Un acteur de télé has-been et sa doublure se lancent dans une odyssée pour se faire un nom dans l'industrie cinématographique lors des meurtres de Charles Manson en 1969 à Los Angeles.Un acteur de télé has-been et sa doublure se lancent dans une odyssée pour se faire un nom dans l'industrie cinématographique lors des meurtres de Charles Manson en 1969 à Los Angeles.Un acteur de télé has-been et sa doublure se lancent dans une odyssée pour se faire un nom dans l'industrie cinématographique lors des meurtres de Charles Manson en 1969 à Los Angeles.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 146 victoires et 377 nominations au total
Résumé
Reviewers say 'Once Upon a Time in Hollywood' is a nostalgic, character-driven film focusing on 1960s Hollywood. It is praised for DiCaprio and Pitt's performances, meticulous era recreation, and cinematography. However, it is criticized for pacing, lack of a cohesive plot, and long scenes. The ending receives mixed reactions, celebrated for its surprise yet criticized for feeling out of place.
Avis à la une
Before watching this film, it is CRITICAL that you have somewhat of a knowledge about Charles Manson (and Sharron Tate). If I did not have my sister next to me pointing out the small references to this serial killer's story, I would not have understood at least 80% of the movie. Understanding the significant details adds a specific intensity in every other scene, like you know something that the characters don't, and always keeps your eyes glued to the screen.
Although I can see how a few scenes were fairly slow, and the middle was not particularly engaging, Tarantino definitely had a purpose for each scene, even if I don't have all the answers. Even the smallest of details, like a gun holster of beer or the way the characters drive down the highway, reveals hidden thoughts, feelings, and backstories to the audience. If you do not catch onto these specific details, I can understand how some points seem overindulgent of "the golden age" of Hollywood. But the beautifully nostalgic filming in these moments is what makes this film not only entertaining, but a piece of art.
It's the juxtaposition of Sharron and Dalton's storyline, it's the wonder and the dimensional characters, it's the brilliant manipulation of the audience's emotions, causing you to laugh, scream, and cry (sometimes simultaneously) that makes this film utterly perfect.
The ending leaves you wondering "What if..." over and over again, questioning what reality would look like if these fictional characters of Rick Dalton and Cliff Booth actually existed. And I think that's when I realized how perfect the title was: it's a humorous, fairy-tale (although not completely violent-free) ending to the tragic fate of Hollywood in the 60s...
Although I can see how a few scenes were fairly slow, and the middle was not particularly engaging, Tarantino definitely had a purpose for each scene, even if I don't have all the answers. Even the smallest of details, like a gun holster of beer or the way the characters drive down the highway, reveals hidden thoughts, feelings, and backstories to the audience. If you do not catch onto these specific details, I can understand how some points seem overindulgent of "the golden age" of Hollywood. But the beautifully nostalgic filming in these moments is what makes this film not only entertaining, but a piece of art.
It's the juxtaposition of Sharron and Dalton's storyline, it's the wonder and the dimensional characters, it's the brilliant manipulation of the audience's emotions, causing you to laugh, scream, and cry (sometimes simultaneously) that makes this film utterly perfect.
The ending leaves you wondering "What if..." over and over again, questioning what reality would look like if these fictional characters of Rick Dalton and Cliff Booth actually existed. And I think that's when I realized how perfect the title was: it's a humorous, fairy-tale (although not completely violent-free) ending to the tragic fate of Hollywood in the 60s...
I loved both the acting and the story. Brad Pitt shows a maturity playing "The old guy", and DiCaprio is spot on as the self absorbed, insecure fading star. The ending is classic Tarentino with a twist that caught me totally by surprise. I will watch this movie again. Loved it!
Once Upon a Time in Hollywood is a film that is aesthetically appealing from start to finish. Quentin Tarantino's interpretation of 1969 Hollywood is a lush world with superb detail. This movie serves as a love letter to the place Tarantino presumably grew up with.
The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.
The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.
The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.
Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.
The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.
The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.
The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.
Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.
I don't typically leave IMDb reviews but this film deserves so much praise for its risky screenplay in such a dark true crime setting.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
Not one of Tarantino's best. But still a pretty damn good and smart movie with cool sequences, great acting and directing, music and scenes that will stay with you long after the movie and you would love to watch again.
Loved the combo Pitt-DiCaprio but loved more seeing some famous characters in this film such as Steve Mcqueen and Bruce Lee, who are absolutely hilarious in the movie!
8/10
Brad Pitt's Top 10 Biggest Box Office Hits
Brad Pitt's Top 10 Biggest Box Office Hits
Now that F1: The Movie has become Brad Pitt's biggest hit, let's take a look at his top 10 best performing movies at the worldwide box office.
Le saviez-vous
- AnecdotesThe character Flowerchild (Maya Hawke), who is shown having cold feet on going through with the murders, and who flees the scene in the 1959 Ford Galaxie, is based on Linda Kasabian, who became a witness for the prosecution in the murder trial of Tex Watson, Patricia Krenwinkel, and Susan Atkins. In real life Kasabian was ordered by Tex Watson to wait in the car, during which she heard the murders inside the Tate residence take place and witnessed the murder of Wojciech Frykowski outside the house. Kasabian claimed she wanted to drive away, but was too scared.
- GaffesWhen Sharon Tate was talking to the girl at the box office of the movie theater in Westwood, you can see the Starbucks sign for half the scene before it was covered up. Starbucks was founded in 1971.
- Citations
Jay Sebring: Is everybody okay?
Rick Dalton: Well... the fuckin' hippies aren't. That's for goddamn sure.
- Crédits fousLike Django Unchained (2012), the film opens with the late 1960's Columbia Pictures logo.
- Versions alternativesIn the teaser trailer and the next 2 theatrical trailers some shots from deleted scenes are shown.
- Cliff Booth see Charles Manson walking away from Sharon Tate's house. Both exchange looks. Charlie initially greets Cliff, later Charlie grunts at him.
- Sharon Tate dancing in a black dress in a moving stage.
- Mr. Schwarz salutes the projectionist before entering the projection room.
- Sharon Tate swimming in her pool.
- ConnexionsEdited from La Grande Évasion (1963)
- Bandes originalesThe Rocks
(from Have Gun - Will Travel (1957))
Written by Bernard Herrmann
Under license from Sony/ATV Music Publishing
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- How long is Once Upon a Time... in Hollywood?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Había una vez en Hollywood
- Lieux de tournage
- Cielo Drive & Bella Drive, Los Angeles, Californie, États-Unis(the bottom of Rick's street begins here)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 142 502 728 $US
- Week-end de sortie aux États-Unis et au Canada
- 41 082 018 $US
- 28 juil. 2019
- Montant brut mondial
- 392 105 159 $US
- Durée
- 2h 41min(161 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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