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Dans une époque lointaine, un homme modifie le monde qu'il connaît lorsqu'il essaie de vendre de la limonade.Dans une époque lointaine, un homme modifie le monde qu'il connaît lorsqu'il essaie de vendre de la limonade.Dans une époque lointaine, un homme modifie le monde qu'il connaît lorsqu'il essaie de vendre de la limonade.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Maria Caballero
- Isabel
- (as María Caballero)
Avis à la une
An abstract and embarrassing film set in a far future, the year 9177. World is limited to a high skycraper in middle of a barren landscape, surrounded by small isolated slums and ruined shacks where live the lower classes . At the building lives the upper class and governs an absented-mind king, a mayor, a management staff, while two Guardias Civiles watch and control by entering through the multitude of doors at the skycraper. Other peculiar characters are the hairdressers, a veteran shepherd caring his sheep across the corridors , a bartender, a nun, a priest and a man who attempts to sell lemonade. Then, there takes place a riot, and the hapless people living outskirts the building enter at the skycraper to reckoning against the powerful rulers.
This is a disconcerting flick providing Spanish star-studded, including a numerous cast with 20 protagonists, at least. Standing out the following ones : Roberto Alamo, Blanca Suarez, Iñaqui Ardenaz, Manolo Solo, Antonio de la Torre . And Tv stars and presenters as Berto Romero, Eva Hache, Andreu Buenafuente who also produced. And other secondaries in brief appearances as Secun De La Rosa, Gabino Diego, Saturnino Garcia, Carlos Areces and a singer : Miguel Rios, among others. Director Jose Luis Cuerda shows his special sense of humor in which blends social as well as political critique, life, death, religion, fight of classes and upheavals. The picture relies heavily on repetitive situations, silly happenings, long speeches, sentences without sense and absurd deeds. This film belongs to a surrealist trilogy made in similar style : first the successful Amanece que no es poco 1989 and Asi en el cielo como en la tierra 1995, these movies provide the peculiar absurd humor of this good filmmaker Jose Luis Cuerda.
It packs a luxurious and colorful cinematography by Pau Esteve. And lively, enjoyable score by notorious composer Lucio Godoy. This film was written by Jose Luis Cuerda who also produced and directed, as usual. Cuerda is an expert professional, being his film debut Pares y Nones, a typical Madrid comedy. He subsequently made El Bosque Animado with writings by Rafael Azcona and himself, being based on Wenceslao Fernandez Florez novel. He followed shooting drama : La viuda del Capitan Contreras and more and more comedies as Tocando Fondo and La Marrana. His biggest hits correspond as a producer, as he produced for Alejandro Amenabar : Tesis and Abre Los Ojos. His highest acclaimed film as a director was Lengua de las Mariposas that won various Goya Awards, prizes and niminations. Rating 5.5/10. Passable.
This is a disconcerting flick providing Spanish star-studded, including a numerous cast with 20 protagonists, at least. Standing out the following ones : Roberto Alamo, Blanca Suarez, Iñaqui Ardenaz, Manolo Solo, Antonio de la Torre . And Tv stars and presenters as Berto Romero, Eva Hache, Andreu Buenafuente who also produced. And other secondaries in brief appearances as Secun De La Rosa, Gabino Diego, Saturnino Garcia, Carlos Areces and a singer : Miguel Rios, among others. Director Jose Luis Cuerda shows his special sense of humor in which blends social as well as political critique, life, death, religion, fight of classes and upheavals. The picture relies heavily on repetitive situations, silly happenings, long speeches, sentences without sense and absurd deeds. This film belongs to a surrealist trilogy made in similar style : first the successful Amanece que no es poco 1989 and Asi en el cielo como en la tierra 1995, these movies provide the peculiar absurd humor of this good filmmaker Jose Luis Cuerda.
It packs a luxurious and colorful cinematography by Pau Esteve. And lively, enjoyable score by notorious composer Lucio Godoy. This film was written by Jose Luis Cuerda who also produced and directed, as usual. Cuerda is an expert professional, being his film debut Pares y Nones, a typical Madrid comedy. He subsequently made El Bosque Animado with writings by Rafael Azcona and himself, being based on Wenceslao Fernandez Florez novel. He followed shooting drama : La viuda del Capitan Contreras and more and more comedies as Tocando Fondo and La Marrana. His biggest hits correspond as a producer, as he produced for Alejandro Amenabar : Tesis and Abre Los Ojos. His highest acclaimed film as a director was Lengua de las Mariposas that won various Goya Awards, prizes and niminations. Rating 5.5/10. Passable.
It may seem that everything is Ok with this film: social message, good acting, good cinematography, clever dialogs, but...but..It is too boring.
This film is for people who think, for those who appreciate the parable, subversive humor, stinging references to the system, politics, history, class struggle, manipulation and lying, for those who taste multiple meanings, and last but not least because it reminds us by Felini, Eugen Ionesco, Jodorowski, Boris Vian, Peter Greenaway, Monty Python and ... yes, Brazil. It is a work spiced with absurd elements, but which can be decoded into several keys, depending on your age, intelligence, sense of humor, knowledge and life experience that you have.
It's hard to say if it's the worst movie ever, but I can say for sure that at least it's in top 3.
The movie is full with the best of Spanish's actors, seriously, the cast is awesome, but there's no way of saying a single good thing about this "movie".
The plot has no sense, the acting is weird, the tempo is slow, the dialogs are simply rubbish, etc. you name a bad thing about a movie and you'll find it here.
It is not Amanece que no es poco but is close.
Rural Spanish surrealism . José Luis Cuerda at his best.
Le saviez-vous
- AnecdotesJosé Luis Cuerda's last film.
- GaffesAt the end, José María and Fray Vicente exit the building through an automatic door, instead of teletransporting in and out while shouting "cock-a-doodle-doo," as was done throughout the film. It's possible that changes have occurred to the building after the war.
- Citations
Galbarriato: Have you tried doing push-ups, breathing, and praying, even without faith?
Eufemiano: That's the first thing I did, but that dream I had, it has left me with terrible after-effects that possibly, at certain moments, will paralyze me from making decisions, even urgent ones, that could contribute to the well-being of my fellow human beings and of entire sectors of the human race.
- Crédits fousAt the end of the credits, cheers from the crowd shouting "cock-a-doodle-doo" can be heard.
- ConnexionsReferences Blade Runner (1982)
- Bandes originalesTiempo después
Lyrics by Joaquín Sabina
Music by Antonio García de Diego
Performed by Joaquín Sabina
Arranged by Vanessa Garde
Produced by Lucio Godoy
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Tiempo después
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 000 000 € (estimé)
- Montant brut mondial
- 1 729 112 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Some Time Later (2018) officially released in Canada in English?
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