Joan Didion: Le centre ne tiendra pas

I am so amazed by Joan Didion's life, her talents, her brilliance, her strength, and her tragic losses.

In this documentary, you see Joan as she is now - a frail and elderly woman with multiple sclerosis, being interviewed by her nephew, Griffin Dunne. Joan is brilliant and, even though she is in her 80s, you see a spark in her eyes. By the way, she was also married to John Gregory Dunne, a very famous writer as well (whose brother you may know - Dominick Dunne), and you feel like you know John by the end of this documentary.

During this documentary, she talks about a point in her marriage when she and John were going to get a divorce, but moved instead, and eventually stayed together and grew even closer. This amazed me because I assume (since I am not married) and hear that marriages go through peaks and valleys. To see this whole documentary and then wonder what would have happened if they had divorced when they were having problems instead of staying together as they did, this story would not be the same at all. Even after having their problems, it seems (by all accounts) that these two had a great love.

This is not only a documentary, but a lesson for life in a way. I only wish I can be as strong as Joan is when and if I reach her age. She is very open and honest about everything, and you see a side of her that makes you feel like you are watching her without her knowledge -- thoroughly fascinating.

Toward the end of this documentary, there are some very sad and shocking things that happen, but what is amazing is the way that Joan (unprepared as we all are for the death of our loved ones) proceeds with her life, and you will find the way she deals with these tragedies astonishingly brave. I knew Joan was and is a wonderful and a one-of-a-kind writer, but I didn't know what an amazing person she is as well.

This documentary is a must-see, even if you have just for the first time learned about Joan Didion. It is an especially beautiful experience for lovers of Joan's writing, as well as lovers of literature and life.

Confession: until I watched this documentary, I had never heard of and obviously therefore, never read, any of Joan Didion's novels. So what attracted me to watch this when it was suggested to me on Netflix? Well, the era that it covered, the fact that it said she is a literary icon, and the fact that she is Griffin Dunne's aunt and that he directed it (big fan of Griffin Dunne). The style, grace and beauty of the subject also intrigued me. Having finished watching it, I then watched the trailer here on IMDB and I am so glad that I didn't see the trailer first as it gives everything away and, even though you might guess at a few things along the way, it would most definitely have lessened my enjoyment of the story unfolding at the pace that the director/writer/producer would have liked me to.

This is a beautifully crafted piece of work. It has a gentleness and fragility about it that makes you want to whisper for the rest of the day. It was such a delight to be able to really focus on this film without the sensationalised over the top music screaming at me in short bursts, that is so prevalent now in programming. Thank you so much Griffin Dunne.

I'm usually cautious around docs with a nepotistic bent to them from which you learn little in what basically turns out to be a valentine on the subject. Writer Director Nora Ephron's son did a hollow one on his mom while photog Annie Liebovitz's sister offered up a cringing love letter to her in American Masters. Maria Riva, daughter of Marlene Dietrich on the other hand has given a warts an all interview (available on You Tube) that cooked from start to finish that is well worth the watch for many reasons.

In Joan Didion: The Center Will Not Hold, her nephew actor Griffin Dunne may have wanted to approach the 80 plus year old Didion gingerly but the feisty 75 pounder was not about to have it showing the same determination in getting the story right as she did nearly half a century ago chronicling the American scene, especially the West Coast. With an incredibly keen sense of observation she displayed a grasp of an era with a clarity and incite while fellow contemporaries such as Thompson, Mailer and Breslin relied on hyperbole and slap happy verbosity.

Brought up on gloom, Donner Party bed time stories, it never seemed to be far from the stoic Didion, questioning what love was regarding her author husband that she partnered with professionally as well. Her adopted daughter found her remote. It is perhaps this distance that made her a superb reporter, memoirist. Always observing, never immersing. When spouse and daughter pass her true love kicks in and she writes a masterpiece around the husband, a play around the daughter.

Director Dunne has superior entry and makes the most of old newsreels along with an avalanche of family photos to give the doc a fine look including impressive visual backdrops, such as snow draped NYC, to her words. We find out Warren Beatty had the hots for her but he does step gently around her emaciated ( anorexia?) look as well obvious MS symptoms. But when queried about a scene 50 years earlier of witnessing a 5 year old on LSD she bluntly calls it "gold." Classic JD, honest and objective to the core. A rare quality to be found in today's world of blatantly bias journalism.

I really appreciated this film because of the extensive amount of archival research it took to put this together. Full disclosure: I was not a huge Didion fan, even less so familiar with her work. But this was a fun and enlightening journey delving into nearly every facet of Didion's career and personal life. Although captivating it became a tad bit too prosaic defined by the B story diversions that would have presented better in brief, this just being my humble opinion of course. If you're a Didion fan this is a must see, obviously.

10/28/17. Oh my, what if Griffin Dunne didn't do this biopic when he did? Didion is now in her early 80s and it's amazing why there wasn't one done before this one. Such a celebrated writer and screenwriter finally got what she deserved. While well-known her private life was filled with tragedy, from the sudden death of her husband and early death of her only daughter at 39. Her book, The Year of Magical Thinking, is perhaps the best book ever about how those left behind deal with the death of a loved one. That book and this movie are worth catching.