentic. It finds no purpose in portraying her issues with callousness. Instead the narrative depends on Garland trying to understand herself, while making poor choice after poor choice. If you know anything about Garland, you know where she is going... But what you may not know, is she how she arrived there. It is a deeply sentimental portrait of a brilliant mind and troubled heart.
There have been some cynics saying that "Only a fool would try to play Garland." Dare, I say, Zellweger just made a fool out of you.
See this movie, it will remind you of yourself.
There is not much happy going on here. The performances are amazing. Just to displease other comments... Mickey Rooney is in the movie twice. This is just a wow that somebody so well loved could have been so emotionally tortured by herself and other. Great work on the entire movie from cast to production.
1968. Legendary entertainer Judy Garland is suffering financial troubles, causing her ex-husband Sid Luft to take custody of their children. With possibilities for work in the US limited she signs up to do a series of shows in London. Could this turn her fortunes around?
A film that starts as an interesting biopic and ends as an engaging and emotional journey. I was expecting a dry telling of a stage of Judy Garland's life but this film is so much more than that. We see and feel the ups and downs of her life, realise what it took for her to become a star, the habits it formed and how these took a toll on her health, see the depths to which one of the greatest performers of the mid-1900s had sunk and experience all the self-doubt and anxiety she felt.
It's quite a roller-coaster ride: just when you think she's on a winning streak, something sets her back. Quite sad, and frustrating, especially as many of her problems were self-inflicted.
However, it is not the plot nor direction that make the film. What tips the film into the 'great' side of the dial is the performance of Renee Zellweger as Judy Garland. She is mind-bogglingly brilliant in the role, showing wonderful range and capturing the vagaries of Garland's persona at that point in her life: funny one moment, anxious the next, energetic and vivacious then depressed and alcoholic.
Just when you think her performance can't get better, she sings, and does so superbly! I was convinced that the director got a professional singer to do the songs and then overdubbed their voice track. To my surprise I found that Zellweger did all the singing items herself, after receiving several months of singing training.
Truly an acting tour de force. She well deserved the 2020 Best Actress Oscar she received.
Great film and a wonderful, warts-and-all tribute to Judy Garland.
A film that starts as an interesting biopic and ends as an engaging and emotional journey. I was expecting a dry telling of a stage of Judy Garland's life but this film is so much more than that. We see and feel the ups and downs of her life, realise what it took for her to become a star, the habits it formed and how these took a toll on her health, see the depths to which one of the greatest performers of the mid-1900s had sunk and experience all the self-doubt and anxiety she felt.
It's quite a roller-coaster ride: just when you think she's on a winning streak, something sets her back. Quite sad, and frustrating, especially as many of her problems were self-inflicted.
However, it is not the plot nor direction that make the film. What tips the film into the 'great' side of the dial is the performance of Renee Zellweger as Judy Garland. She is mind-bogglingly brilliant in the role, showing wonderful range and capturing the vagaries of Garland's persona at that point in her life: funny one moment, anxious the next, energetic and vivacious then depressed and alcoholic.
Just when you think her performance can't get better, she sings, and does so superbly! I was convinced that the director got a professional singer to do the songs and then overdubbed their voice track. To my surprise I found that Zellweger did all the singing items herself, after receiving several months of singing training.
Truly an acting tour de force. She well deserved the 2020 Best Actress Oscar she received.
Great film and a wonderful, warts-and-all tribute to Judy Garland.
Renee immerses herself in the role of Judy Garland, locking up her 4th Oscar Nomination, and likely her second Oscar win, 15 years after Cold Mountain.
One would expect that a truly legendary and iconic actress / singer / dancer like Judy Garland would be enjoying the fruits of her long time successful career, and the accolades of her adoring fans, who would be lining up to buy tickets to see her perform. Alas, Garland's life eptomized the Hollywood cautionary tale of child stars.
Despite massive talent, and amazing work ethic, alcohol, prescription drugs, bad husband choices, despicable studio bosses, and an even worse mother, gave her little chance to bypass tragedy.
Renee clearly did her homework, nailing the nuances of Garland's personality, trooper attitude, eccentric stage mannerisms, and distinctive vocals - The buy-in to Renee as Judy was immediate and never wavered.
Brief flashbacks take us back to production of "The Wizard of Oz" whose namesake himself couldn't save Judy from the Mother from Hell or the Boss From Hell (Louis B Mayer), for just the right amount of time to give the story supporting background fill.
This is largely a spotlight film role for Renee, fitting for the part of Judy Garland whose spotlighted roles carried films.
Renee delivers to the audience a still enthusiastic, but destitute and barely "functional alcoholic" Judy Garland who still has her trade-mark trooper-attitude pragmatism, but is desperately trying to earn enough money to just have a place to sleep for her children and ends up taking the only gig she can get (In London where her fandom still burns bright and large) that gives her hope to earn enough money to right her sinking ship, and retain custody of her children back in America after her 4th divorce.
Judy's final tragic journey in her life is a roller coaster of desperation and sad realizations.
Renee hits one out of the park (and over the rainbow) putting forth what is clearly the best Lead Actress performance of the year thus far, earning her a 10/10, and elevating 'Judy' to an overall 8/10. Bravo
One would expect that a truly legendary and iconic actress / singer / dancer like Judy Garland would be enjoying the fruits of her long time successful career, and the accolades of her adoring fans, who would be lining up to buy tickets to see her perform. Alas, Garland's life eptomized the Hollywood cautionary tale of child stars.
Despite massive talent, and amazing work ethic, alcohol, prescription drugs, bad husband choices, despicable studio bosses, and an even worse mother, gave her little chance to bypass tragedy.
Renee clearly did her homework, nailing the nuances of Garland's personality, trooper attitude, eccentric stage mannerisms, and distinctive vocals - The buy-in to Renee as Judy was immediate and never wavered.
Brief flashbacks take us back to production of "The Wizard of Oz" whose namesake himself couldn't save Judy from the Mother from Hell or the Boss From Hell (Louis B Mayer), for just the right amount of time to give the story supporting background fill.
This is largely a spotlight film role for Renee, fitting for the part of Judy Garland whose spotlighted roles carried films.
Renee delivers to the audience a still enthusiastic, but destitute and barely "functional alcoholic" Judy Garland who still has her trade-mark trooper-attitude pragmatism, but is desperately trying to earn enough money to just have a place to sleep for her children and ends up taking the only gig she can get (In London where her fandom still burns bright and large) that gives her hope to earn enough money to right her sinking ship, and retain custody of her children back in America after her 4th divorce.
Judy's final tragic journey in her life is a roller coaster of desperation and sad realizations.
Renee hits one out of the park (and over the rainbow) putting forth what is clearly the best Lead Actress performance of the year thus far, earning her a 10/10, and elevating 'Judy' to an overall 8/10. Bravo
My wife and I watched this at home on BluRay from our public library. Renee really does give an award-quality performance. And she did in fact win the Oscar for Best Actress.
Who has never seen "The Wizard of Oz"? What would that movie be without Judy Garland as Dorothy? The early but difficult stages of a very significant career.
In this new biopic Renée Zellweger gives one of her better performances as Judy Garland, and her singing is very appropriate. She won the Golden Globe for Best Actress. While biopics don't have lots of latitude, if they follow the factual life of the subject, they can be done dryly or they can be done with a spark. This one has that spark.
One spark I really enjoyed was when a couple of men, fans, encountered her after a London performance, just the three of them in the alley. She innocently asks if they want to go get food with her, they all end up in the apartment cooking eggs. That was Judy, off stage just another human willing to connect with ordinary people.
This movie is a very worthwhile look at the life of Judy Garland, focusing both on her early years and mostly on her last year when she died in 1969 at the age of 47. See it for Judy, or see it for Renee, or see it for both. It is a memorable movie of a memorable singer.
Who has never seen "The Wizard of Oz"? What would that movie be without Judy Garland as Dorothy? The early but difficult stages of a very significant career.
In this new biopic Renée Zellweger gives one of her better performances as Judy Garland, and her singing is very appropriate. She won the Golden Globe for Best Actress. While biopics don't have lots of latitude, if they follow the factual life of the subject, they can be done dryly or they can be done with a spark. This one has that spark.
One spark I really enjoyed was when a couple of men, fans, encountered her after a London performance, just the three of them in the alley. She innocently asks if they want to go get food with her, they all end up in the apartment cooking eggs. That was Judy, off stage just another human willing to connect with ordinary people.
This movie is a very worthwhile look at the life of Judy Garland, focusing both on her early years and mostly on her last year when she died in 1969 at the age of 47. See it for Judy, or see it for Renee, or see it for both. It is a memorable movie of a memorable singer.
Le saviez-vous
- AnecdotesRenée Zellweger spent a year training with vocal coach Eric Vetro before shooting began, then rehearsed with musical director Matt Dunkley for four months to master her vocals.
- GaffesGarland was not replaced by British singer and entertainer, Lonnie Donegan. She fulfilled her five-week booking at The Talk of the Town (at a fee of £2,500 per week, the equivalent of £48,000/$62,000 p/w in 2024.)
- Citations
Judy Garland: I just want what everybody wants. I seem to have a harder time getting it.
- ConnexionsFeatured in CTV National News: Épisode datant du 5 septembre 2019 (2019)
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- How long is Judy?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 24 313 888 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 916 548 $US
- 29 sept. 2019
- Montant brut mondial
- 45 987 812 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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