It's hard to write a spoiler-free review of this film because as soon as you say "Ethan Minsker," you've given away a huge part of the story. Ethan has been at this for a long time-since he was a kid in many ways. At what? Filmmaking, rebel-rousing, DIYing, punk rocking, zinstering, and making, making, making. He's made a lot of movies over the years and finally made one about himself; he's earned it.
I'm a fan highly-specific stories that reveals the universality of our experience. Man in Camo is part biography, part manifesto, part self-exploration. I firmly believe everyone has a story to tell, but not everyone has the means (or gumption) to tell their own. There's a cautionary tale in here somewhere too, written and read between the lines. You don't have to be from New York to get something out of this-you don't have to be a writer or director, and you don't have to be Ethan Minsker.
We did a special screening of this film at our fest (Vidlings & Tapeheads Film Festival 2018, Hamtramck, Michigan). Ethan came out and led a robust Q&A after the film and the audience, strangers to Ethan's work, stuck around well past the alloted time and were fully-engaged throughout.
Frenetic editing, visually rich with about three dozen different animation techniques employed to liven up interviews and interstitials, Man in Camo is Minsker using everything he's learned in his life to tell the story of his life-celebrating his passions in the medium(s) of his passions.
