Bang

The most interesting thing about this series is that fact that it is performed in English and Welsh. Other than that, it is absolute rubbish that is at the level of a university drama project that is done for academic credit! The script is all over the place and not well thought out. It contains a mass of tangled stories, some of which are related to the plot, others are not. The writing and dialog is childish. The ending makes it look as if there might be a second series but hopefully we will be spared that suffering. There have been better series coming out of Wales in recent years. This one is just not one of those.

My fascination with Welsh Noir started with Hinterland, but has just gone to a new level with Bang.

Yes, I was drawn into the darkness of Hidden. Keeping Faith teetered just to the right side of preposterous, with overuse of pop video style lingering to music over the attractive female lead. Requiem was super creepy, folk horror. 35 Diwrnod is OK, but limited by its small budget and cast. Bang seemed to reconcile all of these shortcomings and make a powerful virtue of each one, with much use of a popular technique of location centred drama - long location shots, and very smart use of music.

Like I said when Hinterland broke through with its take on the Scandi noir set up - cop outsider with demons - the strongest cast member in a heck of a strong field was the landscape of Ceredigion, and the dark secrets of Aberystwyth. They also ended up smothering the plot and compensating for a drift into borderline cod. But like in Hidden, the stark survival of the Welsh working class was an ever present, if a little on the hopeless side.

Bang had all of this and more. The backdrop being Port Talbot, warts, beaches, steelworks, motorways and all. It didn't pull a single punch in the portrayal of the daily stuff of a police beat, following a spree of gun crimes in Series One and a savage killer on the loose in Series Two. But though life at times for a whole load of characters was unremittingly tough, it didn't seem as universally grim and hopeless as Hidden, or have the stolen idyll of Keeping Faith. Life is hard in this world of loan sharks, low wages, drugs, domestic violence,crime and decay. Yet for all that, there are characters who still bring warmth and joy, office banter and small tender moments of friendship and family life. Even poor old Sam Jenkins, bullied, friendless and prosecuted manages to have happiness and a sense of humour in his grasp. I say this having just wrapped up a stunning conclusion to the six part second run, which certainly didn't cue things up for happy ever afters.

There lingers too the possibility of justice not being served. It's possible that bullies, murderers and rapists might break an unwritten rule of TV drama and get away with it. Bang also has an earthier menace to it, man-made malignancy, rather than an ethereal lingering evil of the kind we saw so profoundly in Requiem, and hinted at from time to time in both Hidden and Hinterland, where there's always a hint of the weird and the eerie. Hopefully there are no spoilers here, and this is enough of a recommendation. Just watch it, absorb yourself in it and try not to have nightmares. The cast are (mostly) tight and the creator Roger Williams' script sparkles with bilingual delights. But in Catrin Stewart as Gina, and Jacob Ifan as Sam, you have two performances that would earn a BAFTA, or equivalent, in any language.

A final thought though, did nobody care what happened to creepy Russell?

I've been watching this on the iPlayer and so pleased I stumbled across it. What a gem! Emotional drama with a real sense of place. The central brother and sister story is beautifully told with a sense of how crime influences a victim's life. I love the use of two languages - makes a thrilling drama particularly unique.

Location: South Wales. Horse running on beach followed by it standing on beach munching on sand?. Does't move when truck trailer drive up. Poor start for realism.

Two detectives working together have a romantic relationship on the side. Not good policing policy, but good for viewer demographics. Even the supervisor is in a questionable relationship with a parole officer. Overall detective behavior & sleuthing skill very inept. Action consists mostly of lots of running (in dress shoes & attire coupled with poor running form) after suspects.

Formula detective series seems copied by many countries in making their own local version, i.e. The usual cheap quick scene of dead person; the usual questioning of misdirected suspects; the usual low IQ forensics; the usual interdepartmental issues. Actors seem chosen for looks & not believability.

As the Welsh government champions the revitalization of its mother tongue, the country's television industry is doing its part toward language immersion.

"Bang," premiering Monday, Oct. 15, on the streaming service Acorn TV, is the latest in a recent spate of Welsh-language thrillers, this one threaded with English and subtitles for Welsh, also called Cymraeg, for those who can't untangle its knotty cadences.

Set in the steel town of Port Talbot - the childhood home of the actors Richard Burton, Anthony Hopkins and Michael Sheen - "Bang" rises from a less bucolic Wales than shows like "Keeping Faith" and "Hidden," its moody shoreline juxtaposed against a backdrop of blast furnaces and smokestacks. And the story of "Bang" is as grimy as its setting, with a shabby menagerie of tough guys, stolen-car dealers and loan sharks shredding the local fabric while Gina (Catrin Stewart), an ambitious young police officer, tries to the return the streets to safety.

But mostly it's the story of her brother, Sam (Jacob Ifan) - a hapless warehouse grunt who, as a 5-year-old, witnessed the shooting death of their father - and the seeming invincibility ignited within him once he finds himself in possession of a gun.