Un acteur de télé has-been et sa doublure se lancent dans une odyssée pour se faire un nom dans l'industrie cinématographique lors des meurtres de Charles Manson en 1969 à Los Angeles.Un acteur de télé has-been et sa doublure se lancent dans une odyssée pour se faire un nom dans l'industrie cinématographique lors des meurtres de Charles Manson en 1969 à Los Angeles.Un acteur de télé has-been et sa doublure se lancent dans une odyssée pour se faire un nom dans l'industrie cinématographique lors des meurtres de Charles Manson en 1969 à Los Angeles.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 146 victoires et 377 nominations au total
Résumé
Reviewers say 'Once Upon a Time in Hollywood' is a nostalgic, character-driven film focusing on 1960s Hollywood. It is praised for DiCaprio and Pitt's performances, meticulous era recreation, and cinematography. However, it is criticized for pacing, lack of a cohesive plot, and long scenes. The ending receives mixed reactions, celebrated for its surprise yet criticized for feeling out of place.
Avis à la une
Another great Tarantino film, though I do agree there are times where it feels a little indulgent and meandering. The climax of the film is fantastic though, and it does make it feel like it was all worth it for the most part. There isn't really a defined narrative, which may put some people off but Tarantino's sublime dialogue and the great performances make all of the scenes at least entertaining. It's no Pulp Fiction, but it definitely is one of the most original films I've seen in a while.
Once Upon a Time... in Hollywood is maybe proof that Quentin Tarantino ranks alongside Stanley Kubrick. Both started to make overlong movies and were lionised by critics, many who were afraid to be critical of them.
This might be Tarantino's most self indulgent film so far despite being a glorious period piece.
Set in Los Angeles 1969. The film is an alternate history as it focuses on Rick Dalton (Leonardo DiCaprio) who was once a star of the hit television show Bounty Law. Now Dalton's career is fading. He drinks too much, he does not remember his lines and his regular work is guest starring as the villain of the week.
Accompanying Dalton is his stunt double Cliff Booth (Brad Pitt) who acts as his driver and gofer. Booth is also short of work as he has a bad reputation in the stunt industry.
Living next door to Dalton in LA is actress Sharon Tate (Margot Robbie) who has just moved in with her director husband Roman Polanski. Life for her is attending parties and going to the cinema to see her latest movie.
Dalton wonders if he should take up a suggestion to go and work in Italy and make spaghetti westerns which could kick start his career. Booth gave a pretty hippy a lift to a ranch which is full of strange people belonging to a cult. Booth seemed to have rubbed them up the wrong way.
Eventually the various people cross paths in this reimagining of what might have happened on a fateful night in 1969.
There is no doubt that that DiCaprio and Pitt give their all in this film as two middle aged men fading away at an uncertain time. Tarantino seems to have given this film a conservative hue, he really dislikes the counterculture. I wonder if he is angry with the #metoo movement which destroyed his friend Harvey Weinstein and raised questions over his own conduct in the past.
Clocking in at under 3 hours this film meanders until it reaches its explosive climax. Until then you wonder what exactly is the story. The movie is a series of vignettes that hints at a director/screenwriter who is past his prime and seems to be obsessed with bare feet.
This might be Tarantino's most self indulgent film so far despite being a glorious period piece.
Set in Los Angeles 1969. The film is an alternate history as it focuses on Rick Dalton (Leonardo DiCaprio) who was once a star of the hit television show Bounty Law. Now Dalton's career is fading. He drinks too much, he does not remember his lines and his regular work is guest starring as the villain of the week.
Accompanying Dalton is his stunt double Cliff Booth (Brad Pitt) who acts as his driver and gofer. Booth is also short of work as he has a bad reputation in the stunt industry.
Living next door to Dalton in LA is actress Sharon Tate (Margot Robbie) who has just moved in with her director husband Roman Polanski. Life for her is attending parties and going to the cinema to see her latest movie.
Dalton wonders if he should take up a suggestion to go and work in Italy and make spaghetti westerns which could kick start his career. Booth gave a pretty hippy a lift to a ranch which is full of strange people belonging to a cult. Booth seemed to have rubbed them up the wrong way.
Eventually the various people cross paths in this reimagining of what might have happened on a fateful night in 1969.
There is no doubt that that DiCaprio and Pitt give their all in this film as two middle aged men fading away at an uncertain time. Tarantino seems to have given this film a conservative hue, he really dislikes the counterculture. I wonder if he is angry with the #metoo movement which destroyed his friend Harvey Weinstein and raised questions over his own conduct in the past.
Clocking in at under 3 hours this film meanders until it reaches its explosive climax. Until then you wonder what exactly is the story. The movie is a series of vignettes that hints at a director/screenwriter who is past his prime and seems to be obsessed with bare feet.
I don't typically leave IMDb reviews but this film deserves so much praise for its risky screenplay in such a dark true crime setting.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
Not one of Tarantino's best. But still a pretty damn good and smart movie with cool sequences, great acting and directing, music and scenes that will stay with you long after the movie and you would love to watch again.
Loved the combo Pitt-DiCaprio but loved more seeing some famous characters in this film such as Steve Mcqueen and Bruce Lee, who are absolutely hilarious in the movie!
8/10
It took Quentin Tarantino a lifetime of living, 5 years to write and a 2 hours 41 minutes watch. This is a love letter to a film industry that is no longer recognisable. Hippies, short skirts, westerns..... all have disappeared from our movie world. But worry not, Quentin Tarantino is here to remind us of old school film making from a once beloved industry which has been described as being on life support.
The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.
Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.
The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.
Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.
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Le saviez-vous
- AnecdotesThe character Flowerchild (Maya Hawke), who is shown having cold feet on going through with the murders, and who flees the scene in the 1959 Ford Galaxie, is based on Linda Kasabian, who became a witness for the prosecution in the murder trial of Tex Watson, Patricia Krenwinkel, and Susan Atkins. In real life Kasabian was ordered by Tex Watson to wait in the car, during which she heard the murders inside the Tate residence take place and witnessed the murder of Wojciech Frykowski outside the house. Kasabian claimed she wanted to drive away, but was too scared.
- GaffesWhen Sharon Tate was talking to the girl at the box office of the movie theater in Westwood, you can see the Starbucks sign for half the scene before it was covered up. Starbucks was founded in 1971.
- Citations
Jay Sebring: Is everybody okay?
Rick Dalton: Well... the fuckin' hippies aren't. That's for goddamn sure.
- Crédits fousLike Django Unchained (2012), the film opens with the late 1960's Columbia Pictures logo.
- Versions alternativesIn the teaser trailer and the next 2 theatrical trailers some shots from deleted scenes are shown.
- Cliff Booth see Charles Manson walking away from Sharon Tate's house. Both exchange looks. Charlie initially greets Cliff, later Charlie grunts at him.
- Sharon Tate dancing in a black dress in a moving stage.
- Mr. Schwarz salutes the projectionist before entering the projection room.
- Sharon Tate swimming in her pool.
- ConnexionsEdited from La Grande Évasion (1963)
- Bandes originalesThe Rocks
(from Have Gun - Will Travel (1957))
Written by Bernard Herrmann
Under license from Sony/ATV Music Publishing
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- How long is Once Upon a Time... in Hollywood?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Había una vez en Hollywood
- Lieux de tournage
- Cielo Drive & Bella Drive, Los Angeles, Californie, États-Unis(the bottom of Rick's street begins here)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 142 502 728 $US
- Week-end de sortie aux États-Unis et au Canada
- 41 082 018 $US
- 28 juil. 2019
- Montant brut mondial
- 392 105 159 $US
- Durée
- 2h 41min(161 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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