Djihadistes de père en fils
Titre original : Of Fathers and Sons - Die Kinder des Kalifats
- 2017
- Tous publics
- 1h 39min
NOTE IMDb
7,3/10
2,8 k
MA NOTE
Ajouter une intrigue dans votre langueTalal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years.Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years.Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 27 victoires et 22 nominations au total
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"Trying to hide my immense fear, I said goodbye to my wife and son." Going deep into a family of terrorists and directing a ducumentery itself is so shocking and fearful. A story of the intergenerational production of terrorist, the dust, the smog, the prayer, all of them just be told so calmly, but all have a great mania. Like the pure black smog rising in the end, the story is a long nightmare.
Islam had been compromised. Am afriad this war is never gonna be over.
In the post-9/11 world that we all live in, there is a lot of talk thrown around about jihadism. Some of it in historical context, some of it in war-mongering context, and pretty much everything in between. However, one thing that rarely (if ever) gets scene is the day-to-day life activities of people who consider themselves to be jihadists. That is what documentarian Talal Derki accomplishes, somewhat remarkably, in "Of Fathers and Sons".
The setup to this documentary is that Derki returns to his homeland of Syria (where he was born) under the pretense of being a "war photojournalist" and is harbored by Abu Osama and his family. In reality, though, his goal is to film this subversive doc and give viewers a portrait of jihadist life in Syria.
Besides opening and closing narrations, this entire film is presented essentially "without comment". The camera never turns back to Derki or includes any sort of monologue or opinion on the matters at hand. That is completely left up to the viewer, and in this case there is much to think about.
On one hand, it is easy to see why this type of lifestyle could be considered "backwards" or misconstrued into hatred. Abu names his son Osama in honor of the 9/11 attacks, an immediate window into the Osama family outlook. One's entire lifespan seems to be devoted to a war cause, women are nonexistent at best and heavily persecuted at worst, while the children are raised in an environment of constant bullying and physical confrontation. One gets the sense that these people are sort of "brainwashed into their cause" with no hope for peace even existing.
But then, there is the more human side of things portrayed just as stark. Despite harboring ideologies that are likely extremely different (if not usually outright offensive) to most Americans, Abu clearly loves his children and they him. After experiencing one instance of severe physical hardship, Abu comforts his children as they weep for him. His two oldest sons eventually are sent off to a military camp, and I challenge any viewer not to feel at least something as they cry themselves to sleep at night.
In the end, I think the hallmark of "Of Fathers and Sons" is the humanizing effect it has on jihadists. Am I completely sympathetic to their cause? Absolutely not. However, inside access like this does indeed show them to be individuals capable of love and emotion. I would argue they are extremely misguided in many key ways, but yet still human down at their base level.
So often, America/Islam relations are all about "us vs. them", and often for good reason (wars have been perpetuated by both sides of that coin). What Derki shows here, though, is that it truly is only political/theological ideology that separates "us from them". Strip down the layers to the barest human selves, and you'll find yourself caring for their plight (self-inflicted as it may be) perhaps more than you ever realized.
The setup to this documentary is that Derki returns to his homeland of Syria (where he was born) under the pretense of being a "war photojournalist" and is harbored by Abu Osama and his family. In reality, though, his goal is to film this subversive doc and give viewers a portrait of jihadist life in Syria.
Besides opening and closing narrations, this entire film is presented essentially "without comment". The camera never turns back to Derki or includes any sort of monologue or opinion on the matters at hand. That is completely left up to the viewer, and in this case there is much to think about.
On one hand, it is easy to see why this type of lifestyle could be considered "backwards" or misconstrued into hatred. Abu names his son Osama in honor of the 9/11 attacks, an immediate window into the Osama family outlook. One's entire lifespan seems to be devoted to a war cause, women are nonexistent at best and heavily persecuted at worst, while the children are raised in an environment of constant bullying and physical confrontation. One gets the sense that these people are sort of "brainwashed into their cause" with no hope for peace even existing.
But then, there is the more human side of things portrayed just as stark. Despite harboring ideologies that are likely extremely different (if not usually outright offensive) to most Americans, Abu clearly loves his children and they him. After experiencing one instance of severe physical hardship, Abu comforts his children as they weep for him. His two oldest sons eventually are sent off to a military camp, and I challenge any viewer not to feel at least something as they cry themselves to sleep at night.
In the end, I think the hallmark of "Of Fathers and Sons" is the humanizing effect it has on jihadists. Am I completely sympathetic to their cause? Absolutely not. However, inside access like this does indeed show them to be individuals capable of love and emotion. I would argue they are extremely misguided in many key ways, but yet still human down at their base level.
So often, America/Islam relations are all about "us vs. them", and often for good reason (wars have been perpetuated by both sides of that coin). What Derki shows here, though, is that it truly is only political/theological ideology that separates "us from them". Strip down the layers to the barest human selves, and you'll find yourself caring for their plight (self-inflicted as it may be) perhaps more than you ever realized.
I watched this film in the Pune International film Festival 2019 with a group of 16 students. And everyone was just blow away after watching it.
There are many reasons for it but the foremost reason is the sheer honesty with which it is made. The director Talal just put the facts in front of the audience without taking any sides. He has painstakingly lived with an ISIS supporter & his family for two years and shown their life as it is. He is neither criticizing anyone nor praising anyone. And it leads us sympathizing with an ISIS supporter and their family. This sympathy doesn't mean we supporting ISIS & it's supporters but instead we feel sorry for them.
The film presents the naked face of any extremist movement. But at the same time it shows the movements' supporter as normal human being who are as mortal as anyone else.
And to me that is the victory of this film.
There are many reasons for it but the foremost reason is the sheer honesty with which it is made. The director Talal just put the facts in front of the audience without taking any sides. He has painstakingly lived with an ISIS supporter & his family for two years and shown their life as it is. He is neither criticizing anyone nor praising anyone. And it leads us sympathizing with an ISIS supporter and their family. This sympathy doesn't mean we supporting ISIS & it's supporters but instead we feel sorry for them.
The film presents the naked face of any extremist movement. But at the same time it shows the movements' supporter as normal human being who are as mortal as anyone else.
And to me that is the victory of this film.
When you start with children...the hate will go on forever. Very enlightening...the depths people will kill in the name of God.
Le saviez-vous
- AnecdotesTalal Derki mentioned in an interview that he stayed there about 2 years and half and the effective filming days were 330 days.
- Citations
[the war planted seeds of hatred between neighbors and brothers, and now Salafi Jihadism is harvesting the fruits]
- ConnexionsFeatured in The Oscars (2019)
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- How long is Of Fathers and Sons?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Of Fathers and Sons
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 12 579 $US
- Week-end de sortie aux États-Unis et au Canada
- 340 $US
- 25 nov. 2018
- Montant brut mondial
- 12 579 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Djihadistes de père en fils (2017) officially released in Canada in English?
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