Un chien de traîneau en Alaska lutte pour sa survie en pleine nature.Un chien de traîneau en Alaska lutte pour sa survie en pleine nature.Un chien de traîneau en Alaska lutte pour sa survie en pleine nature.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 8 nominations au total
Avis à la une
I was actually very impressed with the CGI dog, who became more and more real as the film went on, probably because of how emotionally involved you become with his character.
Harrison Ford is great (though in the film for probably 50% of the time).
Anyway, it's all about the story of Buck the dog and it's a sweet, lovely, story with an old school feel. The CGI expressions on Buck's face are just slightly hyper-real, as in a bit overly emotive compared to a dog in reality, but it works, and if you like dogs, then you'll love Buck and his adventures in this movie. He gets treated quite harshly and violently at times, but that makes his story all the more emotional at the end.
Great for kids aged 7 and up and great for parents who like an old school movie or fans of Harrison Ford too!
The Call of The Wild is a solid, incredibly well made movie. Buck is an extremely likeable protagonist who goes on a compelling journey of self discovery. Despite being a dog and not having a word of dialogue, Buck is an incredibly interesting, three dimensional character with a well developed arc. The CGI used to bring him to life is amazing. While it doesn't always look natural, Buck's CGI model is so expressive and can cause the viewer to experience a variety of different emotions, despite not even being there. Harrison Ford also does well as the elderly, depressed John Thornton, carrying a great deal of tragedy and mystery about his past throughout the movie. The movie also features stunning cinematography, with several beautiful shots and camera angles. It's a true joy to look at. However, there are a few problems with the movie. For starters, John Thornton narrates a lot throughout the movie, despite not being present for, and therefore having no way of knowing about, the events that he's describing. Another issue is Dan Stevens' character; Hal. Hal is an entirely unnecessary, one dimensional antagonist, who just doesn't work with the story this movie is trying to tell. His presence also completely derails John Thornton's resolution. However, despite these problems, I still recommend The Call Of The Wild. It's a fantastic movie, with an incredible protagonist and stunningly beautiful visuals that you shouldn't miss.
Before writing anything about the film itself let it be noted following.
(1) Screenplays are usually related to source materials (works of fiction or documentary depictions of factual events and experiences) with the phrase *based on*, which is mostly read as *copied from* (whether a fictitious depiction or reality) although fully faithful account of events and their protagonists almost never happens, so, in all fairness, it might be safer to understand such relation simply as *altered from*.
(2) Furthermore, CGI has erased strict distinction between live action and animation, introducing a new method and a whole new form of cinematography by blending realistic imagery and kinematics of existing animals (and other fantastic beasts) with anthropomorphic expressions and gestures given to their stylized representation in the world of animation, a trend probably started in 1970's by ILM servicing Star Wars saga, getting (over)exploited in recent followers of the kind, most notably Disney's The Lion King (2019).
That having been said, in the latest take on Jack London's classic novel, screenwriter Michael Green and director Chris Sanders--apparently intentionally not bound by faithfulness to the original text, particularly avoiding its darker overtones, certainly counting with receptiveness from the audience, especially from those (among us) who have read the novel--have succeeded in meeting a great deal of expectations from the film seeking to be labeled with family entertainment attribute.
The Call of the Wild is the story of Buck (as main human character, John Thornton, described it), a dog like no other, he'd been spoiled, and he'd suffered, but he could not be broken... Buck's life gets turned upside down during the gold rush of the 1890s, when he was suddenly banished from his home in California and moved, first to Yukon, and then deep into the heart of Alaska, reaching Arctic Circle. *As a newcomer to the dog team delivery service - soon their leader - Buck is having adventure of a lifetime, finally finding his rightful place in the world and becoming the master of his own destiny.*
By smoothening London's honest account and description of--pursuant to extreme conditions easily understandable--truly violent interaction between people, animals and nature, primarily by minimizing cruel dog beatings at the hands of their masters and brutal, often fatal dog fights, film makers have altered such survival seeking Darwinian world, in which dog eats dog and a man is (often) a wolf to another man, by promoting rather-friends-then-foes approach towards strangers, and, whenever possible, insisting rather on gentleness than harshness of the great wild outdoors, overhauling the classic story to an easier digestible, ergo family friendlier.
Other qualities include good acting, with Harrison Ford as a stand-out, whose husky calm voice offers narration throughout the film, providing vulnerable yet soothing, almost comforting presence in his appearance as John Thornton, seemingly a gold prospector, but in fact, after losing his loved ones, a son to a deadly fever, and a wife to subsequent collapse of his marriage, no more than a grief-stricken redemption seeker. Also, in the first half of the movie, as a far north delivery service running couple, Omar Sy and Cara Gee are joy to watch in their often, despite all difficulties, comic relief providing roles.
Film demonstrates commendable seamless integration of CG imagery of beasts and beautiful environments into spectacular cinematography provided by Janusz Kaminski.
Joyful music, scored by John Powell, is well-paced to follow the speed of onscreen action and reflect the highs and lows in the moods of characters.
All in all, it is nicely crafted film with the fast-paced story, providing enough dramatic excitement and fun, especially for the younger ones.
My rating score stops short of perfect, due to a trend described in my second opening note that I cannot easily fall in with, too.
Finally, on a lighter note, having film menagerie of animals fully CGI-ed renders monitors from American Humane Association superfluous, as even in their absence we can rest assured that *no (real) animals were harmed during the making of this film.*
(1) Screenplays are usually related to source materials (works of fiction or documentary depictions of factual events and experiences) with the phrase *based on*, which is mostly read as *copied from* (whether a fictitious depiction or reality) although fully faithful account of events and their protagonists almost never happens, so, in all fairness, it might be safer to understand such relation simply as *altered from*.
(2) Furthermore, CGI has erased strict distinction between live action and animation, introducing a new method and a whole new form of cinematography by blending realistic imagery and kinematics of existing animals (and other fantastic beasts) with anthropomorphic expressions and gestures given to their stylized representation in the world of animation, a trend probably started in 1970's by ILM servicing Star Wars saga, getting (over)exploited in recent followers of the kind, most notably Disney's The Lion King (2019).
That having been said, in the latest take on Jack London's classic novel, screenwriter Michael Green and director Chris Sanders--apparently intentionally not bound by faithfulness to the original text, particularly avoiding its darker overtones, certainly counting with receptiveness from the audience, especially from those (among us) who have read the novel--have succeeded in meeting a great deal of expectations from the film seeking to be labeled with family entertainment attribute.
The Call of the Wild is the story of Buck (as main human character, John Thornton, described it), a dog like no other, he'd been spoiled, and he'd suffered, but he could not be broken... Buck's life gets turned upside down during the gold rush of the 1890s, when he was suddenly banished from his home in California and moved, first to Yukon, and then deep into the heart of Alaska, reaching Arctic Circle. *As a newcomer to the dog team delivery service - soon their leader - Buck is having adventure of a lifetime, finally finding his rightful place in the world and becoming the master of his own destiny.*
By smoothening London's honest account and description of--pursuant to extreme conditions easily understandable--truly violent interaction between people, animals and nature, primarily by minimizing cruel dog beatings at the hands of their masters and brutal, often fatal dog fights, film makers have altered such survival seeking Darwinian world, in which dog eats dog and a man is (often) a wolf to another man, by promoting rather-friends-then-foes approach towards strangers, and, whenever possible, insisting rather on gentleness than harshness of the great wild outdoors, overhauling the classic story to an easier digestible, ergo family friendlier.
Other qualities include good acting, with Harrison Ford as a stand-out, whose husky calm voice offers narration throughout the film, providing vulnerable yet soothing, almost comforting presence in his appearance as John Thornton, seemingly a gold prospector, but in fact, after losing his loved ones, a son to a deadly fever, and a wife to subsequent collapse of his marriage, no more than a grief-stricken redemption seeker. Also, in the first half of the movie, as a far north delivery service running couple, Omar Sy and Cara Gee are joy to watch in their often, despite all difficulties, comic relief providing roles.
Film demonstrates commendable seamless integration of CG imagery of beasts and beautiful environments into spectacular cinematography provided by Janusz Kaminski.
Joyful music, scored by John Powell, is well-paced to follow the speed of onscreen action and reflect the highs and lows in the moods of characters.
All in all, it is nicely crafted film with the fast-paced story, providing enough dramatic excitement and fun, especially for the younger ones.
My rating score stops short of perfect, due to a trend described in my second opening note that I cannot easily fall in with, too.
Finally, on a lighter note, having film menagerie of animals fully CGI-ed renders monitors from American Humane Association superfluous, as even in their absence we can rest assured that *no (real) animals were harmed during the making of this film.*
As it's dads 92nd birthday we went to see a movie I knew he'd love, Call of the Wild. Based on the classic novel by Jack London the movie tells the story of Buck the dog and his adventures as a comfortable city dog to a working dog in The Yukon, this is squarely aimed at the family market, playing down the cruel treatment of sled dogs and the harsh life. The CGI animals were good but didn't take me out of myself. It's schmalzy and cheesy but good fun and I shed a few tears. 3.5 stars
George: A very dramatic movie with fantastic scenery of The Yukon! The animal animation was fantastic and Harrison Ford played a good role as the curmudgeonly loner. I remember reading Jack London's novels and I enjoyed this adaptation very much. 4 stars
PS Meredith cried several times.
I am not sure how the story in the book goes, but the movie was great! It had adventure, beautiful scenery, laughter, and sadness. The entire film flowed well, it had intensity and kept your thoughts wanting to discover what happened next.
Le saviez-vous
- AnecdotesEach sled dog on Buck's team (besides Spitz) was given the personality of one of the dwarfs from the Disney classic Blanche-Neige et les Sept Nains (1937): Dolly is Bashful, Pike is Grumpy, Joe is Happy, Billy is Sleepy, Dave is Dopey, Dub is Sneezy, and Sol-Leks is Doc.
- GaffesThe message on the telegram that Perrault receives has a uniformity and cleanness that demonstrates that this was produced not on a typewriter, but by a modern laser printer. Also, the telegram's text uses a modern Courier font not present on typewriters of that period.
- Citations
[last lines]
John Thornton: [narrates] Some say that's the legend. Not so. You see, I knew him once, when he was just a dog at a men side. And even all this land is his, every summer, when he comes down to the valley, he remembers kind hands and old masters... before he went to his own... became his own master... before he heard the call.
- Crédits fousFilm title at the end of closing credits
- Versions alternativesPrior to re-shoots, Mercedes, Charles, and the remaining dog team die (off-screen) on the broken-up river; only Hal survives to return to Dawson and confront John Thornton in the Argonaut saloon. (Paraphrased: "I lost everything because of you: my dogs... my sister...") Despite successful test screenings, studio heads changed this to Hal saying, "My dogs ran off" -- indicating the team and (one assumes) Mercedes and Charles survived -- in an attempt to keep children from being upset.
- Bandes originalesJohnny Todd
Traditional
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Call of the Wild?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El llamado salvaje
- Lieux de tournage
- Yukon, Canada(Klondike Gold Rush)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 135 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 62 342 368 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 791 624 $US
- 23 févr. 2020
- Montant brut mondial
- 111 166 669 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant