Padman

There's a montage sometime in the first hour where the central character approaches women from different walks of life but finds it difficult to convince even one of them to try out his indigenous product. Reason? The touchy subject. Padman aspires to break this stigma associated with the subject of menstrual hygiene. From a delivery point of view, it is roaring succes.

Akshay Kumar plays Lakshmi, a simple, uneducated man living with his mother, two sisters, and newly-wedded wife, Gayatri. A bit of an oddball in his thought processes, he makes it his life goal to produce low-cost sanitary napkins when he learns about the hard-up conditions that Gayatri and the women around him including his sisters, who have recently hit puberty live in, when it comes to menstruation. The religious aspect of the issue - where menstruating women are supposed to isolate themselves and live outside the house during the cycle (mostly in rural India) because they are considered impure - also bothers him, which is why Padman looks like it has been written with a complete contemplation of the issue. And, for a person, who has been exposed to high-octane, mindless Bollywood potboilers, this can come as a surprise.

Padman, therefore, is a critique of our times when a technically developed country like India that aspires to be digital-ready struggles with something as crucial and necessary as menstrual sanitation. Lakshmi's attempts to educate the people around him and fight the stigma that is stuck like the plague is much more important than to invent a low-cost napkin that is both efficient and cheap. Despite being a little bit successful in the latter department, Lakshmi continuously struggles to remove the preconceptions about menstruation that people have and which they are not ready to talk about. This hesitance to converse about an issue that is tied to a woman's innate health is alarming, and Padman tries to preach about that. Of course, it's a preach, but a social film cannot do without it if it intends to send the point across. Considering that director R Balki is targeting rural India with this film, I am personally content and confident that it will tick.

It is because of not just the construction of the sanitary pad but also the construction of the screenplay that this works. Padman excels in all departments, also giving intermediate knowledge about napkins if people don't know about it already. A well-written plot that reminds us of Shree Narayan Singh's 2017 hit drama on a similar social issue, 'Toilet - Ek Prem Katha', also starring Kumar, it moves ahead without hitting a bump. Of course, there are sequences that are sometimes cringe-worthy and sometimes impossible, but director Balki has evidently taken a lot of cinematic liberty, which is mandatory for a film that captures the entire essence of a social predicament such as this. The fact that Padman is based on the real-life story of the Indian inventor, Arunachalam Muruganantham, would make the viewer more confident and supportive of the structure. It's well-written, has good amounts of humour and drama, if not melodrama, and hits the right notes with its messages. With a score that supports the inspirational message, Padman must be viewed on the big screen and be marketed through word of mouth as it demands greater viewership.

Akshay Kumar is phenomenal and looks like he came directly out of the aforementioned film's sets. He carries the whole film on his shoulders and never once shows an inkling of restfulness. If there is a character that I feel an actor has done complete justice to in any film in the past few months, it'd be that of Lakshmi. Equally enchanting is the supremely talented Radhika Apte's performance who seems to be made just for the role of the village wife, something that we previously saw her do in Kabali (2016), and Parched (2015) and Manjhi: The Mountain Man (2015) before that. There's not a single dull moment in Padman, thanks to the performances of the lad and the supporting cast. Sonam Kapoor and Amitabh Bachchan grace the screen for some time and do a decent job, but it is the supporting actors that make the whole broth tastier.

Similar to how we last saw in R S Prasanna's Shubh Mangal Savdhan (2017), another highlight of Padman is in its dialogues and general writing. Talking about a touchy subject like menstruation is already an exercise, but to make an entire feature film about it, without hitting the awkward and/or obscene point even once, is something of a marvel. Director-writer Balki and co-writer Swanand Kirkire need to be appreciated for the sensitivity that is visible throughout the film, which could have been turned into a vulgar mess had it been executed by some of the more energetic yesteryear Bollywood filmmakers. Padman excels for a lot of reasons, but tailoring it for a conservative audience is one of the major ones.

Padman is refreshing because it serves several things on a single plate and yet manages to not overload it. Lakshmi's relentless attitude towards innovation makes this film much more than something about a social cause. Although India is known as the innovators' world, we hardly see such immaculate representation of the same on the silver screen. I don't care much more for the promotional angle of this film, courtesy the current ruling government in India, but as something that is important to mankind, Padman does deserve applause for its pure concoction and filmmaking brilliance. There couldn't be a better time to release this film that even has shades of chivalry (which, spare me the rolling eye, is no longer dead), feminism, and women empowerment. Lakshmi's dream must have taken him to a lot of places, but his underlying thought to not commercialize his invention and instead work for the greater good is something that makes Padman much more effective and deserving of attention.

There's a good chance that if one can relate to the subject, tears are going to make a guest appearance at least once in the 140-minute running time. But, even if that does not happen, it will touch your heart through its warm characterization, entrepreneurship, and the sheer ability to pump your beat up. Padman is perhaps R Balki's best film so far, something that I would even go as far as to list in Kumar's filmography as well. TN.

"Padman," tells an important story in an engaging and entertaining way. I enjoyed this movie overall and really enjoyed Akshay Kumar's lead performance. His character is very likable has he only has the purest intentions to something good for society. The story was inspirational and pretty well put together. I do feel that the first half of the movie dragged mostly because it became pretty repetitive and it probably could have been cut a bit shorter. The movie does bounce back with a fast-paced and resonant second half that makes the movie worthwhile. It's a good movie with a strong message and a good heart that I enjoyed.

Such a rare Film ever.... Great Job by @AkshayKumar @SonamKapoor @Rbalki !

R. Balki cooked this dish with his own recipe alongside Swanand Kirkire, adding multiple flavors handpicked from Balki's arsenal of trademark templates. PC Sreeram's cinematography is god level for it does not have any kind of cutting edge CGI in it but has simple and subtle colours and excellent frames. The costumes, the art-work, and editing are definitely added assets to the film. Amit Trivedi's score is lively and suits Balki's taste perfectly. Of course, Akshay Kumar and Radhika Apte performed really well but the best surprise for me was Sonam's character in this film. Really had a touching moment at the very end. On a whole, its educating and entertaining.

Menstrual hygiene wasn't introduced in India until later in the 21st century, a social activist from South India introduces a tool to prevent from menstrual bleeding. So basically this film focuses on the aspect of menstrual hygiene in India.

So a welder named Lakshmikant Chauhan based in a village in the rural of East India gets married and lives a blissful life until he notices the women in his village are suffering periods even in his family. Due to the lack of affordability for those sanitary pads, Lakshmi decides to change that by producing napkin pads but his idea leaves the villagers in doubt and gives them the feeling of embarrassment and shame. How Lakshmi changes that is basically what this film is about?

Superman, Batman, Spiderman, and now Padman. R. Balki introudces a very straight on point script with deals with subjective matters of menstrual hygiene. This kind of hygiene is very essential for women across India which does have a very high poverty rate. Balki successfully shows the empowering factors of sanitary pads in such a way that managed to keep the audience engaged throughout those 140 minutes of the film.

As far as performances go, Akshay Kumar literally nails it as Lakshmi. Luckily since Airlift, he has been upping his game especially in this film. His motives on menstrual hygiene was simply outstanding and that village mentality of a dropout as surprisngly something only Kumar can pull.

Radhika Apte plays Gayatri, Lakshmi's wife who is against her husband's decision. She was great and simple but some dialgoues implemented by her were a bit off and it didn't comply too much to her character even as a villager.

Sonam Kapoor was outstanding in Neerja but this film, it gave the audience the feeling especially me that she went on set just to earn a big quick big.

Big B's appearance was quite a surprise.

Direction was quite weak and this is something very common in R.Balki's films. He is very known for adding too mnay close up shots in 80% of the scenes and zooming too much will just cover up the background.

Also there was a minor issue, it is okay to put comedy and drama which were both there but the script itself was a bit too factual. it is understandable that menstrual hygiene is a concept but putting too many of those elements will probably escalate the boredom in some scenes.

Amit Trivedi's album is surely a winner and Mika Singh's take on the title song is simply a treat to devour for the next 4 minutes and Aaj Se Teri sung by Arijit Singh will put you in a romantic mood.

Overall, 2018 is improving quite well at the start and this film will be counted in my top 10 best films of 2018. Nicely written backed up by a narrative concept also backed by powerful performances. But the direction of the film does dissappoint quite alot with the close ups but this is a perfect film.

3.75/5 - R. Balki's most perfect film after Paa