NOTE IMDb
3,9/10
8,3 k
MA NOTE
Joe rencontre une mère qui contacte les esprits lorsqu'ils étouffent. Sa fille est en train de mourrir quand Joe aide à la mère de les mettre en contacte et la sauver. Malheureusement, l'esp... Tout lireJoe rencontre une mère qui contacte les esprits lorsqu'ils étouffent. Sa fille est en train de mourrir quand Joe aide à la mère de les mettre en contacte et la sauver. Malheureusement, l'esprit quioccupe le corps de la fille et celui de la femme morte de Joe.Joe rencontre une mère qui contacte les esprits lorsqu'ils étouffent. Sa fille est en train de mourrir quand Joe aide à la mère de les mettre en contacte et la sauver. Malheureusement, l'esprit quioccupe le corps de la fille et celui de la femme morte de Joe.
- Réalisation
- Scénario
- Casting principal
Brett Murray
- Doctor
- (as Brett Luciana Murray)
Gwendolyn McCann
- Nurse Astrid
- (as Gwendolyn Mulamba)
Rajko Scarabin
- Counter Guy
- (as Eric Scarabin)
Avis à la une
"Between Worlds" is yet another crazy Nicholas Cage movie in which he pulls out all the stops on his deliberate overacting, and manages to score some points.
This has something to do with a mother played by Franka Potente who can briefly visit and alter things in the afterlife while being strangled (!). Cage plays a substance-abusing trucker grieving the tragic loss of his family. He stumbles upon Potente while she's being choked by a bruiser in order to "save" her comatose daughter. Cage "rescues" her only to become part of her life, and ends up asked to choke her himself. He begins a torrid affair with her and moves in with her and the daughter when the young woman comes home from the hospital. Since he's just had his truck seized by bill collectors, this couldn't come at a better time. But alas - the daughter has somehow become possessed by the spirit of Cage's dead wife! And also wants to sleep with him!
If this sounds ridiculous, be assured that it is. And it gets even more so. But the cast and especially Cage play it in a rough, gutteral working class way that makes it interesting. All the way to the explosion of stupid violence and melodrama that is the ending. And somewhere in all this there's a message about how one should not mess around with the supernatural.
If this were played straight with middle class or higher characters it would be just another dullish ghost movie. But since it is played manic with working poor ones, it remains watchable and different. Sort of like if Charles Bukowski wrote a ghost movie. It's terrible with its totally out-of-control ending, but, intentionally or not, is a funny watch a good deal of the way through.
One reviewer here makes fun of Potente's "on and off" German accent as if he thinks she's trying to hide it. But her German nationality is mentioned during the film's dialogue, and the reviewer obviously wasn't paying attention. As a German acting in a nutty movie made in Spain that is portraying a setting in the American South, she does a good job.
This is viewable on Netflix and is recommended for viewers looking for something flawed but somewhat creative in its own strange, perhaps accidental way.
This has something to do with a mother played by Franka Potente who can briefly visit and alter things in the afterlife while being strangled (!). Cage plays a substance-abusing trucker grieving the tragic loss of his family. He stumbles upon Potente while she's being choked by a bruiser in order to "save" her comatose daughter. Cage "rescues" her only to become part of her life, and ends up asked to choke her himself. He begins a torrid affair with her and moves in with her and the daughter when the young woman comes home from the hospital. Since he's just had his truck seized by bill collectors, this couldn't come at a better time. But alas - the daughter has somehow become possessed by the spirit of Cage's dead wife! And also wants to sleep with him!
If this sounds ridiculous, be assured that it is. And it gets even more so. But the cast and especially Cage play it in a rough, gutteral working class way that makes it interesting. All the way to the explosion of stupid violence and melodrama that is the ending. And somewhere in all this there's a message about how one should not mess around with the supernatural.
If this were played straight with middle class or higher characters it would be just another dullish ghost movie. But since it is played manic with working poor ones, it remains watchable and different. Sort of like if Charles Bukowski wrote a ghost movie. It's terrible with its totally out-of-control ending, but, intentionally or not, is a funny watch a good deal of the way through.
One reviewer here makes fun of Potente's "on and off" German accent as if he thinks she's trying to hide it. But her German nationality is mentioned during the film's dialogue, and the reviewer obviously wasn't paying attention. As a German acting in a nutty movie made in Spain that is portraying a setting in the American South, she does a good job.
This is viewable on Netflix and is recommended for viewers looking for something flawed but somewhat creative in its own strange, perhaps accidental way.
Was it awful on purpose or by accident? It was like watching a car wreck - mesmerized by how bad it was. Join me please in properly rating this at 1.
The story follows Cage, a down-on-his-luck movie actor haunted by the memory of his deceased career. He meets Julie, a spiritually gifted movie producer who enlists Cage in a desperate effort to find the lost profits of her comatose studio. But the spirit of Cage's dead career proves stronger, possessing the young woman's film budget and determined to sabotage her unfinished movie with the straight-to-DVD curse.
5/10 So bad it's entertaining.
5/10 So bad it's entertaining.
So I thought, hey nice artwork, must be a bomb. I was right and I give Cage all the chances in the world because he's amazing. This is a sparkling turd from the acting partially but at times it is indie awesome and worth watching ergo 5/10. The camera work and lighting is as junior amateur as you can get, and the dialog is painfully cold read at times. The idea is not new but not bad in itself. The placement and use of sex everywhere is ok, but I don't need to see Cage and Run Lola Run bang that much with tv news anchor lighting. Silhouettes, in and out of focus, not just bangbros like footage.
The nuttiness that is cage shines in points here, but even he thinks "wtf is this line it is so bad and dry or my scene partner isn't there yet..." so I have to advise you to watch this and maybe jump a little through it if you can and enjoy the sparking turd for what it is. A new level of "oh no this was bad but I can't press STOP".
The nuttiness that is cage shines in points here, but even he thinks "wtf is this line it is so bad and dry or my scene partner isn't there yet..." so I have to advise you to watch this and maybe jump a little through it if you can and enjoy the sparking turd for what it is. A new level of "oh no this was bad but I can't press STOP".
A movie made for people who want to see nicolas cage having sex while reading from a book written by nicolas cage about his sex memories
Le saviez-vous
- AnecdotesWhen Joe (Nicolas Cage) is asked to read from memories to Mary/Billie, the book is titled Memories by Nicolas Cage.
- GaffesDuring Joe and Julie's sex scene, he takes off her bra and grabs her breasts, the next shot the bra is on, the off again.
- ConnexionsReferenced in Half in the Bag: The Fanatic (2019)
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- How long is Between Worlds?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Possession
- Lieux de tournage
- Mobile, Alabama, États-Unis(It's listed in trivia)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 146 339 $US
- Durée1 heure 30 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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