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Ozen

  • 2018
  • 1h 48min
NOTE IMDb
6,6/10
360
MA NOTE
Zhalgas Klanov in Ozen (2018)
Drama

Ajouter une intrigue dans votre langueA portrait of five brothers living on a farm on the Kazakh plains, where the sudden intrusion of the modern world brings corruption, temptation and deceit.A portrait of five brothers living on a farm on the Kazakh plains, where the sudden intrusion of the modern world brings corruption, temptation and deceit.A portrait of five brothers living on a farm on the Kazakh plains, where the sudden intrusion of the modern world brings corruption, temptation and deceit.

  • Réalisation
    • Emir Baigazin
  • Scénario
    • Emir Baigazin
  • Casting principal
    • Zhalgas Klanov
    • Zhasulan Userbayev
    • Ruslan Userbayev
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    360
    MA NOTE
    • Réalisation
      • Emir Baigazin
    • Scénario
      • Emir Baigazin
    • Casting principal
      • Zhalgas Klanov
      • Zhasulan Userbayev
      • Ruslan Userbayev
    • 4avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 9 nominations au total

    Photos1

    Voir l'affiche

    Rôles principaux8

    Modifier
    Zhalgas Klanov
    • Aslan
    Zhasulan Userbayev
    • Yerlan
    Ruslan Userbayev
    • Tourlan
    Bagdaulet Sagindikov
    • Mourat
    Sultanali Zhaksybek
    • Kenjeh
    Kuandyk Kystykbayev
    • Father
    Aida Iliyaskyzy
    • Mother
    Eric Tazabekov
    • Kanat
    • Réalisation
      • Emir Baigazin
    • Scénario
      • Emir Baigazin
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs4

    6,6360
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    Avis à la une

    8JvH48

    Slowly paced but steadily developing story. Remote farm with father/mother/five sons. A suddenly arriving outsider with modern gadgets disturbes the balance of power

    Saw this at the Rotterdam film festival 2019. The screenplay shows very good dramatic developments, slowly paced but not too slow to be bored stiff. The calm proceedings perfectly match the situation at hand, where nothing much happens within the mini-world with only father, mother and five sons. In this world, one does what is necessary to sustain family life and the living stock on the farm, following the rhythms of day/night and the seasons.

    The relationship between the five brothers starts clear cut: oldest brother Aslan runs the farm, and his brothers are assumed to help him with the variety of daily chores (and to rest only on Sundays). The father is away most of the time to sell their products, and we don't see him much. Only once we hear (not see) him disciplining one of the younger brothers, not sure what he did wrong to deserve this, but the father makes clear that Aslan better had done this before him, in his place so to say, acting as his deputy to maintain order and discipline around the house.

    The power balance is disturbed when outsider Kanat arrives with modern gadgets, such as a tablet and computer games, thereby showing a very different life style, without any interest in the farm and its live stock. It is natural that the brothers are circling around him and severely derelict their farm related duties. This poses a dilemma for Aslan, requiring action. It changes the course of the story when he reveals some secrets of which the younger brothers thought no one knew about it. On the other hand, the younger brothers also know secrets about Aslan. Once lots of mutually known secrets are revealed, a new power balance arises, and it is sealed by promising to keep it all under the hood and not tell their father.

    Eventually it creates a fresh relationship between the brothers, now more based on equality. They even cooperate without much ado in helping each other with the daily chores, even working harder than ever before. And, as a result, the initial attraction of Kanat and his gadgets seems to lessen. The father, unknowing of the cause of the better atmosphere, praises Aslan for his leadership.

    When suddenly Kanat disappears, we viewers as well as nearly all brothers (except the youngest) do all what is necessary to hide the truth about Kanat's disappearance, whatever that truth may be. Of course, the brothers have their suspicions what has happened. Just like we are led to believe that Aslan has some hand in the disappearance. We see the brothers jointly burning Kanats clothes, which confirms our suspicions even more. Eventually, a surprise for me as for all brothers, the actual truth proves very different from what they (and we) assumed.

    All in all, the interactions between the family members are very well portrayed. Normally we would call it a character study, but it is done too subtly for that. Steady developments, albeit served in a very calm tempo, keep us awake all the time. I can imagine that the settings and the synopsis will not attract the crowds, but I consider that to be their fault.
    2cocha

    Pretentious and banal.

    It looks even like a parody to all the art house films.
    7hjjh-00718

    Slow-Burning and Emotionally Complex

    Emir Baigazin's "The River" (2018) is a slow-burning and emotionally charged film that may test your patience initially. However, as the narrative unfolds, it offers a rewarding exploration of complex emotions experienced by young boys. The deliberate pacing allows for a deeper understanding of the characters and their struggles. Set against the breathtaking Kazakh landscape, the film's cinematography complements its contemplative tone. The cast delivers compelling and authentic performances, contributing to the film's realism. While the slow pace may not appeal to everyone, "The River" remains a thought-provoking and evocative cinematic experience, delving into the fragile world of adolescence and leaving a lasting impact.
    10fellowcreator

    TREMENDOUS BEAUTY

    An exquisite beauty. An incredible final instalment to Emir's trilogy! Bravo!

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      The boys underwent three months of swimming lessons prior to filming.

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    Détails

    Modifier
    • Date de sortie
      • 12 mai 2019 (Portugal)
    • Pays d’origine
      • Kazakhstan
      • Pologne
      • Norvège
    • Langues
      • Kazakh
      • Russe
    • Aussi connu sous le nom de
      • The River
    • Lieux de tournage
      • Kazakhstan
    • Sociétés de production
      • Emir Baigazin Production
      • Kazakhfilm Studios
      • Madants
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 748 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 48 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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    Zhalgas Klanov in Ozen (2018)
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