Le Chant du loup

This movie depicts a topical and realistic situation, with the codes of most major big-budget movie. The cast is well chosen and overall does a good job of portraying what many would expect the French navy to be like. But in my opinion, the most successful trait of the movie is its storyline, stemming from contemporary stakes, which I've rarely seen in military/tactical movies, which instead tend to focus on past historical events or on more far-fetched futuristic scenarios. I think that's the reason the story is so compelling, and why I personally found the movie so immersive.

The sound expert Chanteraide holds the life of his fellow mates in his hands. Onboard high tech submarine Titan a small mistake leads to a confrontation with a mysterious submarine. As the danger of a next war becomes all too real, it's up to Titan and its crew to save the day.

Wolf's Call is the first feature from screen writer Antonin Boudry and it is a tense and inventive thriller where an approaching global disaster is played out on a smaller scale and rests on the shoulders of a few men. Handpicking his hot young stars, the trio of Omar Sy, Francois Civil, and Reda Kateb, Boudry builds on the relationship between the three men, throwing the characters into the crisis of a life time.

A minimalistic score by Tomandandy nicely supports the vast underwater scenes and claustrophobic in-cabin sequences. It is no wonder the film was snatched up by Netflix, it has an interesting concept, well written and acted.

WOLF'S CALL proves that a smaller scale underwater thriller can be tense and engaging even with a very restricted budget.

Reading the reviews here, it seems to be a love it or hate it movie - I don't understand why. I grew up watching the original Das Boot as TV series and went through all the submarine movies. Instead of comparing the incomparable and saying what is flawed etc., I simply want to point out what I liked watching this movie twice:

• refreshing actor set, no B-movie characters just like "could be your neighbour" type
• storyline that could happen, although we normal people would never hear about it
• great music/ambience perfectly fitting the setting
• straightforward effects, less is more
• happy end without happy end, evoked emotions
• overall a very refreshing, non-cliche Hollywood-type movie.

Submarine movie genre is quite unique in France, I just remember having seen 40 years ago the René Clément "les Maudits" (with a terrific scene), I really don't remember another french title dealing with submarines. Even in Hollywood, it's a seldom exploited theme. And we have the opportunity to discover a kind of french Joel Silver production, but without Bruce Willis or other great star. And that's cool, all cast is fine (Francis Lavil as the special acoustic young specialist), but real special bravo to director Antonin Baudry and his team : first direction, complete solid and technical direction, tragic suspense, a never seen geo political subject in french cinema. Go on Mr Baudry, we're waiting for your next movie.

I did watch the dubbed version, and it was very well done. This movie has exceedingly high production values, with very modern and realistic materials. The acting is excellent, and the pacing is good overall. There is an overriding ambience of tragedy to the story which reiterates the opening epilogue of the movie: "There are three kinds of people; those who are alive, those who are dead, and those who go to sea." (Aristotle.) This is more a thinking person's action movie. Good viewing.