Une femme cherche à se venger de ceux qui ont planifié un accident d'avion qui a tué toute sa famille.Une femme cherche à se venger de ceux qui ont planifié un accident d'avion qui a tué toute sa famille.Une femme cherche à se venger de ceux qui ont planifié un accident d'avion qui a tué toute sa famille.
- Récompenses
- 2 victoires et 3 nominations au total
Avis à la une
In "The Rhythm Section", Blake Lively stars as Stephanie, a grief-stricken drug addict who discovers her family's tragic deaths were not what they seemed. She sets out to find answers and justice. It's an intriguing if familiar premise, but is it worth watching?
The Good
The film has a small cast but it's leading lady carries the load easily. Blake Lively continues her upward trajectory after strong turns in "The Shallows" (2016) and "A Simple Favor" (2018). She gives a wounded performance as Stephanie, a woman whose spirit died along with her family; a still-living victim of a tragedy. Everything from her gaze to how she carries herself screams brokenness. I also liked Jude Law as Boyd, an ex MI6 recluse. He's a hard-ass mentor figure for Stephanie as he attempts to give her skills to survive on her quest for revenge. He's like Obi-Wan Kenobi if Old Ben was a jerk. He provides a more harsh, stark view of the situation, reality-checking Stephanie again and again.
Another aspect of Stephanie I enjoyed was how inefficient she is as an assassin. After she completes her training and heads into the world to seek vengeance she proves to be rather ineffective. I thought she would finish training and immediately turn into a ruthless expert killer, but she proves to not be cut out for it. She lacks the moral numbness and skill to pull it off, which makes her more relatable. There's also a cool chase scene that's a continuous shot from within the vehicle. It's shot well and accompanied by a good score at times. I also appreciated the color pallet of the film, lots of muted, cold colors to reflect the bleak outlook of our protagonist.
The Bad
The movie has a good first act, setting up an intriguing revenge tale that fizzles out in the second. We never get to know Stephanie, she isn't given character development. She has a goal that she desperately wants to fulfill but she doesn't change as a result of achieving that goal. She's the same character by the end as she was in the beginning, only she's sober now. When a revenge film like this lacks action and style it must make up for that with character and story, and it fails on both counts. Altogether, it feels like connecting dots that never create a cohesive image.
The talented Sterling K Brown is dragged into this to give information and wear glasses. He never feels like a character, he's more of a plot device. The score is good in a few scenes, but the soundtrack is off. Thirty seconds of a Velvet Underground song here and a Brenda Lee song there for fifteen seconds. It's like hitting shuffle on a varied playlist at random times. I also wish the filmmaker leaned less on flashbacks. They could have relied on the leading lady to convey the loss she feels rather than reusing the same flashback scene over and over. The script lacks emotional depth and consists mostly of exposition being traded between characters.
The Verdict
I don't recommend seeing "The Rhythm Section". While it has a strong lead performance, the character and her story are never fleshed out, creating a rather empty experience. The film does offer a unique take on the femme fatale genre, but that's not enough to hold it up. The film is overlong and rather dull. Despite an intriguing start it never goes anywhere, and there's not much fun along the way to make up for it's lacking. It unravels into near-incoherence by the end, at which point you won't really care. You'll just wish you saw "1917" again. I wouldn't worry about seeing this one, even on Netflix.
The Good
The film has a small cast but it's leading lady carries the load easily. Blake Lively continues her upward trajectory after strong turns in "The Shallows" (2016) and "A Simple Favor" (2018). She gives a wounded performance as Stephanie, a woman whose spirit died along with her family; a still-living victim of a tragedy. Everything from her gaze to how she carries herself screams brokenness. I also liked Jude Law as Boyd, an ex MI6 recluse. He's a hard-ass mentor figure for Stephanie as he attempts to give her skills to survive on her quest for revenge. He's like Obi-Wan Kenobi if Old Ben was a jerk. He provides a more harsh, stark view of the situation, reality-checking Stephanie again and again.
Another aspect of Stephanie I enjoyed was how inefficient she is as an assassin. After she completes her training and heads into the world to seek vengeance she proves to be rather ineffective. I thought she would finish training and immediately turn into a ruthless expert killer, but she proves to not be cut out for it. She lacks the moral numbness and skill to pull it off, which makes her more relatable. There's also a cool chase scene that's a continuous shot from within the vehicle. It's shot well and accompanied by a good score at times. I also appreciated the color pallet of the film, lots of muted, cold colors to reflect the bleak outlook of our protagonist.
The Bad
The movie has a good first act, setting up an intriguing revenge tale that fizzles out in the second. We never get to know Stephanie, she isn't given character development. She has a goal that she desperately wants to fulfill but she doesn't change as a result of achieving that goal. She's the same character by the end as she was in the beginning, only she's sober now. When a revenge film like this lacks action and style it must make up for that with character and story, and it fails on both counts. Altogether, it feels like connecting dots that never create a cohesive image.
The talented Sterling K Brown is dragged into this to give information and wear glasses. He never feels like a character, he's more of a plot device. The score is good in a few scenes, but the soundtrack is off. Thirty seconds of a Velvet Underground song here and a Brenda Lee song there for fifteen seconds. It's like hitting shuffle on a varied playlist at random times. I also wish the filmmaker leaned less on flashbacks. They could have relied on the leading lady to convey the loss she feels rather than reusing the same flashback scene over and over. The script lacks emotional depth and consists mostly of exposition being traded between characters.
The Verdict
I don't recommend seeing "The Rhythm Section". While it has a strong lead performance, the character and her story are never fleshed out, creating a rather empty experience. The film does offer a unique take on the femme fatale genre, but that's not enough to hold it up. The film is overlong and rather dull. Despite an intriguing start it never goes anywhere, and there's not much fun along the way to make up for it's lacking. It unravels into near-incoherence by the end, at which point you won't really care. You'll just wish you saw "1917" again. I wouldn't worry about seeing this one, even on Netflix.
The Rhythm Section, for all intents and purposes is and functions (however poorly) as a revenge genre film. The problem with the movie lies in the fact that in spite of a meager attempt at training our would-be assassin for 8 months, she has the skills of you, the movie goer. Now imagine yourself as an international assassin. That's about how good she is. So If you think you'd enjoy seeing the beautiful Blake Lively get her ask kicked by 10 people, this is the movie for you. It's almost like reverse action. I've never quite seen anything so one-sided before, and it seriously makes me wonder why it was even made.
This is not Peppermint.
This is not Peppermint.
A very forgettable movie that had no special moments. I was expecting a lot from this film but was sadly disappointed. Story is average at best, weird character development. Extremely disappointed in this film.
Blake Lively and Jude Law did a good job with their acting but there is nothing redeeming about this dull franchise-wannabe. The only thing I learned from this mess is never to watch a film directed by Reed again because, honestly, she has no eye for it. The camera shakes so much that I wanted to throw up within ten minutes. By twenty minutes in, I had a horrendous headache.
You want to make an action film? You don't have to have shaky-shaky handheld shots. You want to create tension? You don't have to do it with pathetically lit scenes where, even in daylight sequences, you can't see the expressions of the actors and are squinting to see what is what.
Honestly, an hour in, I'd had enough. The story, whilst "okay" didn't bring anything new to the genre and certainly wasn't fresh enough to hold my attention. Had the directing been better, and the shots lit better then, I probably would have given this a 6 out of 10. But, as it stands, this is a mess.
You want to make an action film? You don't have to have shaky-shaky handheld shots. You want to create tension? You don't have to do it with pathetically lit scenes where, even in daylight sequences, you can't see the expressions of the actors and are squinting to see what is what.
Honestly, an hour in, I'd had enough. The story, whilst "okay" didn't bring anything new to the genre and certainly wasn't fresh enough to hold my attention. Had the directing been better, and the shots lit better then, I probably would have given this a 6 out of 10. But, as it stands, this is a mess.
Brilliant thriller, is dark, grim at times to begin with but the second half is a very well done thriller that travels many countries. Blake lovely shines in this one. Did the people with low ratings here even watch it till the end? Or just left it in the middle when it kind of gets slower though does not lose it's grip over the viewer. I thought it was a different thriller going by the lack of unrealistic action and stuff there is. The action amd thrills feel very realistic in this movie. Watch it till the end also for the suspense.
Le saviez-vous
- AnecdotesFilming started in November of 2017. However, due to Blake Lively's hand injury in December 2017, filming was halted in February 2018 for Lively's recovery and resumed in June 2018. The film's release date was also delayed at least twice. It was originally scheduled for a 22 February 2019 release, before being delayed 10 months, then being rescheduled again, for release on 31 January 2020.
- GaffesLively's character is supposed to be English but her accent is inconsistent throughout.
- Citations
Stephanie Patrick: You can't have sex with me.
Proctor: That's a relief.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: The Rhythm Section (2020)
- Bandes originalesDream a Little Dream of Me
Written by Wilbur Schwandt, Fabian Andre, Gus Kahn
Performed by The Mamas and the Papas
Published by TRO-Words & Music, Inc./Warner Chappell, Inc.
Administered by EMI Music Publishing Ltd
Courtesy of Geffen Records
Under licence from Universal Music Operations Ltd
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Rhythm Section
- Lieux de tournage
- Dublin, Irlande(setting: London)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 437 971 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 715 384 $US
- 2 févr. 2020
- Montant brut mondial
- 5 989 583 $US
- Durée
- 1h 49min(109 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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