Boy Erased
- 2018
- Tous publics
- 1h 55min
Le fils d'un pasteur de l'église baptiste est forcé de participer à un programme de conversion pour homosexuels ayant le soutien de l'église après été contraint de force de faire son coming ... Tout lireLe fils d'un pasteur de l'église baptiste est forcé de participer à un programme de conversion pour homosexuels ayant le soutien de l'église après été contraint de force de faire son coming out à ses parents.Le fils d'un pasteur de l'église baptiste est forcé de participer à un programme de conversion pour homosexuels ayant le soutien de l'église après été contraint de force de faire son coming out à ses parents.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 52 nominations au total
Avis à la une
As the synopsis states, This film tells the courageous story of Jared Eamons (Lucas Hedges), the son of a Baptist pastor Marshall Eamons (Russell Crowe) in a small American town, who must overcome the fallout of being outed to his parents - his mother Nancy Eamons (Nicole Kidman) is supportive of her husband's response. His parents struggle with reconciling their love for their son with their beliefs. Fearing a loss of family, friends, and community, Jared is pressured into attending a conversion therapy program. While there, Jared comes into conflict with its leader Victor Sykes (Joel Edgerton) and begins his journey to finding his own voice and accepting his true self.
The sessions in the therapy program dominate the film, with flashbacks of Jared in college and his rare gay acting out episodes with Henry (Joe Alwyn) and Xavier (Theodore Pellerin), misconstrued by invasive research by Sykes and his entourage. The fellow gay people are very well portrayed by Troye Sivan, Britton Sear, Emily Hinkler among others and one of the more realistic - about LGBTQ issues - characters, a Dr. Muldoon, is beautifully portrayed by Cherry Jones.
Lucas Hedges, Nicole Kidman, Russell Crowe and Joel Edgerton are all outstanding. The jolts of the film are many - including the facts about the characters as they are living now - and it is not an easy film to experience the truths about conversion therapy. But this is not only a fine film but also an important one for the public to learn about a process that still exists in some states.
That's the whole movie. Except for about 3 light moments scattered throughout the subject matter of conversion therapy and the environment our protagonist Jared is literally TRAPPED in is awful. The homophobia and control that the Love In Action conversion program enforces over the poor souls inducted into this brainwashing camp becomes increasingly extreme. The way it causes distress and breaks people is shown differently through the various side characters and none of it is good. This is a tragic story of the real abuse of LGBT people happening in the US (and gay conversion therapy isn't explicitly banned everywhere in Aus either).
I was on the edge of my seat, deeply breathing, sighing, putting my hands to my face in awe and distress, the whole way through. Just when I thought this movie couldn't get more uncomfortable it finds a new height.
It achieves all this through plot and intimate performances. Everything else is so stripped back and naturalistic. There's barely any music, or at least not very noticeable background music (with the exception of the song Revelation by Troye Sivan/Jonsi, which will likely vie for a nomination for best original song). It looks like they almost didn't have a lighting crew for more of the film, instead relying on house lighting for a dark, moody, or contrasting aesthetic. The whole thing feels not like a stylistic piece of cinema, but a realistic look at a person's life. Which is the point given it is inspired by the real experiences of someone who suffered through the abuse of conversion therapy. This film is so well put together.
I never want to watch it again. Which is weird for a film I love so much. But this movie is harrowing. It haunts me. I don't get very emotional over film but this subject and execution was just so deeply uncomfortable for such a long period of time that I don't feel the need to ever subject myself to that again. Which is a great recommendation if you want something to make you feel sad/distressed for nearly 2 hours straight.
Author Conley declined to convert his memoir to the film because he felt ill-equipped to do so, and Joel Edgerton, for the most part, did an okay job. I'm curious if the movie did justice to the book because while it was good, it wasn't as hard-hitting as one is inclined to expect from an LGBTQIA+-themed movie. Maybe it doesn't have to be, maybe we're just wired to expect controversy then engage in long-hours' worth of debate, trying to raise consciousness and empathy for this sector of society that continues to ask for it. This movie just quietly slips by, just enough to make you ask questions on where you are on the kindness spectrum. Whatever the effect is, the hope is that we all become like that doctor that helped our main character in her own little way. She explained she held religion, on one hand, and science on the other. Religion (the organization, not to be confused with God) does not have the answer to everything, nor does Science. You can't deny one over the other. You can't say a sweeping statement about how God works in mysterious ways, letting someone die of illness when there is a cure that can be given by Science.
There's a scene in the movie where it says one is being selfish by continuing to sin just because you're gay. We were raised by a society that did not know how to look at the LGBTQIA+. We followed what was the first one to talk about it which was the Bible. The question is, how come we keep clinging to one or two sentences in the Old Testament that looks down upon them when there are hundreds of statements in the New Testament about loving unconditionally. So, imagine someone confused, looking for understanding and acceptance from the outside world because he hasn't found it in himself yet, and the world's response is to disown, to harass and to become violent towards them. Did we really expect those negative responses to change a person for the BETTER? Did we forget that violence, begets violence? So instead of making the world a better place, the Bible by way of how people interpreted it, contributed to the damaged society that we now live in. The only hope is that we're becoming better as each new generation comes in. Whether we're in the right direction is still up for debate. For years we have tried discrimination that has led to suicide, depression, abuse and many more. Let's see where love and understanding will take us.
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Le saviez-vous
- AnecdotesGarrard Conley turned down the opportunity to write the adaptation himself as he believed a filmmaker would be better fit to translate his memoir to the big screen.
- GaffesThe flag in the therapy room is hung backwards, with the canton to the right.
- Citations
Brandon: [with boys lined up on a masculinity scale] Fake it till you make it. Become the man you are not. So, you think Cameron here is the big winner, huh? You think being big and tall and overeating immediately puts a guy at the front of the line, but it's more that triangles and postures and genetics. A firm handshake. Let's go! Do it.
- Crédits fousThe title isn't shown until 11 minutes into the movie.
- ConnexionsFeatured in WatchMojo: Top 10 Early Oscar Contenders You NEED to See (2018)
- Bandes originalesThe Good Side
Written by Troye Sivan, Allie X (as Alexandra Hughes), Bram Inscore, Jack Latham, Leland and Ariel Rechtshaid
Performed by Troye Sivan
Courtesy of Capitol Records/Universal Music Australia
Under license from Universal Music Enterprises
Meilleurs choix
- How long is Boy Erased?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Corazón borrado
- Lieux de tournage
- Atlanta, Géorgie, États-Unis(on location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 11 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 788 692 $US
- Week-end de sortie aux États-Unis et au Canada
- 207 057 $US
- 4 nov. 2018
- Montant brut mondial
- 11 853 081 $US
- Durée1 heure 55 minutes
- Couleur
- Rapport de forme
- 1.85 : 1