Woman at War

Woman At War: Halla (Halldóra Geirharðsdóttir) is angry. Angry at Rio Tinto whose smelter is damaging the pristine environment of Iceland. So she takes direct action, sabotaging electricity pylons, cutting off power to the smelter. There is more than just the smelter involved though. Halla's actions are putting at stake a resources exploitation deal between China and Iceland. Halla's gets inside information from a senior civil servant, Baldvin (Jörundur Ragnarsson), Baldvin is now worried that Halla will be caught, a satellite will be used to track her, and tries to persuade her to just issue a manifesto. Halaa gas another reason to reconsider her actions: she has been approved to adopt a girl.

This is a political thriller, a comedy with surreal overtones, an eco-action film. But foremost it is about the indomitable spirit of one woman who will have to make hard choices. When Halla is pursued by helicopters and drones she hides in crevices, uses the carcass of a dead sheep to fool heat-seeking radar. Discovers a long lost cousin, farmer Sveinbjörn (Jóhann Sigurðarson), who helps her escape. A three piece band and choir trio appear incongruously in scenes. Eventually the surreal turns existential, Halla goes to a rooftop to scatter copies of her manifesto, the band enter the action and tweet images of her proclamation,

Director & co-writer Benedikt Erlingsson delivers a delightful, funny but hard-hitting drama. 8/10.

While the narrative may not physically reflect the lengths most of us would go to, it certainly promotes the psyche that anyone with a shimmer of a conscious about the ecosystems of the earth would or should feel. Enjoy it for what it is, a fight against the forces that see profit above people and the planet, twinned with a sweet and sentimental heart driven right through its centre.

Woman at War is a film about a woman who has taken on the role of eco-terrorist to try and fight increased industrialization in Iceland. The question is, can she fight for what she thinks is right, keep her identity hidden from the authorities, and live a normal life in the meantime? This movie was exhilarating in all the right ways. I was totally invested in her adventures, and always wondered if she would take things too far. When regular life comes into play, I was even more interested to see what she might do, since balancing life as an outlaw with domestic life could be impossible. I was totally intrigued by this character. She is likable, and feels like one of the most friendly women you could possibly meet, and yet she is also fiercely passionate about a cause and does what she can for the betterment of her country (without hurting anyone in the process.)

One of the more quirky elements of Woman at War is something I'd rather not spoil for those who haven't seen the film. However, it's a fun way of breaking the fourth wall that I never saw coming. It made me laugh every time they went there, and added a unique element that sets this film apart from others I've seen. Halldóra Geirharðsdóttir is absolutely awesome in the lead role. She has to carry a great deal of this film on her own, and she manages to do it all and make it look easy. The tone of the film ranges from serious to silly, and that could throw some people off. Personally, I thought it worked remarkably well, and I enjoyed both the chuckles and the stress of our hero possibly being caught. It's a movie that entertains you and makes a point all at the same time. I would highly recommend Woman at War to anyone looking for something off the beaten path. It's a delightfully different kind of film.

A virtuous man alone against the system, there has been a lot on the silver screen, particularly when it comes to American movies where the figure of the individual hero is set, in accordance with the American ethos, as the paramount role model. From early cinema till today, examples abound, among the most seminal "The Life of Emile Zola", "Mr. Smith Goes to Washington", "The Setup", "Harvey Milk" come to mind, but they are but a few samples of a practically endless list. By contrast, their female equivalents can be counted on the fingers of one hand: women fighting alone like Sally Field ("Norma Rae") or Julia Roberts ("Erin Brokovich") are the exceptions that prove the rule. But, well, The Times Are-A-Changin', as Bob Dylan once sang and are slowly acquiring (not everywhere alas!) the role they deserve. A point illustrated by this excellent Icelandic film, aptly titled 'Woman at War', offering the striking portrait of a modern-times female warrior, the wonderful Halla, played by the equally awesome actress Halldóra Geirharðsdóttir ("Regina!", "Of Horses and Men"). Inventively directed by Benedikt Erlingsson (the author of the already mentioned "Of Horses and Men"), it may well become a cult classic.

To tell you the truth, before entering the hall, I thought I knew in advance how the film would develop : a corrupt system (in this case an aluminium company that threatens the environment of Iceland and its people), would make the protagonist (a carbon copy of the white hero) an activist who would start by winning her first fights before having to face severe counter-attacks only to triumph in the end, all the wrongs righted. The only thing that really attracted me was that the story was set among the unusual landscapes of Iceland. How big (and pleasant) my surprise was! For, as of the very first shot, it was quite evident that "Woman at War" was not going to tread the beaten track. What other movie indeed opens on a fifty-year old lady drawing a bow and shooting an arrow towards high voltage power lines? And not only that but also managing to cause a short-circuit cutting off supply in the aluminium plant area? There mustn't be many. Such an attack against toxic modernism carried out by a woman using archaic weapons sets the tone for this fanciful and utterly unpredictable film.

For, in the wake of this inspired overture, imagination, suspense, laughter, happily follow suit. The delighted viewer is indeed treated to a whole menu of various pleasures, such as breathless sequences (Halla being hunted by cars, dogs, drones, helicopters), constant surprises and twists (impossible while watching a scene to guess what will come after), unexpected changes of tone (the underground warrior being also the conductor of an amateur choir), unusual ideas (Halla saved from icy waters by being plunged into a... hot water source), detachment from the action (the ever-present brass band) and irrepressible comedy (the recurring mishaps of a poor foreigner). At the same time and for the same ticket price, you get a very serious social and political commentary (among the topics broached, corruption, commitment, environment, the future of mankind). And although this last aspect is pessimistic, even bordering on bitterness and despair, it is always alleviated by the writer-director's sense of humor and narrative skills.

A very positive assesment, to which can be added a fine homegenous cast in which Halldóra Geirharðsdóttir, remarkable as she is, never tries to be number one.

All in all, a perfect film, managing to combine art, entertainment and reflection, which is not so common. Recommended of course.

I really liked this quirky Icelandic eco-thriller about a woman that goes to great lengths to do what she thinks is right for her country. But to try and categorize this movie is a bit tricky, as this reminded me more of Roy Andersson movies than Soylent Green, with a lot of surrealistic moments like a band that provides the movie's soundtrack but is an integral part of the action and, for better or worse, is one of the most unforgettable aspects of this film. It is generally well shot and Halldóra Geirharðsdóttir provides a great performance in the titular role.