- Récompensé par 11 Primetime Emmys
- 55 victoires et 74 nominations au total
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Résumé
Reviewers say 'Watchmen' is a complex, ambitious series that delves into race, politics, and power, continuing the graphic novel's legacy. Praised for intricate storytelling, strong performances, and bold issue exploration, it faces criticism for deviating from the source material and political undertones. Cinematography, character development, and graphic novel integration are lauded, yet some find it confusing and inconsistent. Overall, 'Watchmen' is a divisive, compelling addition sparking debate among fans and critics.
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The series brilliantly creates a world similar to ours but with a unique parallel history in which events happened but with different starts or ends. In modern times, the cops takes white supremacists way more seriously than they do in our reality, which is why people are screaming about "wokeness." But it's far more complicated than that, because its masked cops ignore civil rights and can be fairly lawless, which - guess what?! - is not what we social justice types are after.
The complex morality is echoed in the complex plotting, with a bunch of dark characters in a very strange, dark, violent world and a story arc chockfull of mysteries.
The cast is first rate, most notably Jeremy Irons as a peculiar aristocrat and the phenomenal Regina King as the ultimate ass-kicker.
As for its relation to the graphic novel and movie, I read/watched them but it was years ago and honestly I don't remember much of anything about either one except they were both quite good. I may like this series better than either so far (based on the first 5 episodes), but I couldn't even hazard an opinion on the debate as to whether it is to the source material. As an entity of its own though, it is absolutely brilliant, and I highly recommend it.
The complex morality is echoed in the complex plotting, with a bunch of dark characters in a very strange, dark, violent world and a story arc chockfull of mysteries.
The cast is first rate, most notably Jeremy Irons as a peculiar aristocrat and the phenomenal Regina King as the ultimate ass-kicker.
As for its relation to the graphic novel and movie, I read/watched them but it was years ago and honestly I don't remember much of anything about either one except they were both quite good. I may like this series better than either so far (based on the first 5 episodes), but I couldn't even hazard an opinion on the debate as to whether it is to the source material. As an entity of its own though, it is absolutely brilliant, and I highly recommend it.
My brother and I finally got around to watching Watchmen and it really is every bit as good as the reviews say it is. It addresses several tough topics and does so in such a gripping way that you can't stop watching. It also stays true to the original source material as good as any show based off a comic has. It's just a dark, gritty superhero show. The writing and acting are what makes this show so special. There's a reason this show won so many awards and that's because it deserved it. The only negative thing about this show is that it was only a limited series because this is a show that could've been great for several seasons.
For the folks out there calling this show "Woke" you actually might be a racist. This show is not "Woke"... Charlies Angels was Woke. Dark Fate was Woke... Watchmen is just great storytelling with a diverse cast and poignant, rarely discussed historical topics.
Seriously, did anyone at any point during high school and college ever once bring up Tulsa 1921? No? Yea me neither.
This show isn't preaching at us and I really appreciate. For the first time in what feels like an eternity there is a strong female lead who is believable and doesn't need to tell us she's a strong female lead. She isn't some stupid Fing supermodel who looks cute holding a gun trying to make us believe her 105lb a$$ can beat up a grown man. THAT folks is woke horsesh**.
I haven't seen this many African American actors on one show/film this mainstream since Black Panther. I love it.
Regina King is truly fantastic and I'm so happy shes the face of something so mainstream.
I'm only a few episodes in but im hooked... all I ask is please Damon Lindelof... don't "Lost" us here.
Seriously, did anyone at any point during high school and college ever once bring up Tulsa 1921? No? Yea me neither.
This show isn't preaching at us and I really appreciate. For the first time in what feels like an eternity there is a strong female lead who is believable and doesn't need to tell us she's a strong female lead. She isn't some stupid Fing supermodel who looks cute holding a gun trying to make us believe her 105lb a$$ can beat up a grown man. THAT folks is woke horsesh**.
I haven't seen this many African American actors on one show/film this mainstream since Black Panther. I love it.
Regina King is truly fantastic and I'm so happy shes the face of something so mainstream.
I'm only a few episodes in but im hooked... all I ask is please Damon Lindelof... don't "Lost" us here.
The source material is a masterpiece, bold, uncompromising, subtle, witty, imaginative with very unique characters and an immersive world. Albeit one that is near-unfilmable, with the themes, the huge amount of content and the amount of depth needed. Also really liked the 2009 film version, flaws and all, by far Zack Snyder's best film and the only one to be close to being very good. So expectations were high for 2019's 'Watchmen', which is more a continuation set in an alternate universe than a direct adaptation.
'Watchmen' is well worth watching. It is not for everybody and it needed to get going quicker than it did and have a stronger finish for me to call it a masterpiece. There are though so many brilliant things, so in general to me the critical acclaim 'Watchmen' got is very much deserved. Even if the show didn't do much for me it would have been given at least a 4/10, and it doesn't deserve the extreme and very over the top negativity it got from the first episode alone from those that missed the point of what the show was trying to do. It goes very well with the film, as long as it's judged on its own terms (actually like them very much equally in their own way), and at its best it is as great as prime-'Lost' (that Damon Lindelof was also responsible for) and prime-'Game of Thrones', HBO's crowning jewel. The lesser episodes also to me still managed to be a lot better than the whole of the last season of 'Game of Thrones' and quite a lot better than lesser episodes of most shows (am including 'Lost' here too).
Is it perfect? As said, no. The first two episodes "It's Summer and We're Running Out of Ice" and "Martial Feats of Comanche Horsemanship" see 'Watchmen' at its weakest. While they are stylish, well-acted, intriguing and do a great job with its world-building and immersing one into those worlds, they are also quite slow-going and not always easy to follow. So yeah, the show was a bit of a slow-starter.
Although very entertaining and intriguing (with some of the show's most memorable moments), the Adrian Veidt/Ozymandias storyline at first was too much of a disconnect with everything else and his role only start to get clearer in the twist (which was basically confirmation of what the viewer was speculating all along, and this was even before the show aired) in "She Was Killed By Space Junk".
Despite actually liking "See How They Fly" on the whole, to me it did end on an anti-climactic note that is crying out for a second season (have actually heard and seen varying accounts as to whether there is going to be one) and the episode was on the over-stuffed side at times.
However, so much is done right. 'Watchmen' looks fantastic for a start. Incredibly stylish and atmospheric, almost cinematic quality. Really loved the interiors and exteriors of Veidt's castle. Trent Reznor and Atticus Ross provide another winner of a music score, being someone that loves their score for 'Gone Girl', very haunting and adds to the unsettlement complete with clever use of sound. There is some inspired use of pre-existing music, and none of the choices and placements are questionable. No awkward use of Leonard Cohen here like there was in the film.
Every one of the nine episodes were clearly produced and directed with a lot of passion, especially evident in "This Extraordinary Being" and "A God Walks Into Abar" (containing some of the best television in recent years). This was clearly done by people that had clear love for the source material. The writing is throughout witty and thought-provoking, with a fair share of grit as well. Complete with some great references and inside jokes that are both knowing and affectionate. One of the funniest and strangest moments of the show being Veidt's trial. Once 'Watchmen' got going, the storytelling was very compelling, even if it was not a direct adaptation of the source material it always captures the spirit of it, more so than the film perhaps.
It is very bold and uncompromising in tone throughout, as ought, the themes in the source material carry over and are expanded upon. As well as done in a way that's relevant today and done with a lot of force in a way not for the easily-sensitive, which has been the source of the show's divisiveness here and online. Found the characters fascinating, the development of Looking Glass in "Little Fear of Lightning" being one of the most striking examples. All the performances are on point. Regina King is a commanding lead and Jean Smart is every bit her equal. Tim Blake Nelson kills it as Looking Glass, his performance in "Little Fear of Lightning" is a tour de force, and Jeremy Irons is a big improvement over Matthew Goode in the film (far more of a charismatic presence, a lot more enigmatic and energetic and he actually looked as if he was having fun).
Overall, very very good and nearly great, started off uneven for a few episodes but it became pretty much superb after that so well worth sticking with. 8/10
'Watchmen' is well worth watching. It is not for everybody and it needed to get going quicker than it did and have a stronger finish for me to call it a masterpiece. There are though so many brilliant things, so in general to me the critical acclaim 'Watchmen' got is very much deserved. Even if the show didn't do much for me it would have been given at least a 4/10, and it doesn't deserve the extreme and very over the top negativity it got from the first episode alone from those that missed the point of what the show was trying to do. It goes very well with the film, as long as it's judged on its own terms (actually like them very much equally in their own way), and at its best it is as great as prime-'Lost' (that Damon Lindelof was also responsible for) and prime-'Game of Thrones', HBO's crowning jewel. The lesser episodes also to me still managed to be a lot better than the whole of the last season of 'Game of Thrones' and quite a lot better than lesser episodes of most shows (am including 'Lost' here too).
Is it perfect? As said, no. The first two episodes "It's Summer and We're Running Out of Ice" and "Martial Feats of Comanche Horsemanship" see 'Watchmen' at its weakest. While they are stylish, well-acted, intriguing and do a great job with its world-building and immersing one into those worlds, they are also quite slow-going and not always easy to follow. So yeah, the show was a bit of a slow-starter.
Although very entertaining and intriguing (with some of the show's most memorable moments), the Adrian Veidt/Ozymandias storyline at first was too much of a disconnect with everything else and his role only start to get clearer in the twist (which was basically confirmation of what the viewer was speculating all along, and this was even before the show aired) in "She Was Killed By Space Junk".
Despite actually liking "See How They Fly" on the whole, to me it did end on an anti-climactic note that is crying out for a second season (have actually heard and seen varying accounts as to whether there is going to be one) and the episode was on the over-stuffed side at times.
However, so much is done right. 'Watchmen' looks fantastic for a start. Incredibly stylish and atmospheric, almost cinematic quality. Really loved the interiors and exteriors of Veidt's castle. Trent Reznor and Atticus Ross provide another winner of a music score, being someone that loves their score for 'Gone Girl', very haunting and adds to the unsettlement complete with clever use of sound. There is some inspired use of pre-existing music, and none of the choices and placements are questionable. No awkward use of Leonard Cohen here like there was in the film.
Every one of the nine episodes were clearly produced and directed with a lot of passion, especially evident in "This Extraordinary Being" and "A God Walks Into Abar" (containing some of the best television in recent years). This was clearly done by people that had clear love for the source material. The writing is throughout witty and thought-provoking, with a fair share of grit as well. Complete with some great references and inside jokes that are both knowing and affectionate. One of the funniest and strangest moments of the show being Veidt's trial. Once 'Watchmen' got going, the storytelling was very compelling, even if it was not a direct adaptation of the source material it always captures the spirit of it, more so than the film perhaps.
It is very bold and uncompromising in tone throughout, as ought, the themes in the source material carry over and are expanded upon. As well as done in a way that's relevant today and done with a lot of force in a way not for the easily-sensitive, which has been the source of the show's divisiveness here and online. Found the characters fascinating, the development of Looking Glass in "Little Fear of Lightning" being one of the most striking examples. All the performances are on point. Regina King is a commanding lead and Jean Smart is every bit her equal. Tim Blake Nelson kills it as Looking Glass, his performance in "Little Fear of Lightning" is a tour de force, and Jeremy Irons is a big improvement over Matthew Goode in the film (far more of a charismatic presence, a lot more enigmatic and energetic and he actually looked as if he was having fun).
Overall, very very good and nearly great, started off uneven for a few episodes but it became pretty much superb after that so well worth sticking with. 8/10
Not only is it an incredibly well-crafted series on all the best fronts of cinematography, story, effects, editing and acting performances, the way it spun the original Watchmen storyline around itself was mesmerizing. New, interesting characters combined with old favorites, and even a few shadows of their ghosts.
The performances by Regina King, Don Johnson, Time Blake Nelson and Yahya Abdul-Mateen III just to name a FEW of the outstanding roles, were award-worthy across the board.
Jeremy Irons, Jean Smart, Hong Chau, Louis Gossett, Jr...these were revelatory performances. Now a weak link among them.
Like a good book, I couldn't put it down and it left me wanting more. If you haven't seen it, you don't know what you're missing. I'm gonna go rewatch the series for a fourth time now.
The performances by Regina King, Don Johnson, Time Blake Nelson and Yahya Abdul-Mateen III just to name a FEW of the outstanding roles, were award-worthy across the board.
Jeremy Irons, Jean Smart, Hong Chau, Louis Gossett, Jr...these were revelatory performances. Now a weak link among them.
Like a good book, I couldn't put it down and it left me wanting more. If you haven't seen it, you don't know what you're missing. I'm gonna go rewatch the series for a fourth time now.
Le saviez-vous
- AnecdotesSecond attempt at a Watchmen TV series. Terry Gilliam attempted an adaptation in the early 90s, but could conceive the epic story being possible only on television. Gilliam's vision went into pre-production with HBO and cast Robin Williams as Rorschach, Jamie Lee Curtis as Silk Spectre, Gary Busey as the Comedian and Kevin Costner as Nite Owl. The project ultimately dissolved after HBO failed to provide a large enough budget for Gilliam's vision. Gilliam himself later claimed afterwards that an adaptation would've been "unfilmable" anyway.
- GaffesNumerous characters say "calvary" instead of "cavalry" when referring to the Seventh Kavalry.
- Crédits fousEach episode title appears onscreen as a sign or in the background of a scene.
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Détails
- Durée
- 1h(60 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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