Ajouter une intrigue dans votre langueStranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.Stranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.Stranded in an Arctic mine, two lone survivors are forced to fight for their lives, evading and hiding from a new kind of terror.
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Zygote has definitely been my favorite narrative Oats short so far. With the previous shorts "Rakka" and "Firebase", a lot of the story was told through expository narration and flashbacks, which still worked because of how it built the world, but made them seem less like a traditional short. With Zygote however, the story felt much more natural, with much of the backstory and worldbuilding coming through dialogue and mise en scene.
In Zygote, Jose Pablo Cantillo and Dakota Fanning play the two remaining survivors of a mineral mining facility somewhere in the north. Genetic experimentation by one of the occupants has created an abomination made from parts of other living things. Cantillo and Fanning must make a last stand against the monstrosity to ensure the crew's sacrifice was not in vain.
The terror of this short is palpable, and showcases Neill's range as a director. Scenes of the wailing, undulating Zygote stalking down dark corridors are sure to stick with you. Jose Pablo Cantillo and Dakota Fanning were brilliant in their roles, clearly conveying the fear of being trapped inside with the monster, as well as the simultaneous courage to stand off with it.
If I had any criticisms, I would say that some of Jose's dialogue sounded a little fast or whispered, making it hard to hear, but it didn't detract from his overall performance. As for the Zygote itself, while the creature was terrifying, (maybe giving the Thing a run for its money!) I think it could have benefited from a wider range of vocal sounds, and was more scary when obscured by dark lighting, thus giving it a sense of mystery.
All in all, wonderful work from the Oats team! I'll be looking forward to Volume 2!
And let me be the first to say wow! "Zygote" turned out to be a rather entertaining and thrilling short film. I must admit that writers Thomas Sweterlitsch, Terri Tatchell and writer/director Neill Blomkamp had put together something quite good.
Sure, this was blatantly an imitation of "The Thing", but that hardly mattered, because "Zygote" in your face from the very beginning. There wasn't any tallying about.
And with a cast that included just two people, Jose Pablo Cantillo and Dakota Fanning, then there was a certain amount of pressure riding on the two performers. It should be said that they did perform quite well and carried the movie phenomenally. It was a rather nice surprise to see Dakota Fanning in a movie such as this.
The creature was rather interesting and it definitely came off as being realistic given the impressive CGI used. So thumbs up for the CGI and special effects department on their accomplishment here.
It would be great to see "Zygote" as a full length feature film, although I can't really see what it would bring to the genre that hasn't already been done and seen in movies such as "The Thing". But still, with the entertainment level that they managed to pull off with just 20 minutes, then it would be fun to watch a full length movie with this stuff.
"Zygote" is definitely well worth the time and effort if you enjoyed "The Thing". I am rating "Zygote" 7 out of 10 stars.
Let me explain why.
George Miller, master storyteller and director of the Mad Max films, has said that audiences have learned how to "speed read" films, citing the number of cuts between the earlier Mad Max movies and the latest, Fury Road: Wikipedia claims that Fury Road contains 2,700 cuts while The Road Warrior had only 1,200.
I bring this up because Zygote offers us the very same setup as films like Alien, Aliens, John Carpenter's The Thing, Event Horizon, and even Life, of this year: Zygote is set in a derelict and remote station featuring workers being stalked by a horrible creature. Zygote is superior to Life only because it is much more condensed. I'm judging Zygote by Life because they came out the same year and Life has failed to evolve.
No, I'm not giving preference to Zygote over Life just because Zygote is shorter-- Zygote is condensed. As the Mad Max movies have evolved to suit the abilities of "speed reading" audiences, Zygote offers us everything Alien, Life, and The Thing offers without dragging out the entire show.
The "trapped in space with a horrible monster" genre has been done to death. Zygote wisely gives us all of the feelings of isolation, fear, claustrophobia, and wonder that the genre offers us in just over 20 minutes. "Life" was overlong rehash of a film we've seen more than a dozen times now. Perhaps Zygote-- or rather, its format-- is the evolution of the genre.
A criticism: the opening exposition is weak, just the male lead talking and explaining the setup. And he speaks in such a gravelly-growly "please take me seriously, I'm a hardened veteran, no really" kind of way I wished there was an option for subtitles.
In any case, props to the FX department of Zygote-- they did a wonder creating their monster. Now THERE is a scary creature I'd rate in the same category of creepy-cool as Alien's xenomorph. Not Life's "Calvin..." that thing looked like a lizard with a four feelers.
Le saviez-vous
- AnecdotesFilmed at the Diefenbunker, a decommissioned Cold War era nuclear fallout shelter of the Canadian government - now the Canadian Cold War museum. La Somme de toutes les peurs (2002) among other movies have used the location in the past.
- GaffesWhen Quinn presses the button to open the gate to the outside, the supposedly 'concrete' wall flexes under the pressure. (@ 7:24)
- Citations
Quinn: Synthetics must be used as mining labour. Protocol 7, statute 9. But do you know how much true synthetics cost? The overhead involved? Synthetics... They cost more than orphans. We purchased you from the Strata Group. The company bought you when you were two weeks old. You're a fucking human, Barklay. That barcode we put on you was to fool the OSHA inspectors. We bought a couple of synths just to fool them. You're Canary class, right? What's their job? Your job is to crawl down in the mineshafts, deep down into the asteroids. Your job is to die if you walk into a pocket of poison gas, right? Now, do you think a synthetic would get sick like that? Here, take the gun. Take it. You're going to get out. You're going to tell everyone about this place. About you, about who you are. About the quartz, how it flashes. You tell them.
- ConnexionsEdited into Oats Studios: Zygote (2017)
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Détails
- Durée23 minutes
- Couleur
- Rapport de forme
- 1.78 : 1