Ut og stjæle hester

There are no spoilers in this review.

This magnificent film is based on Per Petterson's novel 'Out Stealing Horses' (Ut Og Stjæle Hester). I discovered this film at the 2019 Scandinavian Film Festival in Australia. It is mesmerising, poetic, and the cinematography is truely breathtaking. The soundtrack is both haunting and unique. Each scene was an exercise in detail. Waterfalls, owls, rainstorms, wind, moss, rivers, trees, and horses in the Norwegian forest provided a rich tapestry of backdrops which were seamlessly integrated into the story.

The clever use of seasons made the story's timeline easy to follow. The major storyline took place in the summer of 1948, and the flashbacks (from the main character, Trond) were from the winter of 1999. There was also one short scene that took place during the German occupation of Norway, and another brief scene from around 1957.

This film is both visual and script driven. The acting from every character was flawless. It goes without saying that the performances from both Stellan Skarsgård (the 67 year old Trond) and Tobias Santelmann (Trond's father) were brilliant - as always from these two seasoned actors. The real stunner, however, was Jon Ranes playing the 15 year old Trond who did a lot of the heavy lifting for this film. He was amazing and really brought life to the character and the story. I think great things await Ranes as an actor going forward.

The movie is about a 67 year old Norwegian man (Trond) reflecting back on a summer he spent with his father when he was 15 years old. The movie navigates multiple issues. These include how traumatic events early in ones life can affect a person, coming of age, father/son relationships & rivalries, loss, overcoming life's obstacles, and abandonment were all explored. If you love beautiful and deeply meaningful movies - this one should not be missed. It is really something special.

Watching movies at a festival has disadvantages. The second movie (or the next ones!) seen on the same day may catch you as a more tired spectator, or under the impression of the previous movie, or confused by the alternation of styles and genres. This is, perhaps, what happened to me watching the Norwegian director Hans Petter Moland's film 'Ut og stjæle hester' (or 'Out Stealing Horses'), a psychological drama with references to the relatively recent history, interestingly constructed, and benefiting from the participation of an excellent team of actors. And yet, although I really liked one of Moland's previous films ('In Order of Disappearance'), I was a little stuck watching this movie. The fault may be mine, but not only mine.

The story takes place in 1999, on the threshold of the millennium, that period exactly 20 years ago, when the entire planet was preparing for parties and was obsessed with the millennium bug. The main hero (the excellent Stellan Skarsgård) seems to be trying to run away from the world after he his wife had died in a traffic accident, buying a house in a village far from the turmoil of the world. It is precisely here that the past reaches him through the accidental encounter of a forgotten friend from adolescence. The film reconstructs through interleaved flashbacks the decisive summer of his coming to age, in the years immediately following the war that had left traces in people's souls and in the relationships between them. We progress in the remembrance of the past together with the old man. But how much of memory can be trusted after a lifetime has passed? Was the reality then known, understood, and especially as does it matter today?

The questions are interesting, but one of the problems of the film is that the scriptwriter (also Moland adapting a novel) and the director try to give them a little too explicit answer, along the lines of Buddhist philosophy. Another problem is the lack of dynamism in the evolution of the characters. The film is beautifully filmed and played brilliantly (by Skarsgård, but also by the young actor who plays him as a teenager, and by the whole team), and yet 'Out Stealing Horses' failed to captivate me, introduce me to the story, involve me. The distance between me and Scandinavia, its history, its people and problems, has not been completely eliminated in this film.

What a amazing talent of working ,beautiful piece of work a unrest soul coming out from Director. Very deep soulful and strong acting.Very emotional movie.

Out stealing horses (Ut å stjæle hester) is a very careful adaption of the very successful novel with the same name by Norwegian author Per Petterson, a novel which have solid millions in at least 50 languages. The film won the silver bear in The Berlin International film Festival.

Let this be said up front: if you're not up to watching a slow storytelling, and not able to sense the small and careful waves of air, glimmers of sun and the wet sensation of rain woven into the nostalgia here, this film will not be for you. You need to be completely at ease when watching, otherwise the film will feel very slow.

Hans Petter Moland has made a film true to the poetic and nostalgic tone of the book, which tells the story about a newly pensioned man, in grieve after the loss of his wife, moving out in the remote countryside, not too far from where he have had childhood memories. The he randomly meets a neighbor which he realizes he must have known some 50 years back. This brings back a lot of forgotten memories from the past. Memories of fondness and great tragedy.

The film is slo and thoughtful, with a stark nostalgic thread, but also a tiny fracture of humor. The film is very sensible, with a lot of thoughts put into photography, with pictures of grass and wind. The film is narrated by the mans telling voice, which in this case adds to the feeling of storytelling. A work of art of a film!

Full of fascinating...ographies and curious adolescent...chologies but as bland as wallpaper paste mixed with plain flour, only curiosity is why they've stolen your sleep sheep and replaced them with this - same effect - lights out!