NOTE IMDb
6,1/10
15 k
MA NOTE
Une histoire de fantômes envoûtante en plein période de soldes dans un grand magasin où une robe maudite passe de personne en personne avec des conséquences dévastatrices.Une histoire de fantômes envoûtante en plein période de soldes dans un grand magasin où une robe maudite passe de personne en personne avec des conséquences dévastatrices.Une histoire de fantômes envoûtante en plein période de soldes dans un grand magasin où une robe maudite passe de personne en personne avec des conséquences dévastatrices.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 11 victoires et 31 nominations au total
Avis à la une
There's something admirable about taking a film about a killer dress deathly seriously. It's this sort of commitment we just don't see in movies anymore and In Fabric should be applauded for daring to take its subject matter seriously.
In Fabric does start off well with Marianne Jean-Baptiste turning in a fantastic performance as a recently divorced woman working a soul crushing job, trying to take care of her rebellious live-at-home son and his truly awful girlfriend, and making time to go on dates with a bevvy of losers. Instantly, we can relate to this woman's plight and when she finds this beautiful red dress at a mysterious department store, it seems like things are looking up...until the dress starts making bad things happen. First of all, it doesn't want to be washed, so it causes washing machines to explode and, second of all, it was last worn by a model who met a gruesome end. Will our hapless heroine be next?
In Fabric's biggest issue is that it feels like a short Tales From the Crypt episode extended to almost two full hours, which leaves the audience mostly bored after the first hour. There's a major detour the film takes mid-way through when it gets bored with its heroine and introduces a new set of characters which brings the film down, because we don't care about them nearly as much. Maybe if Jean-Baptiste hadn't been so phenomenal in the first half or they'd decided to make a film about multiple characters encountering this red dress, it wouldn't have been as jarring a switch.
It looks stunning, has atmosphere in spades, and the music score is haunting, but it goes on for far too long and ends in the most anti-climactic way imaginable. It's still worthy of your time, but it's a shame a few things get in the way of it being really excellent.
In Fabric does start off well with Marianne Jean-Baptiste turning in a fantastic performance as a recently divorced woman working a soul crushing job, trying to take care of her rebellious live-at-home son and his truly awful girlfriend, and making time to go on dates with a bevvy of losers. Instantly, we can relate to this woman's plight and when she finds this beautiful red dress at a mysterious department store, it seems like things are looking up...until the dress starts making bad things happen. First of all, it doesn't want to be washed, so it causes washing machines to explode and, second of all, it was last worn by a model who met a gruesome end. Will our hapless heroine be next?
In Fabric's biggest issue is that it feels like a short Tales From the Crypt episode extended to almost two full hours, which leaves the audience mostly bored after the first hour. There's a major detour the film takes mid-way through when it gets bored with its heroine and introduces a new set of characters which brings the film down, because we don't care about them nearly as much. Maybe if Jean-Baptiste hadn't been so phenomenal in the first half or they'd decided to make a film about multiple characters encountering this red dress, it wouldn't have been as jarring a switch.
It looks stunning, has atmosphere in spades, and the music score is haunting, but it goes on for far too long and ends in the most anti-climactic way imaginable. It's still worthy of your time, but it's a shame a few things get in the way of it being really excellent.
Art for the sake of art...Not much substance... It' like a mixture of"1984" with
"Rubber",with a try to imitate David Lynch,Dario Argento and Cronenberg all at once...The result is very artful,but fails to really engage and excite,like the films of abovementioned Masters...All in all 5 stars for a good visuals,acting,music.
One time watch,doesn't go into the collection...
In Fabric is quite an interesting, bizarre film. No need to type out a synopsis of the film, that's what IMDB is for. I watched the trailer for this and the close ups, strange audio, quick cut-shots really pulled me in to click play. I love a unique horror film that makes me think, and this movie definitely did that. Honestly I will say, if I hadn't read the first sentence of another review on here that had "consumerism" in it, I am not entirely certain I would have picked up on that theme until the very end of the movie.
Majority of the movie has you guessing if the dress is cursed or if it is some type of illusion that these characters are experiencing. A lot of it is very confusing, especially the lead sales character who we aren't sure what she is. Is it a cult? Is she a witch? Why is her being bald so important? I couldn't tell you. Her strange henchman that never says anything also threw me off. I assume he is the owner of the department store, but what was their relationship and what was he whispering to her that made her snap out of her current emotion? Also couldn't tell you.
I like the theme of consumerism is killing us all, controlling our minds and it works well I suppose. I think what turned me off was that the dress could fly, float, crawl, make rashes appear on the skin but without an explanation to of WHY. Again, was the department store a cult who put a spell on this fabric or dress? I don't know! Maybe I'm missing the mark here. I enjoyed it for the most part. It's odd, creepy, eerie, beautiful and whimsical. But I don't think it deserves another above a 6 or 7. Seems like the director/writer just wanted a fancy art movie so he could complain about capitalism.
Majority of the movie has you guessing if the dress is cursed or if it is some type of illusion that these characters are experiencing. A lot of it is very confusing, especially the lead sales character who we aren't sure what she is. Is it a cult? Is she a witch? Why is her being bald so important? I couldn't tell you. Her strange henchman that never says anything also threw me off. I assume he is the owner of the department store, but what was their relationship and what was he whispering to her that made her snap out of her current emotion? Also couldn't tell you.
I like the theme of consumerism is killing us all, controlling our minds and it works well I suppose. I think what turned me off was that the dress could fly, float, crawl, make rashes appear on the skin but without an explanation to of WHY. Again, was the department store a cult who put a spell on this fabric or dress? I don't know! Maybe I'm missing the mark here. I enjoyed it for the most part. It's odd, creepy, eerie, beautiful and whimsical. But I don't think it deserves another above a 6 or 7. Seems like the director/writer just wanted a fancy art movie so he could complain about capitalism.
Billed as a comedy horror on Now-TV, hmm, not your usual fare, it's quite grown up stuff. Read a review when it came out and was quite intrigued, was hard to catch due to it's limited release but glad I caught up with this.
There are horror elements, I loved the 70's lo-fi visuals that layer the atmosphere. One particular scene was both funny (peculiar-but a lot of this film is) and gross out. There is a sense of dread and foreboding pervading a lot of the film.
There are some laugh out loud moments, particularly toward the end.
I really enjoyed this, the performances were great, didn't take itself too seriously and was engaged throughout though I felt it faltered at the beginning of the 3rd act before picking up to a satisfying finale.
Certainly not for everyone, a bit arthouse psychedelic, certainly not mainstream but for me an interesting, fun and different watch. Just don't expect a lot of sense and immerse yourself in it's stylish and assured bonkersness (if there is such a word).
Definitely worth a watch, but as pointed by others, not for everyone. It carries a masterful arthouse 70's direction, editing, color scheme and production altogether, dressed up with weird, repetitive vintage synth tracks and some peculiar cuts at times beyond comprehension. At one point I thought the movie was stuck. It wasn't. You've been warned.
Le saviez-vous
- AnecdotesThe 01632 dialing code used by characters throughout the movie does not exist - it is specifically reserved for use in works of fiction created in the UK such as movies, TV shows and books.
- Gaffes1:38:58 Into the movie, an animal can be seen darting across the screen.
- Citations
loudspeaker in department store: A dramatic affliction has compromised our trusted department store. Get out graciously.
- Crédits fousIncludes a credit for "Mannequin Pubic Hair".
- Bandes originalesRemote Control
Written by James Ferraro
Published by New Age Tapes
Performed by James Ferraro
Courtesy of The Artist
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- How long is In Fabric?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Маленька червона сукня
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 197 592 $US
- Durée
- 1h 58min(118 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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