Tom Hardy revient sur grand écran en tant que protecteur mortel Venom, l'un des personnages les plus grands et les plus complexes de Marvel.Tom Hardy revient sur grand écran en tant que protecteur mortel Venom, l'un des personnages les plus grands et les plus complexes de Marvel.Tom Hardy revient sur grand écran en tant que protecteur mortel Venom, l'un des personnages les plus grands et les plus complexes de Marvel.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 6 nominations au total
Résumé
Reviewers say 'Venom: Let There Be Carnage' offers humor and strong performances, especially from Tom Hardy, with impressive visual effects and action sequences. However, criticisms include a weak script, lack of depth, and inconsistent tone. The film's reliance on humor and underdeveloped villains are noted, alongside the PG-13 rating limiting darker themes. Despite flaws, the mid-credits scene is appreciated for future potential.
Avis à la une
Much like the protagonist in Venom: Let There Be Carnage, I feel like there were two different screenwriters battling about what this movie should be, and they didn't really communicate with each other. This sequel is a loud and frantic mess, where superpowers can do whatever the plot demands, characters don't care about consistency, and the same jokes are repeated a dozen times. If you liked the first Venom movie, you'll probably like this one. I didn't, so I don't.
Venom: Let There Be Carnage is a one trick pony that doesn't land its trick. The entire movie is filler stalling for its final battle, yet that showdown is disappointing. Yes, it is between two marketable comic book characters, but that's all it provides. The villain is underdeveloped and uninteresting, the imagery is sloppy and cluttered, and the choreography is nonsensical. Because there is no coherent style or vision, the sequence ends up being a big, ugly mess. Normally, the details of an action sequence wouldn't be so significant, but that's all this film invests in.
Everything about the story is rushed, repetitive, and uninspired. There are no intimate moments to allow things sink in because the script lacks substance worth meditating on. The humor is okay at times, Tom Hardy is talented enough to have chemistry with himself, and effort went into the CGI (though it was overused). However, besides that, this production is pointless. Even the violence is unsatisfyingly suppressed for that PG-13 rating. Undoubtedly, some fanboys will be content with a mediocre fight between two characters they recognize, but as a film, Venom: Let There Be Carnage is a noisy pile of nothing.
Writing: 2/10 Direction: 2/10 Cinematography: 2/10 Acting: 7/10 Editing: 4/10 Sound: 7/10 Score/Soundtrack: 5/10 Production Design: 3/10 Casting: 7/10 Effects: 6/10
Overall Score: 4.5/10.
Everything about the story is rushed, repetitive, and uninspired. There are no intimate moments to allow things sink in because the script lacks substance worth meditating on. The humor is okay at times, Tom Hardy is talented enough to have chemistry with himself, and effort went into the CGI (though it was overused). However, besides that, this production is pointless. Even the violence is unsatisfyingly suppressed for that PG-13 rating. Undoubtedly, some fanboys will be content with a mediocre fight between two characters they recognize, but as a film, Venom: Let There Be Carnage is a noisy pile of nothing.
Writing: 2/10 Direction: 2/10 Cinematography: 2/10 Acting: 7/10 Editing: 4/10 Sound: 7/10 Score/Soundtrack: 5/10 Production Design: 3/10 Casting: 7/10 Effects: 6/10
Overall Score: 4.5/10.
Marvel and DC these days remind me of those big players of the worldwide cheeseburger "distribution network" - the products always taste the same, because the ingredients are always accurately of the same nature and made the same way. Always. The same applies these days to those entertainment companies - you already know what to expect if a new show or movie leaves the factories of those big players of genetic movie engineering. Venom: Let There Be Carnage is not a candidate for the worst movie categories nor a total bore or fail, it is just a part of that endless and constant stream of "entertainment" these factories produce: easy to consume, easy to forget. Long gone are the times when I heard people talking about a new movie or show of those "big" players. Disappointed? No, it's just business as usual.
The Good:
The Bad:
The film is a complete character assassination of a beloved character that might ruin Venom forever. (I hope not tho... I grew up with the comics and love the character.)
I really don't understand how this movie even got made in the first place.
Like... Did you ever want to see Venom in a disco... Making a speech about equality... Dropping a mic at the end? This is not Venom - This is a complete joke!
- Nice CGI
The Bad:
- Immense cringe factor
- Terrible story with unclear character motivations
- Complete Overacting
- Full of cliches
- 80% of the jokes don't land
The film is a complete character assassination of a beloved character that might ruin Venom forever. (I hope not tho... I grew up with the comics and love the character.)
I really don't understand how this movie even got made in the first place.
Like... Did you ever want to see Venom in a disco... Making a speech about equality... Dropping a mic at the end? This is not Venom - This is a complete joke!
I am not gonna write a long review, but hands down, best venom from all his appearances in movies and tv. I was begging for another hour when it was over. I loved it.
Le saviez-vous
- Anecdotes(at around 1h 6 mins) While Eddie is holed up at Coit Tower trying to find Cletus, several helicopters pass by looking for Venom and Carnage. This was actually not planned; the helicopters flying by were actually part of the shoot for Matrix Resurrections (2021), which was filming in the same part of San Francisco as Let There Be Carnage during their shoots. Instead of waiting for a clearer shot, Andy Serkis thought it would make sense for helicopters to be roving around during the scene and left it, adding additional dialogue by Tom Hardy in ADR afterward to mention them.
- Gaffes(at around 53 mins) When Shriek is reversing the mustang she reaches into the center to pull the emergency brake, but in the 1966 Mustang the emergency brake is a handle on the left side of the driver.
- Citations
[from trailer; Venom controls Eddie's arm to slap Dan]
Eddie Brock: Oh! I am so sorry!
Venom: NOT sorry!
- Crédits fousSPOILER: There is a scene in the closing credits: Venom and Brock are transported to the Marvel Cinematic Universe, and Venom sees J. Jonah Jameson's expose of Peter Parker, from Spider-Man: Far from Home (2019), on TV.
- Versions alternativesA deleted scene set shortly after Kasady escapes death by lethal injection and frees Shriek with the help of the Carnage symbiote. Here we get a better idea of the symbiote's plans for the world, as he wants to use his new allies to wipe out humanity and replace them with a new race of human/symbiote hybrids.
- ConnexionsEdited from Spider-Man: Far from Home (2019)
- Bandes originalesHowlin' for You
Written by Dan Auerbach and Patrick J. Carney (as Patrick Carney)
Performed by The Black Keys
Courtesy of Nonesuch Records
By arrangement with Warner Music Group Film & TV Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Venom: Carnage liberado
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 213 550 366 $US
- Week-end de sortie aux États-Unis et au Canada
- 90 033 210 $US
- 3 oct. 2021
- Montant brut mondial
- 506 813 864 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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