Blindspotting
En liberté conditionnelle, un homme noir commence à réévaluer sa relation avec son meilleur ami instable.En liberté conditionnelle, un homme noir commence à réévaluer sa relation avec son meilleur ami instable.En liberté conditionnelle, un homme noir commence à réévaluer sa relation avec son meilleur ami instable.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 23 nominations au total
- Mama Liz
- (as Tisha Campbell-Martin)
- Curtis 'Cuttie' Cutworth
- (as Lance Cameron Holloway)
Avis à la une
The movie is incredible. Now, a little disclaimer: I definitely gave it a star or two more for being Oakland based and Oakland themed. And it wasn't simply that Oakland, California was the backdrop, no! It was thoroughly Oakland from the soundtrack, to the BART train, to the big wheel bikes, the big rim scrapers, the neighborhoods, and of course the A's, the Warriors, and the Raiders. Blindspotting definitely appeals to the Bay Area niche but it also has a larger universal appeal for anyone living in an urban area.
This movie was so well written, directed, and acted--they hit the trifecta. The center focus was the two main characters, Collin (Daveed Diggs), who is an African-American male on probation and Miles (Rafael Casal), who is a white male that is Collin's best friend and a bit of a loose canon. The dynamics between them was so fascinating and illustrated so well: a black man trying to be straight and having to be extra careful and a white man who is almost completely reckless yet not having the same fears.
But the movie tackled more than that. It covered gentrification, police brutality, living as a black felon and living as a white male who's just a product of his environment. It deftly handled all of these sensitive and delicate topics without offending the sensibilities or coming off trite. There was some powerful imagery, some powerful situations and even more powerful dialogue. The script was clever, intelligent and so spot on. Blindspotting is Oakland's Do the Right Thing, or Boyz n the Hood, or even more appropriate--Good Will Hunting.
This has been the best movie I've seen this year and that's saying a lot. I hope the writers, Daveed Diggs and Rafael Casal, get their due recognition as well as the director Carlos Lopez Estrada. This movie could not have been easy to pull off and I think they all did a magnificent job.
The film is artful and smart while covering some serious wounds. Nine years in the making and the genuine friendship of the two main dates back before that and shines through even in the darkest moments here.
Words often fail, and they'll never stop a speeding bullet, but they still mean something. This is not cinema verite, you can find that on the nightly news sadly.
At times it was odd to enjoy such a creative encapsulation of multiple destructive forces. Amazing effort by cast and crew...in scanning the reviews, if you want something real this *may* disappoint you, but "Blindspotting" like the times themselves is surreal.
The film is fantastic. The direction, writing (written by both Diggs and Casal), and acting are all incredible. Themes of loyalty, race, class, perception, gentrification, and violence are all intertwined without feeling forced, and there's amazing beauty to it all. At times its funny, at times its hard to watch, but its always gripping.
Just as real world issues have always inspired art, this film is very topical. Many of the current issues America is facing are addressed, and its powerful.
Keep an eye on Diggs and Casal. I wouldn't be surprised if they get an Oscar nod for Best Original Screenplay. And even if not, they did an absolutely brilliant job writing this film, and I hope for more from them like this.
Go watch this film. You won't regret it.
Pros: everything from the writing to the directing & acting was on point, I also loved the breakdown of the word Blindspotting & how we all are guilty of such action.
Cons: No Mr. FAB cameo, I was waiting to see him show up in some capacity.
Le saviez-vous
- AnecdotesIn Patrick's house, Miles is boxing up two portraits and Patrick says, "Dountes and Santiago can't be facing each other, they do not get along". The portraits are of Daveed's father (Dountes) and Rafael's father (Santiago).
- Citations
Collin: [Pointing his gun at Officer Molina] Does this scare you, huh? Fuck you know about being scared? Were you afraid someone was gonna come find you? Huh?
Miles: Bruh.
Collin: What, Nigga? I'm just... I'm just talking to him! Ha! You said make it pretty, right? It's the bounce of it. They like the bounce of it. Like a tree on a sign, nigga, we cut right down. Paul Bunyan-ass cops come to chop me at the knees and search the trunk in my own town. Did you count his rings when you bled him? Huh? When you dead him? Do you understand? How old was he? Nigga, how old was he?
Officer Molina: He was 26.
Collin: 26? That's how many years you decided didn't mean shit. All this talking don't mean shit. I mean, shit! I been in my element, eloquent, spitting hella developin'. I been tellin', shellin' and not to walk like a felon and fucking flippin' the middle finger to feelin' irrelevant. Reveling in my freedom till you turned heaven to hell and hello, sir? I'ma need you to open your fucking eyes now and look and see. You might think you know what's happening, but you don't feel it like we do! To feel it, it has to be you! Cut you, but you don't know what the cut do! You are reflex, but when reflux bleeds the gut, then you see the faces! Leave the vases. Moving people in and out for a fee. Feeding this town decay and appetite of me. An appetizer, huh? I must be tasty, but I stay angry, 'cause y'all get hazy! I'm the one out here stuck on a clock, loving the curfew to keep me off the block! Fuck, what time is it? What time? What Time? Nope, fuck it, I did my time. How come every time you come around you monsters got me feeling like a monster in my own town? I say it while I'm rapping, nigga, 'cause everyone conditioned to listen to a rapping nigga. But I'm rapping to the active nigga, you the one cappin' niggas! So quit the flash and feel like your passion, nigga! Hittin' us till our headstones stuck in the mud! We stuck it out, it turned us into some thugs! Got a whole city brand-new and they kickin' out us! Maybe we should both break shit, make a fuss! I am both pictures! See both pictures! Don't be blindspotting me, nigga! See both pictures! Guess I'm just a little bigger than a picture playin' chicken with a cliff, but I ain't never been a flincher. Block is getting hotter, I'ma be the one to bring the winter fuckin' everybody on the body of a cop, the splinter. I mean, why wouldn't I dead him? He's splittin' wigs for 80k a year and ain't from here, who'll miss him if he disappear? Fillin' up with fear, I know you feel it. I've been feeling it for years, in fact, I don't remember ever never feeling it! The one that going dummy never felt the need to run, but I've been sprintin' till I limp across the finish with a gun! Up in my blind spot, really! Ain't to hard to figure that you probably never really felt the pressure of a nigga, but you know what? I ain't never felt the pressures of a trigger! The difference between me and you is... I ain't no killer. I ain't no killer.
Officer Molina: I didn't mean to.
Miles: Are you sure?
- Crédits fousAND TO ALL THE BAY AREA LANGUAGE ORIGINATORS, RAPPERS, POETS, HUSTLERS, PYMPS, PATNAS, MAINS, SIDES, OGS, DOPE FIENDS, BUYERS, SUPPLIERS, MOVERS, SHAKERS, HIPPIES, PARKIES, SQUARES, MARKS, NOODLES, J-CATS, CUTTIES, CUZOS, BRUH BRUHS, LIL BRUHS, BIG BRUHS, UNCLES, BIG HOMIES, AUNTIES, CITAS, GRAND CITAS, MOMMAS, CAPTAIN SAVE A HOES, RIDE OR DIES, DAY 1S, OLD HEADS, YOUNG BLOODS, BOPS, BEEZIES, BABAS, UMIS, KINFOLK, MACS, ETC. - GAME RECOGNIZES GAME
- Bandes originalesLibiamo Ne'Lieti Calici - Brindisi
Composed by Giuseppe Verdi
Courtesy of Extreme Production Music USA
Meilleurs choix
- How long is Blindspotting?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 4 333 394 $US
- Week-end de sortie aux États-Unis et au Canada
- 338 999 $US
- 22 juil. 2018
- Montant brut mondial
- 5 006 989 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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