L'Homme qui a tué Hitler et puis le Bigfoot

...and end up watching this pretty slow paced drama about a extraordinary man living an extraordinary life.

Sam Elliott is as good as he's always been, leading almost by himself this film, that's has quite the Forrest Gump feel to it. More than a movie, it is a tale.

Pretty classic in its narration and image, "The Man That Killed Hitler and Then Bigfoot" surprises by the atmosphere it gives, the sadness of its character and the world he lives in.

A good film.

When you see the title of the movie you think, what the hell is that going to be?, or that can't be a good movie with a title like that. But the truth is that it isn't a bad movie at all. I'm just not a big fan of movies that goes back and forth all the time. I just find that confusing and confusion is the last thing I need when I want to relax and enjoy a movie. So for me that would be the only negative thing to write about The Man Who Killed Hitler And Then The Bigfoot. For the rest it's an entertaining story with a Sam Elliott as we know him, an old grumpy bad boy with a cheeky smile every now and then. The filming is good, you never get bored either, so worth a watch to me.

In Empire Strikes Back, Luke is about to enter a cave, he asks Yoda what is in there. The answer, "Only what you bring with you." This is really at the heart of The Man Who Killed Hitler and Then The Bigfoot. The tale follows Calvin Barr, played in youth by Aiden Turner and in age by Sam Elliott, both of whom give outstanding performances. As a young man he is tasked with hunting down and killing Hitler, as an old man he's drawn into hunting down and killing The Bigfoot. But is that really what this film is about? I saw it as an allegory on aging, vulnerability and Alzheimer's but reading other reviews it clearly means different things to different people. From an allegory on America's fight against Fascism and then Communism, through a man rewriting his past, a weak man trying to give the mistakes in his life meaning, to a story about a man who genuinely killed Hitler and then Bigfoot. There are many other reviews that offer different readings on this film. This movie seems to hold up a mirror to the audience and you put your own meaning on it. What isn't up for debate are the fantastic performances of the cast, from Elliott and Turner, through to Larry Miller as Calvin's brother and Caitlin Fitzgerald as Maxine, Calvin's lost love. It's a mesmerising film and you'll debate what it's trying to say for a long time afterwards. It's definitely worth a viewing or two.

It has taken me a long time to decide how I feel about this flawed but fascinating movie. On the one hand, kudos to everyone involved for committing to a quirky heartfelt, genre-defying labour of love. On the other, there are swathes of one-star reviews on Amazon from people who feel short-changed and I've some sympathy with them. But not much. Perhaps the title wrong-footed them, but some of them seem to have missed the point entirely. Where to start? Spoilers are almost not a problem, because it does exactly what it says on the tin. The man, Calvin Barr (Sam Elliott) kills Hitler and then the Bigfoot. What is more interesting is what falls into the gaps in between. This is a slow-burning movie about regret and loss, as Elliott's character reflects on the killing of a monster and the realisation that while he can kill the man he can never destroy his poisonous ideology. The sacrifice he made to do so, in losing his young love, is something he must now feel was hardly worth it, with the far right on the march in the States and the erosion of common decency, which Sam Elliott so perfectly embodies. The scenes with the younger version of his character, played by Poldark's Aidan Turner (who more than passes for a young Sam Elliott) are among the most striking and poignant in the film. You almost wish director Robert Krzykowski had left it there. The later Bigfoot scenes seem clumsy and pointless, unless you buy into the symbolism. There's plenty of it and it always leaves you wondering. Better take it as the story of an old man wrestling with his demons, rather than a literal scrap with an actual monster. Special effects on this are almost comically bad, but deliberately so, as if the story's interests lie elsewhere and doesn't want us too caught up in the drama. The performances are universally great. Ironic that Elliott was Oscar-nominated for A Star is Born the same year, while this little gem of a performance slipped under the radar. Caitlin FitzGerald does her best with an under-written female lead, while Aidan Turner (scarily sexy in an S.S. uniform) shines as the diffident young man who killed Hitler. Ambition is no bad quality in a director and this is Robert Krzykowski's debut feature. You can't help but feel his reach may have exceeded his grasp on this. By all means watch and be bemused, or moved. But in either case, learn to pronounce Krzykowski, because this is a name to watch.

Great first half, even if it does bounce around a lot between timelines, though unfortunately that becomes a little tiresome the more the film goes on. Sam Elliott is fantastic, and he is truly the perfect actor for this role; I award this a 6.5/10 solely based on his performance, in a film that isn't quite sure what it is supposed to be, though ends up being more of a drama about a tired old man than anything else.