Un peuple et son roi

Historical film dealing with notorious events of French Revolution from Bastilla assault 1789 to king death : 1793 King Luis Capeto execution. These happenings full of tumults that shaked France brought the end of the ancient society or Ancien Régime and the birth of democracy and a regime of freedom and human rights . Including creation of the newly established Assemblée National, massacre at the camp of Mars , the National Convention 1792 , detention king in Varennes , his confinement in Palace of Tullerias and his subsequent execution at the Concorde Square , Paris . From now on , 1793 , the Terror begins in France, Georges Danton, a champion-of-the-people and founder of Cordeliers club , returns to clash against Maximilien Robespierre and his extremist party . The Committee for Public Safety, under Robespierre's incitement, has begun a series of massive executions, The Terror.

A historical film reenacting the first and main years of the tumultuous French Revolution that caused thousands of deaths . The picture especially narrates the happenings surrounding the revolutionary people , and about King Louis XIV, as his posterior fall , as his subsequent execution . Interweaving historical facts and appearance of notorious characters with the anonymous people who participated in the revolution such as Gaspard Ulliel as Basile, Adele Haenel as Francoise and Olivier Gourmet as the Uncle. Here shows up various known roles, usually speeching at the National Assembly and Convention such as Saint Just, Desmoulins , Robespierre well played by Louis Garrel, Marat finely performed by Denis Lavant and, of course, Louis XVI magnificently acted by Laurent Lafiitte who gives the best scenes about to be executed at the gallows. And even other French kings as Louis XI, Henry IV, Louis XIV King Sun , all of them appearing while Louis XVI is dreaming and reckoning with him due to his negligency for the violent revolution.

It displays a colorful and evocative cinematography by Julien Hirsch. As well as sensitive and atmopheric musical score by Philippe Schoeller. The motion picture lavishly produced , approx. 17 million Euros, being professionally directed Pierre Scholler. Pierre is a good writer and filmmaker who has written and directed a few but decent films as Versalles, Les anonymes, The Minister and this Un peuple et son roi or world wide title : One nation, one king. Rating 6/10. The picture will appeal to history buffs and French Cinema lovers.

An excellent film about the French Revolution which is addressed to connoisseurs of this historical period without the slightest didactic pretention. Very good actors (Denis Lavant plays a more than convincing Marat and Olivier Gourmet is masterful). One deplores however the presence of Izïa Higelin (probably parachuted thanks to the name of her father) whose acting is painful and lowers the general level until the saving disappearance of her character. The scenes that take place in the assembly are perfectly documented. I would advise to read a good book on the subject before watching this film for those who do not know this historical period well, because they might lose the thread soon enough.

A rather good but a little flat historical and semi documentary drama about the French Revolution and the trial of king Louis the XVI. Then his death by guillotine. You have no really leads here, but a bunch of characters, some inspired by the actual ones. Good cacting, directing and also editing. This film is a little too short for such a topic. Mabe it would have been wiser to put more power, more energy in the characterization, more strength in the story telling. But that's my own opinion. Good guillotine scene, maybe the best ever on a screen.

It has some good ingredients. Francoise and the Uncle are well-played and the centrality of the women and their dynamism is exciting. However, it never develops into a story. It is a montage of names and impressions. The scenes in the parliament are the least interesting. Where was the fear and tension these huge events must have generated? Yes, there are some shouts from the gallery, and a couple of representatives try to inject some emotion into proceedings but it all feels confected.

I'm curious about the dark powder that Francoise was using to wash (?) her hair with in the closing scenes. Does anyone know about this powder and this practice? Maybe it was equivalent to the dry shampoo used today to absorb oil?

An inspired perspective about French Revolution. Beautiful cinematography. Admirable performances. And the sparkles of the change in realistic manner exposed. It is easy to critic it but it is not Danton , not the expected fresco , only a courageous exercise of reflection of small histories and their clash against National Ansembly. It is the film of memorable scenes. And that does it more than interesting, maybe useful for feel old events - fundamental bricks of the our present reality.